Roberto Matta, Carne Amont, Aquatint Etching

Roberto Matta (Chilean, 1911-2002) Carne-Amont Suite (Complete Portfolio of Six), 1979 etching and aquatint each signed and numbered 45/100 Each: 19 1/4 x 14 7/8 inches.

Title: Roberto Matta Aquatint Etching Abstract Surreal ed100 Description:Roberto Matta Aquatint with Etching Abstract Figurative Surrealist printed in colors. Printed on Arches wove paper by Atelier G

Acquaforte acquatinta; Dimensioni foglio 51 x 66 cm; Dimensioni immagine 41 x 55 cm; Tiratura 250 + XXV; Firmata in basso a destra a matita dall'Artista; Numerata XI/XXV; Editore e stampatore George V

Title: Abstract Surrealist Roberto Matta Etching Aquatint Description:Abstract Figurative Surrealist Roberto Matta Etching with Aquatint printed in colors. Printed on Arches wove paper by Atelier Geor

Aquatint etching by Roberto Matta titled 4AM From L'Arc Obscur des Heures. Numbered 56/125. Circa 1975. Measures 19 1/4" x 27" (43" x 33 1/2" framed) Provenance: Museum of Contemporary Art Monterrey,

Original signed etching aquatint by Roberto Matta (Chilean, 1911–2002), from the portfolio "Bachanal". Pencil signed lower right and pencil numbered lower left "XXVII/XXX" (27/30). Sight seen approx

Original signed etching aquatint by Roberto Matta (Chilean, 1911–2002), from the portfolio "Bachanal". Pencil signed lower right and pencil numbered lower left "XXVII/XXX" (27/30). Sight seen approx

Original signed etching aquatint by Roberto Matta (Chilean, 1911–2002), from the portfolio "Bachanal". Pencil signed lower right and pencil numbered lower left "XXVII/XXX" (27/30). Sight seen approx

Roberto Matta, Chilean (1911-2002) Etching and Aquatint on Paper, L'Arc Obscure Des Heures -12:00 PM" Signed and Numbered 111/125 in Pencil on Lower Margin. Measures 25" H x 36" W, frame measures 36-1

Roberto Sebastian MATTA (1911-2002) Chilean artist aquatint etching. 31 3/4 in H x 26 3/4 in W frame included, 22 in H x 17 1/2 in W without frame. Shipping in USA or International please contact both

Artist: Roberto Matta (1911-2002) Medium: Etching, aquatint Date: 1964 Dimensions: 11 x 8.75 in. Sight; 18.25 x 14.25 in. Framed Signature: Matta, LR Condition: Excellent Provenance: Private collectio

Roberto Matta (Chilean, 1911-2002) Etching with Aquatint in Colors on Paper, 1972, "Les Oh Tomobiles: Plate 1", H 16.25" W 21.75" | Signed lower right and numbered lower left. Printed and published by

Roberto Sebastian Matta Untitled etching and aquatint in colors image: 14.875 h x 19.375 w in (38 x 49 cm) sheet: 19.625 h x 25.75 w in (50 x 65 cm) Inscribed illegibly to lower edge.

VITREURS (F.213), from the Hom’mere III series, 1976-77, color aquatint etching on Japan paper, signed and numbered 12/100, printed and published by Georges Visat, image 19 ½ x 14 ¾&#8

THE OPPRESSORS LES OPRIME, 1983, color aquatint etching, signed and numbered 35/100 in pencil, image 14 ¾ x 19 ¼”, full margins, hand-made custom frame 29 ¼ x 33” with Plexi

Roberto Matta (1911-2002) GRAND CIRCUS Color etching and aquatint, 1975, on Arches paper, signed and numbered 95/100 in pencil, published by Editions Sonnet, Stockholm, the full sheet, unframed. Sheet

ARC OBSCUR DES HEUVES 5 P.M. (F.110), 1964, color aquatint etching on Japan paper, signed in pencil, from the numbered edition 125, image 19 x 26 ¾”, full margins, some creases and soft handling cr

HOM’MERE III: TRANCHETRE (F.209), 1977, color aquatint etching, signed in pencil, numbered 60/100, printed and published by Georges Visat, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾��

HOM’MERE III: L’ERGOFRAGE (TITIANIC) (F.207), 1977, color aquatint etching, signed in pencil, numbered 60/100, image 19 ¼ x 14 ¾”, full margins, frame 28 ¾ x 21 ¾” with glass.

Matta, Roberto (Chilean, 1912-2002), ON SE LASSE DE TOUT SAUF DU CIBTRAURE (S.371), 1974, from the NOBEL PRIZE portfolio, 1974, color etching and aquatint, 16 x 22.5 inches, pencil signed and numbered

LES HELVEMENTS (Sonet 220), 1970, color aquatint etching, signed and inscribed E/A (artist’s proof) in pencil, with the L’Oveuvre Gravee blind stamp, sheet 22 ½ x 30”.

UNTITLED, circa 1985, color aquatint etching, signed and inscribed EA (artist’s proof) in pencil, artist’s blind stamp lower right and E Ne L’Incendio O’ Una Fredda Stampa

LE CONMER from Hom’mere III (Ferrari 208), 1976-77, color aquatint etching on Japan paper, signed and numbered 52/100 in pencil, plate 19 ½ x 15”, full margins, frame 29 ½ x

UN SAISON EN ENFER (F.214-223), 1977-1978, the portfolio of ten color aquatint etchings, each signed in pencil and numbered 34/100, sheets 26 x 20", printed by Georges Visat, published by Ediciones Po