Robert Morson Hughes (1873-1953) British, Rural

Robert Morson-Hughes (1873-1953) A Summer landscape, oil on panel, signed, 6" x 9.5", (15x24cm) and a mountain landscape, oil on board, signed, 7" x 8.5", (18x22cm) (2).

Robert Morson-Hughes (1873-1953) A tree lined landscape, oil on board, signed, 10" x 14", (25.5x35.5cm).

Robert Morson-Hughes (1873-1953) Farmhouse with buildings in a landscape, oil on board, signed, 10" x 14", (25.5x35.5cm).

Robert Morson Hughes (English, 1873-1953)Cornish Landscapeoil on canvassigned lower left20 x 24in (51 x 61cm) Provenance:Property from the Estate of Walter Nelson, ASID, San Diego,

Robert Morson Hughes (English, 1873-1953)Cornish Landscapeoil on panelsigned lower right8 x 10in (20.5 x 25.5cm) Provenance:Property from the Estate of Walter Nelson, ASID, San Die

Portrait of a lady Oil on canvas Signed and dated 1904 bottom right H. 24" W. 20"

Robert Ball Hughes (British-American, 1804-1868): Sir John Falstaff Examining the Recruits Provided for Him by Justice Shallow, 1866. Pyrography on wood panel, after the painting by Sir John Gilbert (

Joseph William Topham Vinall (British, 1873-1953) Oil on Wood Panel, the Bandit, H 23" W 19.25" | Signed lower right. Bearing a 'Joseph Bourlet & Sons' label and 'Hudson's' label affixed to verso. Fra

Monumental Painting Oil on Canvas, Joseph Williams Topham Vinall, British (1873-1953). "Ancient Procession Time Mural". Signed Lower Left and Paper Label on the Back.Condition: Generally Good Conditio

ICON #4, 1984, acrylic painting with collage on paper, signed and dated lower center, 80 x 42 ½”, frame 85 ½ x 48” with Plexiglas. Provenance: Robert Fraser Gallery, London.

After Robert Brandard (British, 1805-1862), "Dover Castle, Kent", engraved by W. Floyd, sheet 6 1/2 in. x 9 in.; together with After Edwin Landseer (British, 1802-1873), "Interior of a Highlander's Co

George Vivian (British, 1798-1873) Seascape with Ships oil on canvas signed and dated "Robert F., G. Vivian, 1870" (lower right) 48 1/2 x 41 1/2 inches (sight) 55 x 49 inches (frame) Provenance:Privat

Original studio stamped Black 13 (1953) movie poster. Folded as original. British crime drama film directed by Ken Hughes, a remake of the 1948 Italian film Gioventu Perduta (Lost Youth) by Pietro Ger

Arthur Hughes (British, 1832-1915) Portrait of Mrs Waring Finch and two of her children signed and dated 'ARTHUR HUGHES-1872' (lower right) oil on canvas 112 x 132cm (44 1/8 x 51 15/16in). Footnotes

Arthur Hughes (British, 1832-1915) Study for Sir Galahad, the Quest for the Holy Grail signed 'AHughes' (lower left) oil on panel 27.5 x 39.8cm (10 13/16 x 15 11/16in). Footnotes: Pai

Patrick Hughes (British, born 1939) Pop Hand-painted 3D multiple with lithography, 2008, signed and numbered 2/45 in pencil, published by Flowers Gallery, London, housed in a perspex presentation box,

THIRTY-EIGHT STICKS, HONSHU, JAPAN 2002, gelatin silver print mounted to card, signed and dated and numbered 18/45 in pencil on the card, image 7 ½ x 7 ½", framed.

Exposed Egyptian Temple Façade with Figures and Goats. Unsigned. Watercolor on Paper. 40 by 34 in. (Cond: approx. 7 in. tear from center top down, partly repaired, small creases to margins, corners,

Boleslaw VON SZANKOWSKI (1873-1953) OIL ON MASONITE BOARD 41" X 34" IN EXCELLENT CONDITION.

Arsene Matton (Belgian, 1873-1953) , "Stormy Seas", patinated bronze, signed "Arsene Matton", verso, depicting a young man at the tiller of a boat, with waves breaking over the sides, h. 22 3/4 in., w

Oscar Anderson (1873-1953) In Winter, Gloucester Harbor oil on canvas mnt. on board, 25 x 30 in., signed

Oil on canvas. Signed lower right. Talbot Hughes, British, exhibited at the Royal Academy (1869-1942). Approx. 41" H x 31" W unframed, 47 1/2" H x 37 1/4" W framed. (5155)

Follower of Patrick Hughes (British, b. 1939), Untitled (Homage to Warhol), 2011, acrylic and collage on wood, initialed "R" and dated lower right, overall: 232"h x 55"w x 7"d

David Roberts (British, 1796-1864). Oil on panel painting depicting an interior scene of a cathedral, with groups of figures praying and walking toward the altar. The scene is dramatically lit by the