SIGNED AQUATINT ETCHING LUIGI KASIMIR FULTON MARKET

A colored aquatint etching print by Luigi Kasimir, titled Fulton Market. The striking print represents a fish market in Hunts Point, New York City on cream colored paper in the artists signature manne

Etching and aquatint. The Fulton Fish Market, NYC. Pencil signed l.c.; 18in. X 12.5in.(image size)

LUIGI KASIMIR Colored Etching, Signed, Fulton Market NY. Pencil signed, titled, original framing. Size: 26 x 20" outside of frame

Luigi Kasimir (Austrian, 1881-1962) colored etching, Fulton Fish Market, New York, 1936. Signed in pencil, lower to the center. Dated in plate, 2, MAI 36, lower right. Framed. The auction paper label

A colored aquatint etching print by Luigi Kasimir, Manhattan and Waterfront, 1936. Hand signed in pencil by the artist on the lower center. Matted and framed. Bears a Kennedy Galleries Inc. paper labe

A colored aquatint etching print by Luigi Kasimir, New York, c 1936. The print shows an image of lower Manhattan. Hand signed in pencil by the artist on the lower center. Matted and framed. Bears a Ke

Drypoint etching and aquatint. Lilienfeld Monastery. Pencil signed; 17.5in. X 22.75in.(image size)

Luigi Kasimir aquatint etching with Estate Signed Signature. Pencil signed "Luigi Kasimir" lower center. Titled "Riders No.537" lower left of sheet. Measures 13.25" x 10" image size and 20" x 16" shee

Aquatint and etching. Wartburg Castle, Germany. Pencil signed. Original gallery label on reverse; 16.5in. X 22.5in.(image size)

A beautiful colored aquatint etching print by Luigi Kasimir, titled Fifth Avenue, 28. Oct. 1927. The striking print represents a wonderful city landscape with an elegant tall tree and old fashioned ca

A colored aquatint etching print by Luigi Kasimir, titled Park Avenue, New York, c 1930. The striking print represents a New York City street scene. Hand signed in pencil by the artist on the lower ce

A colored aquatint etching print by Luigi Kasimir, titled Wallstreet April, 1936. The striking print represents a street in the Financial District of Lower Manhattan in New York City on cream colored

A colored aquatint etching print by Luigi Kasimir, titled Nassau Street, ca. 1927. The striking print represents a busy New York City street scene. Hand signed in pencil by the artist on the lower rig

A colored aquatint etching print by Luigi Kasimir, titled Saint Bartholomews, April 1930. The striking print represents a wonderful city landscape on cream colored paper in the artists signature manne

An antique colored aquatint etching print by Luigi Kasimir, titled Coenties Slip, 1927. The striking print represents Lower Manhattan, Financial District on cream colored paper in the artists signatur

A Luigi Kasimir (Aust. 1881-1962) etching with aquatint. Portraying a view of "Vienna (Wien) Over the Roofs", the work is signed and titled, in pencil. Framed, under glass. "Salesinner Kirche" notated

A Luigi Kasimir (Aust. 1881-1962) etching with aquatint. Portraying a view of Vienna (Wien), the work is signed and titled, in pencil. Framed, under glass. Measures : Sight 21 3/4" x 15 1/2" Plate 12

Artist signed, L. Kasimir, etching is 18.25X14.25 inches, frame is 25.25X21.25 inches

LUIGI KASIMIR (Austro-Hungarian 1881-1962) "Venice, Market Place" and "Venice, Grand Canal" Etching and aquatint. Both measure; sight: 19 1/4 x 24 3/8 inches; Frame: 29 1/2 x 33 1/2 inches. Both are s

Artist signed, L. Kasimir, etching is 18.25X14.25 inches, frame is 25.25X21.25 inches

Luigi Kasimir (Austrian, American, 1881-1962), colored etching and aquatint on paper, New York The Minaret, 1927. Dated in print lower left. Signed in pencil, lower to the center. Framed. The original

CATHEDRAL PARK, color aquatint etching, estate signed in pencil, plate 13 x 8 ½”, full margins, frame 20 ½ x 16”.

Luigi Kasimir (1881-1962), Weissenkirchen (Austria), view of the church above the town, color etching and aquatint, signed in pencil lower center, titled in plate lower right. Appx 10" x 9 3/4" viewed

VIENNA OPERA HOUSE I, 1922; GRIZING, 1940, two color aquatint etchings, both signed in pencil, the latter probably estate signed, images 17 ¾ x 15” & 17 ½ x 22 ½”; both with full margins and fr