Thomas Hart Benton (1889–1975): Rainy Day

Thomas Hart Benton (1889–1975) Rainy Day, 1938, pencil signed lower right,published by Associated American Artists,Image 8 3/4" x 13 1/2", Sheet: 12" x 16", unframed

lithograph; 1938; pencil-signed lower right; published by Associated American Artist's Gallery Image: 8 3/4 x 13 1/2 in. (22.2 x 34.3 cm.), Sheet: 12 x 16 in. (30.5 x 40.6 cm.)

THOMAS HART BENTON(American 1889-1975)Rainy Daylithographsigned Benton in pencil lower rightplate: 8 3/4 x 13 1/4 in. f rame: 15 1/2 x 19 1/2 in.Provenance: A Cape Cod Massachusetts Col

THOMAS HART BENTON (1889-1975) Rainy Day, 1938 Print in Colors, Printed in the 1960s 7" x 10 3/4" Thomas Hart Benton was an American artist whose paintings, lithographs, and murals contributed to the

THOMAS HART BENTON (American 1889-1975) A PRINT, "Rainy Day," SIGNED, NEW YORK, 1938, lithograph on cream wove paper, signed in pencil L/R "Benton," from the edition of 250 published by Associated Ame

Thomas Hart Benton (Missouri, 1889-1975) Frisky Day 1939 The lithograph is published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower

Excellent, framed under glass. Lithograph, 1938. Image size 8 3/4" x 13 1/4". Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very good impression.

Thomas Hart Benton (American, 1889-1975), lithograph on paper "Frisky Day", pencil signed, original AAA certificate, 7-13/16" x 12" image, 12" x 16" sheet, very good condition, tape marks in margins

Artist: Thomas Hart Benton (1889-1975) was an American painter and muralist. Along with Grant Wood and John Steuart Curry, he was at the forefront of the Regionalist art movement. The fluid, sculpted

Artist: Thomas Hart Benton (1889-1975) was an American painter and muralist. Along with Grant Wood and John Steuart Curry, he was at the forefront of the Regionalist art movement. The fluid, sculpted

Thomas Hart Benton (1889-1975) Frankie and Johnnie (1936) The lithograph from an edition of only 100 prints published by Associated American Artists is signed by the artist in pencil below the image l

Thomas Hart Benton (1889-1975) The Race (Homeward Bound) 1942 The rare and desirable Thomas Hart Benton lithograph printed by Associated American Artists on wove paper in an edition of 250 prints is s

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

Thomas Hart Benton (1889-1975) Prodigal Son 1939 The lithograph signed by the artist in pencil below the image lower right and titled lower left with dedication, an edition of 250 prints published by

Thomas Hart Benton (1889-1975), Running Horseslithograph, 1952, pencil signed at lower right, edition of 75 (from an intended edition of 100), published by Associated American Artists, New York, with

Thomas Hart Benton (1889-1975) Morning Train (a.k.a. The Station) 1929 Benton's first lithograph, circulated by Delphic Studios in an edition of only 110 prints or fewer, is signed by the artist in pe

Thomas Hart Benton (1889 - 1975) The Music Lesson 1943 The lithograph published in an edition of 250 prints by Associated American Artists is signed by the artist in pencil below the image lower right

Thomas Hart Benton (1889-1975) Forward Pass 1972 The lithograph published by Associated American Artists in an edition of 250 prints is signed by Benton in pencil below the image lower right and liste

Thomas Hart Benton (1889-1975) Making Camp 1972 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right and li

Thomas Hart Benton An Untitled Study of Cowboy on Horseback 1931 Graphite, ink and watercolor on paper, initialed lower right, probably from the artist's trip to Wyoming n the early 1930s. Sheet measu

Thomas Hart Benton (1889-1975) Jessie and Jake 1942 The lithograph published by Associated American Artists in an edition of 250 prints is signed by the artist in pencil below the image lower right an

Thomas Hart Benton (1889-1975) New England Farm 1951 The Martha's Vineyard farm of fellow painter and cartoonist Denys Wortman was the subject of this lithograph commissioned and circulated by the Fri

Thomas Hart Benton (1889-1975) Fire in the Barnyard 1944 The lithograph signed by the artist in pencil below the image lower right, from an edition of 250 prints, Fath number 64. Benton comments in Cr

Thomas Hart Benton (1889-1975) Self Portrait 1972 The lithograph signed by the artist in pencil below the image lower right, from an edition of 300 prints, Fath number 84. In Creekmore Fath's catalog,