SIR TERRY FROST (England, 1915-2003), Black on Mauve Gray., Color screenprint, with full margins,

SIR TERRY FROSTEngland, 1915-2003Black on Mauve Gray. Published by Leslie Waddington Prints, London. Printed by Kelpra Studio, London, with their ink stamp verso. Signed, dated and numbered 8/75 in pe

SIR TERRY FROSTEngland, 1915-2003Ice Blue, 1972. Published by Leslie Waddington Prints, London. Printed by Emil Matthieu Atelier, Zurich. Signed, dated and numbered 24/65 in pencil lower margin. Kemp

SIR TERRY FROSTEngland, 1915-2003Zebra, 1972. Published by Leslie Waddington Graphics, London. An artist’s proof, aside from the edition of 65. Signed, dated and inscribed “Artist’

SIR TERRY FROSTEngland, 1915-2003Blue Suspended Form, 1970. Published by Leslie Waddington Prints, London. Printed at Emil Matthieu Atelier, Zurich. Signed, dated and numbered 73/75 in pencil lower ma

Terry Frost (British, 1915-2003) Black on Mauve-Grey, 1968 1968. Lithograph in colors. Signed and dated 'Terry Frost 68' (lower right) and numbered edition 38/75. 40 x 27 in. Property of The Everson M

Frost, Sir Terence 'Terry' (British, 1915-2003), Abstract in Red and Black, 1996, tempera on paper, signed and dated in pencil to lower right, full sheet 8 x 10 inches, floated in a wood frame 16 x 17

BLACK ROBE (W.7 pg 147), lifetime color screenprint, signed and numbered 88/90 in pencil, published by Mirage Editions, image 37 x 22”, full margins, discardable frame 49 x 33 ½” wi

Victor Vasarely (1906-1997) [COMPOSITIONS] Four color screenprints, 1968, signed and numbered 132/250, VIII/CL, 94/150 and 203/250 in pencil or black ink, with full margins, unframed. Largest sheet 43

LOUIS DELSARTE (1944 - 2020) The Letter. Color screenprint on Rising ply rag paper, 2003. 628x469 mm; 24¾x18½ inches, full margins. Signed, titled, dated and numbered 24/100 in pencil, lower

Cream of mushroom, from Campbell's Soup II, 1969.Screenprint in colors, on wove paper, with full margins.Signed in black ball-point pen and stamp-numbered 250 on the reverse, published by Factory Addi

Chiken noodle, from Campbell's Soup II, 1969.Screenprint in colors, on wove paper, with full margins.Signed in black ball-point pen and stamp-numbered 250 on the reverse, published by Factory Addition

Vegetable, from Campbell's Soup II, 1969.Screenprint in colors, on wove paper, with full margins.Signed in black ball-point pen and stamp-numbered 250 on the reverse, published by Factory Additions, N

Kerry James Marshallb. 1955May 15, 20012003Four color screenprint on Arches 88 paper27-1/2 x 22-1/2 inchespencil signed, titled, and numbered 48/60, lower marginblind stamped

ROBERT GWATHMEY (1903-1988) Tobacco Farmers. Color screenprint. 345x267 mm; 13x10 inches, full margins. Edition of 300. Signed twice in ink, lower margin. Published by the National Serigraph Society.

STUART DAVIS Study for a Drawing. Color screenprint, 1955. 187x195 mm; 7x7¾ inches, full margins. Edition of 100. With the estate stamp on a certificate of authenticity. A superb impression of th

ROMARE BEARDEN (1911 - 1988)Sorcerer's Village (Sorcerer).Color screenprint, 1972. 417x500 mm; 16x19¾ inches, full margins. Signed, titled and numbered 21/125 in pencil, lower margin. Printed b

CHARLES SHEELER Architectural Cadences #4. Color screenprint, 1954. 159x222 mm; 6¼x8¾ inches, full margins. Signed, dated and numbered 50/100 in pencil, lower margin. Printed by Tiber Press,

SAM GILLIAM For Xavier. Color screenprint, 1990. 730x955 mm; 28¾x37 inches, full margins. Signed, titled, dated and numbered 69/99 in pencil, lower margin. Printed by Stovall Printmaking Workshop

RALSTON CRAWFORD Grey Street. Color screenprint, 1940. 307x380 mm; 11¾x15 inches, full margins. Signed, titled and dedicated in pencil, lower margin. A superb, richly-inked impression of this ver

KEITH HARING (1958-1990) Untitled (Wedding Invitation). Color screenprint on canvas. 161x165 mm; 6x6½ inches, full margins. Signed, dated, numbered 24/125 and with the artist's cipher in felt-tip

from 11 Pop Artists, Volume III (C. 39) Screenprint in colors, 1965, on wove paper. Signed in pencil, numbered 145 of 200. Published by Original Editions, New York, with full margins 35.5in. x 25.5in.

KERRY JAMES MARSHALL (1955 - )Dailies (At Last).Two-color screenprint on BFK Rives paper, 2010. 540x737 mm; 21¼x29 inches. full margins. Signed, titled, dated and numbered 4/5 II in pencil, low

JEAN DUBUFFET Territoire et paysan. Color screenprint on Arches, 1974-75. 535x395 mm; 21¼x15½ inches (sheet), full margins. Initialed, dated and numbered 24/50 in pencil, lower right. Publis

LOVE from the ‘Book of Love’, 1996, color screenprint, signed and numbered 114/200 in pencil, published by American Image Edition, image 18 x 18”, full margins, frame 26 x 22”