William Foster Reese (American, 1938–2010) 20th Century Crow Camp, 1977

William Foster Reese (American, 1938-2010) Cider in a Coke Box, 1978 oil on canvas signed Wm F. Reese and dated (upper left) 30 x 30 inches. Provenance: Property from an Important Chicago Collection

WILLIAM FOSTER REESE (AMERICAN/WA, 1938-2010) - ''Approaching Sitka''; Oil on canvas; Signed lower left ''Wm F Reese''; Set in Antique gold gilt wood frame; Measures: Visible Art 20''H x 30''W, Frame

Davis, William Glen (American (Pennsylvania), 20th century). "Tower" - 1977, bronze and wood, apparently unsigned. An openwork sculpture composed of narrow bronze rods welded together to form a tall d

MARILYN NEWMARK (AMERICAN 20TH CENTURY), BRONZE, "MAN O'WAR", SIGNED 1977 WITH WOODEN BASE. HEIGHT 10 1/2"; LENGTH 15"

Kevin Red Star (American, b. 1943) A Crow Camp with Early Snow, 1981 Mixed media on canvas 32 x 28 inches (81.3 x 71.1 cm) Signed lower right: Kevin Red Star Signed, dated, and titled on the reverse:

Autumn Hunting Scene. Oil on canvas. 1924. Signed and dated lower right. This painting was the cover of the "National Sportsman" magazine, Oct. 1924. The magazine accompanies this lot. Galle

A Tom Jung original Star Wars: Episode IV - A New Hope concept artwork for the half sheet poster with additional sketches Twentieth Century-Fox, 1977. Pencil drawing on illustration paper, with annota

English 19th century William Bateman II 1828 London sterling silver 209oz tray. The sterling silver tray or waiter, has an ornate cast and chased elaborate border decorated with sea shells and florals

An eighteenth century William and Mary style walnut and inlaid two part cabinet on stand having eleven drawers and stretcher base. Ht: 62.5" Wd: 41.75" Dpth: 25.75"

William Knabe Louis XV Baby Grand Piano Flame Mahogany, A fantastic early 20th century William Knabe baby grand piano, with a rich and contrasting tone flame mahogany case in the Louis XV style with o

19th century; William Shakespeare reciting a work before the court of Elizabeth I, on canvas, relined; unsigned 25 x 31 in. (63.5 x 78.7 cm.), Frame: 37 x 42 in. (94 x 106.7 cm.)

The Old Chipman Ukrainian Church (Alberta, Canada), mixed media on masonite, 22 3/4 x 14 inches, signed and dated 1975 lower right, with Kurelek's hand-made frame. Provenance: Ottawa Collection, purch

1885; oil on panel; signed and dated lower center; Provenance: The Estate of Barry Tarlow, Los Angeles; 20 3/4 x 16 1/2 inches; 28 x 23 1/2 inches frame

2 doors on top with 3 slots. 4 drawers. 47 3/8" h x 44 1/4" w x 24" d.

William Samuel Schwartz (1896-1977) Oil/Canvas. Signed lower left. Sight Size: 18.75 x 28.75 in. Overall Size: 24.5 x 34.5 in.

Reverend Wilson Williams British, 19th Century Rose: A Portrait of a Dog Signed Rd. Wilson Williams, dated Dec. 27, 1852 and inscribed Rose/The Property of Mr. Collett/Menai Bridge on the reverse Oil

In the manner of William Kent, 20th century; antiqued rectangular mirror plate, within foliate carved surround cresting broken pediment with carved foliage and egg and dart, central plumage, 56 1/2 in

English, first half 19th century. Regency - William IV large sarcophagus-form rosewood standing tea chest or cellarette, having three lidded internal compartments, and rising on paw feet with anthemio

A Pair of Louis XVI Style Gilt Gessoed Taborets WILLIAM, SWITZER, 20TH CENTURY Height 24 x width 27 x depth 27 inches. Property from the Estate of Jules and Gwen Knapp, Stuart, FL

A Rare William Bernoudy Mid-Century Metal PlanterMarked to base: Bernoudy Inc Saint Louis, the architecturally significant planter rising on 4 sculpted feet.9 1/4" tall, 11 3/4" wide

18th Century English William And Mary Oyster Veneer Chest on Stand. The oyster veneer throughout with inlaid decoration to the top; two short drawers over three graduated drawers; the base with barley

William Gollings (1878-1932), Summer Camp, oil on canvas, 29 x 22, signed lower right: Gollings (artist cipher) 1931 Provenance: The Artist Malcolm S. Mackay Collection By family descent, a Private Co

Y SCOTTISH REGENCY ROSEWOOD CENTRE TABLE, ATTRIBUTED TO WILLIAM TROTTER EARLY 19TH CENTURY the circular top above a bead moulded frieze, raised on four scrolled supports with flower head terminals, on

Samuel Waldo and William Jewett (American, 19th century), Portrait of George Bradishoil on panel, the verso stamped "Waldo & Jewett / 183(?) / New York," presented in a period gilt frame. Panel 31 x 2