Taro YAMAMOTO: "Spring Concert" , 1962 - O/C

Sam (Samir) Barber (American / Italy b. 1943), "Colors of Spring" 1985, oil on canvas depicting an Impressionist style lily pond with yellow flowers and tall grass, signed "S Barber" to the lower left

Morris Shulman (Am. 1912-1978) Green Abstract (Monhegan), 1962 Oil on canvas, framed Signed and dated u.r. 44" x 54" actual, 45 1/8" x 55" framed Provenance: Private Collection Massachusetts

TARO YAMAMOTO (1919 - 1994) JOHN GWINN (b. 1937) Two large paintings, oil and sand on canvas and oil on canvas, USA, 1959/1970s Yamamoto signed and dated Yamamoto: 50" x 60", other: 70" x 48" Provenan

Titled 'Roody Toody Bee-Bop', colorful and vibrant abstract oil on canvas. Signed and dated lower right '90. Titled on cross brace of stretcher bar. Taro Yamamoto is known for abstract painting. AnAme

Taro Yamamoto (1919-1994) Lot of four untitled (sand paintings), c.1970 Oil, sand on panels Signed in corners

Three works on paper, all matted. One signed lower right Taro; one signed Taro lower right; one signed Taro, 56 lower right.  Sight: 15 5/8 x 11 3/8 inches. Matts: 23 x 18 inches. Condition: Bug

Taro Yamamoto (American, 1919-1994) modern abstract oil on canvas with expressionist and geometric motifs, signed and dated lower right: "Yamamoto '87." Image: 30" H x 40" W; frame: 31" H x 41.25" W x

Taro Yamamoto, Am. 1919-1994, Untitled, Mixed Media on Japanese Paper, 12" x 16" Actual, 20.5" x 24.5" Framed.

Taro Yamamoto (1919-1994) Untitled (Splattered Abstract), 1958 Colored ink on rice paper Signed lower right 100% of proceeds from this sale go to PAAM

[Science] Carson, Rachel. Silent Spring. Houghton Mifflin Company, Boston, 1962. First edition and First Printing. Signed by Carson on title page. 8vo. Green cloth with dust jacket. Condition Near fin

Taro Yamamoto - American New York Connecticut 1919-1994 - Midcentury Abstract Mixed Media Painting with Colored Sand on Hand Made Paper. Signed, Dated Lower left. 13" x 17" Provenance: Private New Yor

Taro Yamamoto,California, Connecticut, New York,1919-1994 Untitled expressionist composition of black ink soaked over blue, red, orange, and green. Watercolor on paper,19 1/4" x 24 1/4", Originally pa

Lot comprised of four works on paper. (1) signed lower right Taro Yamamoto 71; sight: 13 1/4 x 10 1/2 inches. Matt: 20 x 16 inches. Condition: Good, masking taped corners. (2) signed lower right:

Louis O Griffith (IN, 1875-1956) 20x24 , O/C , signed lower left , "Spring Day" , Depicting: Brown County, IN, landscape , Titled: titled on stretcher verso Provenance bears Hoosier Salon consignment

David Schluss (American / Israeli, b. 1943), 'Joy of Spring' oil on canvas depicting geometric shapes creating a figural and musical scene, signed to lower right, unframed. Provenance: From the Privat

A Balenciaga couture cloth of gold cocktail suit, probably Spring-Summer 1962, Paris labelled and numbered 83293, the lustrous fabric woven with stylised honeysuckle repeats, the sleeveless dress with

Scott L. Christensen (American, b. 1962), "Spring Thaw, Antelope Flats," oil on panel, signed lower left, signed and titled verso, gallery label (Trailside Galleries, Scottsdale, AZ) affixed verso, pa

ARTIST: Guy Carleton Wiggins (New York, Connecticut, Florida, 1883 - 1962) NAME: Spring on the Hills YEAR: 1927 MEDIUM: oil on board CONDITION: One scratch. No visible inpaint under UV light. SIGHT SI

A Yohji Yamamoto shibori-dyed dress, Spring-Summer, 1995, labelled and size S, the double-layered black open-weave bodice which is open at the back to reveal a skirt of printed coral pink and green te

Lot 95 ABRAHAM ANGHIK RUBEN, O.C. (1951-), PAULATUK / SALT SPRING ISLAND, B.C. Bird Shaman, 1997 stone, 24.5 x 34 x 14 in (62.2 x 86.4 x 35.6 cm) signed and dated: “ANGHIK ‘97”. Prov

Lot 45 ABRAHAM ANGHIK RUBEN, O.C. (1951-) PAULATUK / SALT SPRING ISLAND, B.C. Tupiluk, 1977 stone and antler, 12.75 x 23 x 11.25 in (32.4 x 58.4 x 28.6 cm) signed and dated: "A.A. ANGHIK © 1977".

A Yohji Yamamoto 'robe de style' dress, Spring-Summer, 1996, labelled and size S, with integral black mesh upper bodice, sweetheart neckline to the boned over-dress, formed from patchworked strips of

Yohji Yamamoto Two-Piece Flounced Dress, Spring/Summer 1999 The Kyoto Costume Institute holds an example of this dress (acc. AC9739 98-42"”3AB), which is illustrated on page 671 of the museum's

Ron Williams (Tennessee, d. 2016) oil on canvas painting of springtime view of the Smoky Mountains and stream. Signed lower right. Housed in elaborate gilt molded frame. Knoxville framer's label en ve