Vincenzo Aurisicchio (1855-1926), La Fortuna,

Vincenzo AURISICCHIO (1855-1926) Italian bronze bust with a marble base. 11 x 6 3/4 x 5 1/4 in including base. TO SHIP THIS ITEM IN USA OR INTERNATIONAL, PLEASE CONTACT THE SHIPPERS : 1) UPS store1937

Vincenzo AURISICCHIO (1855-1926) Italian bronze bust with a marble base. 11 H x 6 3/4 W x 5 1/4 D including base. TO SHIP THIS ITEM IN USA OR INTERNATIONAL, PLEASE CONTACT THE SHIPPERS : 1) UPS store1

after AURISICCHIO, Vincenzo, (Italian, 1855-1926)" "Girl with Water Jug", patinated bronze fountain, unmarked, overall 39.25" h. x 14" x 13.5".

After Vincenzo Aurisicchio, "Bronze Girl With Jug", Italian 1855-1926, cast bronze with silver and dark patina, unsigned, 40", 14",12" good condition with gentle wear.

Frank Myers Boggs (American, 1855 - 1926) La Cathedrale D'Amiens Watercolor and pencil. Signed lower left Frank Boggs Amiens 18" x 13"; framed 25" x 20 beneath glass Provenance: Sothe

Frank Meyer Boggs (American, 1855-1926) La Rue de la Cathedrale watercolor and graphite on paper signed Frank Boggs and inscribed (lower left) 14 1/2 x 6 1/4 inches. Property from the Miriam B. Swanso

Antique french L & F Moreau Patina Bronze Figural Fortuna (Goddess of Fortune) Statue Sculpture. Louis (1855-1919) and Francois (1857-1930) Moreau 1900 statue titled "la Fortune", classical sculpture

St. Lawrence River Scene, Signed AEK. Oil on Canvas with lighthouse. Sight size 6 3/4" x 18 1/2". Overall size 11 1/2" x 23 1/2". Very good condition. Alpheus Keech (1855-1926)

TELEGRAM FROM CLAUDE MONET (1840-1926) telegram was written to Gustave Geffroy (1855-1926) A French art critic and writer. Letter says, “My Dear Friend, I meet you this morning at 11 o’clock, Hote

Frank Myers Boggs (1855-1926): Venetian View, Oil on canvas, signed lower right, New York Gallery label on stretcher. Framed. Frank Boggs was a master of cloudy skies in landscape paintings, but wa

FRANK BOGGS (AMERICAN, 1855-1926), "VIEW OF NEW YORK FROM STATEN ISLAND", OIL ON CANVAS, 18" X 12", SIGNED LOWER LEFT.

Albrecht Durer NEMESIS O LA GRANDE FORTUNA. 1502 Bulino. mm 334x231. Meder, 72. Strauss, 37. Monogrammato sulla lastra in basso a destra. II stato su 2 variante Meder e/f. Impressione debole, ma con i

Emilio Sanchez-Perrier (Spanish, 1855–1907) La Rivière, Environs de Santiponce Signed 'E Sanchez Perrier' (underlined) bottom right; also titled verso, oil on panel 15 x 18 in. (38.1 x 45.7cm) PROV

Emil Barbarini (Austrian, 1855-1930) La Place Verte in Antwerp oil on panel signed (lower right) 8 ¼ x 12 ¼ inches.

1926 Baccarat for Gravier La Cascade (The Fountain) figural clear/frost perfume bottle and dolphin stopper. Baccarat mark. 4 1/2 in.

olio su tela, W. 73 - H. 87 Cm, Bibliografia di riferimento:, S. Bellesi, Vincenzo Dandini e la pittura a Firenze alla metà del Seicento, Pisa 2003, pp. 60 e 5gg., 141- 143, , "II ritratto, firmato

comprising 1904 double eagle, 1911D double eagle, 1901 eagle, 1926 eagle, 1906 half eagle, 1909 half eagle, 1855 quarter eagle, 1926 quarter eagle, 1874 three dollar, 1873 one dollar, and 1852 one dol

After Francois Pompon French, 1855-1933 Canard, 1926 Signed POMPON and stamped with foundry mark Cire/C. Valsuani/Perdue on the base Bronze with dark brown patina Height 7 1/8 inches (18.1 cm) C The E

PROSPER LECOURTIER (French 1855-1924) A SCULPTURE, "La Fantasia Arabe" patinated, gilt, coppered, and grained bronze, signed L/L. Height: 33 1/2" Width: 32" Depth: 10 7/8"

Andrea Gomez y Mendoza (Mexican, 1926-2012). "Madre contra la Guerra". Linoleum cut. 1948. Signed in pencil, lower right. Edition unknown, presumed small. Cream wove paper. Wide (full?) margins. Fine

Artist: Toyonari, Yamamura, 1855-1952 Title: Pelicans Date: 1926 Medium: Japanese woodblock print Image Size: 10 x 14 3/4 inches Notes: Embossing; mica background; publ

Jean Millet Original Etching - La Baratteuse (The Chirner) 1855 from The Vincent Price Collection - 1960's

Vincent Van Gogh (1840-1926) lithograph titled Terasse De Café La Nuit after the original which was painted in Arles, France in September of 1888. This lithograph is matted and framed under glass in

** Claude Monet (1840-1926) after. & George-William Thornley (1875-1935)La Douane, Effet de l'apres-midi, from Vingt LithographiesLithograph printed in green, circa 1890, signed by both Monet and Thor