UMBERTO MARIANI Taghelmoust: the veil.

UMBERTO MARIANI (Milan, 1936) Djinn masquerade, 1968 Mixed media on paper, 70 x 50 cm Signed lower right: Mariani, 4 dicembre 68. A stamp by Galleria Piattelli in Rome on the back Good conditions, fra

UMBERTO MARIANI (Milan, 1936) Airborme Djinn, 1968 Mixed media on paper, 70 x 50 cm Signed lower right: Mariani, 9 novembre 68. A stamp by Galleria Piattelli in Rome on the back Excellent conditions,

Biagio, Tarcisio, Umberto, and Emilio Mariani (The Creative Group) Dandy sofa i4 MarianiItaly, 1986canvas upholstery, leather, plastic 30 h x 82 w x 35 d in (76 x 208 x 89 cm) Printed ma

Paul Jenkins Phenomena Violet Veil 1966watercolor on paper 30.375 h × 22.125 w in (77 × 56 cm) Signed to lower left 'Paul Jenkins'. Provenance: Martha Jacks

(1897-1970 Guatemalan) Tropical landscape, framed oil on canvas, signed lower right, approximate image size 35" x 40 1/2", frame 42" x 47".

Signed and numbered photograph by Ansel Adams, signed lower right just below the photograph on mount. "special edition of fine prints, Photographs of Yosemite by Ansel Adams, This print is 163 of S.E.

Umberto Riva Arighi lounge chairs, pair PoltronovaItaly, 1986lacquered wood, upholstery32.5 w × 30 d × 29 h in (83 × 76 × 74 cm) Decal manufacturer's label to revers

Carlo Maria Mariani, (Italian/American, b. 1931), Due Rittrati, 1989, oil on canvas, signed, titled and dated on verso, 48" x 48"

Umberto Riva (1928-2021)ScreenRosewood and brassModel created in the 1960s-70H 149 × L 270 × W 2 cm

Gelatin silver print, printed later, signed, titled and dated in pencil verso, 49.7 x 33.6cm (18 ⅞ x 13 1/4in)

Umberto Bellotto (Venezia 1882 - Venezia 1940) Sculpture vase in the shape of a snail, in embossed iron lamina. Murano, 1923ca. (h 22 cm.) Provenance Private collection, Milan Exhibition Exhibited at

William Klein (b. 1928) Smoke + Veil, Paris (Vogue), 1958. Gelatin silver print, printed later. 45.5 x 32.5 cm (18 1/5 x 13 in.) Signed, titled, dated in pencil on the verso. Provenance Directly from

Umberto Bellotto (Venezia 1882 - Venezia 1940) Sculpture vase with quadrangular base, and four-lobed cup in embossed iron lamina. Murano, 1923ca. Signed "Bellotto" on the base. (h 20 cm.) Provenance P

AN ICON SHOWING THE PROTECTING VEIL OF THE MOTHER OF GOD (POKROV) WITH A SILVER-GILT BASMA Russian, early 20th century (icon), Russian, Moscow, Dmitri Lukitch Smirnov, 1908-1917 (basma) Schwere Laubho

Rare pencil drawing head by Umberto Boccioni, considered to be the "father of the Futurism movement".Circa 1925.Measures 7 inches by 7 inches in a frame 14.5" x 14.5".Note this drawing has a stamp fro

Olio su tela, cm. 30x40. Firma in basso a destra. Sul verso: firma, data e titolo; dichiarazione di autenticità di Mario Lilloni; timbro Archivio Fotografico Generale Umberto Lilloni. Autentica su

Lot 32 Michael Loew American (1907-1985) Veil of Green (1969) oil on canvas signed bottom right and verso 45 x 50 inches unframed Provenance: From a private collection, by descent from the artist's es

ca. 1933  artist's name printed in image; printed Off. Graf. I.G.A.P., Roma 39.5 x 24.25 in.

Chrome bases. Leather upholstery. 31 1/2" h x 20 1/2 "w x 24" d. Seat height 19"

CARLO MARIA MARIANI (Italian / American b. 1931) "Head with Fig Leaves" Mixed media on paper. Sight: 33 1/4 x 31 1/4 inches; Frame: 47 x 45 inches. Signed and dated upper left corner: Carlo Maria Mari

"The Pearl"/" La Perla". Large marble sculpture as a lamp. Apparently unsigned. From a Scarsdale, NY estate. - Dimensions: 24" h x 21" w.

UMBERTO LILLONI 1898-1980 Strada sul Generoso, 1968 Olio su tela cm. 40x50 Firmato al fronte Autentica e numero archivio su fotografia PROVENIENZA Galleria Nuovo Vertice, Roma Collezione privata, Mila

Pair of Umberto Asnago for Giorgetti Upholstered Chairs, having exposed wood arms, seat height 17 inches.

Sciatore tra gli alberi. 1953. Oil on canvas pasted on board. Cm 54,00 x 37,00. Signature and year lower right. Umberto Lilloni Archive, Milan, authenticity certificate on photo.. Frame present