Steve Zoller (20th/ 21st Century) Mexican/ Californian

PARADISO LAMP, 1993, colored resin forms and metal construction, 23 ½” tall, in working order.

STILL LIFE, color giclee with extensive acrylic painting, signed and numbered 41/295 lower left, with wavy wooden frame, overall 32 ½ x 26 ½ x 4 ½”.

SURFS UP; BEACH HOUSE, two color giclees with some acrylic painting, signed and numbered 26/295 & 3/295, both with wavy wooden frame, overall 12 x 14 x 2 ¾” & 14 x 12 x 2 ¾”. (2)

TRUE TREASURE, 2002, color giclee with extensive acrylic painting, signed and numbered 156/295 lower left, printed by Talon Graphics, with artist's wavy wooden frame with copyright branding, overall 3

NORTH SHORE CALLING, 2003, color giclee with extensive acrylic painting, signed and numbered 13/245 lower left, printed by Talon Graphics, with artist's wavy wooden frame with copyright branding, over

CAMPBELL SOUP FLAG, ceramic sculpture from broken vintage McCoy Company soup bowls, 27 ½ x 37 ½” including frame. A similar flag with an estimate of $400/600 from Tommy Hilfiger’s collection sol

Jo Ramirez MILAGRO (Downtown L. A.), 1998, acrylic painting on wood, signed and dated lower right, 40 x 21 ”, in good studio condition; Together with Alice Childrey MERRITT LAKE, OAKLAND, acrylic pa

STANFORD HILLS #81-1994, charcoal drawing on paper, initialed and dated in pencil lower left, 20 x 30”, framed. Provenance: Tatistcheff Gallery Inc. Los Angeles

CROW, charcoal drawing on paper, signed lower right, sheet 36 x 22”, framed, in apparently good studio condition.

GRAFFITI, 2007, spray painting on canvas, signed on verso, 30 x 48”. Provenance: Scion Installations, Culver City.

UNTITLED, 1991, oil painting on copper over panel, signed and dated on verso, 24 x 24”, in good studio condition.

BICICLETA MARIANA, a youth’s bicycle with rotating automotive camshaft base and hand-etched and polished glass wheels, a signature not found, 37” tall, 46” wide, 21” deep. Provenance: Miranda

GIRL ON RAILING OF STAIRS, 1989, oil painting on canvas, initialed and dated lower left, 102 x 96”, in good studio condition.

FOLIO CONCRETIONS, 1992, four works, each encaustic and ceramic on layered stitched fabric with hand-made stitched linen portfolio case, signed, titled and dated on inside case cover, each component 7

HANDS, 2005, graphite and lacquer on wood panel, signed and dated on verso, 48 x 48”, in good studio condition.

BOWLING SIGN, watercolor on paper, signed lower left, sight 28 x 12 ”, framed with glass, in apparently good studio condition. Provenance: Orlando Gallery, Tarzana.

BREAK, 2009, oil painting on Mylar, signed and dated lower right, image 4 ¾ x 7 ½”, sheet 11 x 14”, framed, in good studio condition. Provenance: Lora Schlesinger Gallery, Santa Monica.

UNTITLED, gouache on paper or board, signed by both artists lower center and lower left respectively, sight 6 ¼ x 11 ½”, frame 17 ¾ x 21 ¾” with glass.

CROWS, two charcoal drawings on paper, one on a map of North America, both signed lower left, sheets 14 x 11” & 14 ½ x 10 ¼”, the map with a small pre-existing tape stain upper right corner, bot

CAFÉ BREAK, watercolor on paper, signed lower right, titled on verso, image 17 ¾ x 25”, sheet 22 x 28 ½”.

STUDIO FIGURE, 1982, oil painting on canvas, signed and dated on verso, 20 x 16”, handsomely framed. Provenance: Contemporary Realist Gallery, San Francisco.

MAGGIE II, 1998, oil painting with sand on canvas, signed and dated and titled on verso, 36 x 24”; ROSE, 1994-2000, oil painting on panel, signed and dated on verso, 48 x 11 ”, both in good studio

VARIOUS, four oil paintings on canvas, each signed, one titled on back, three 16 x 27” and one 16 x 26”, one with some craquelure; otherwise all in good studio condition. (4)

FOLLOW THE MONEY, 2009, aerosol paint and screenprint on canvas, initialed and dated and titled on stretcher bars, 16 x 16”, a few smudges and scuffs; ELVIS, THE UNTOLD STORY, color screenprint, ini