Hans Staudacher (1923-2021), Bezahltam, anni ‘70

Hans Staudacher (Austrian, 1923-2021) color lithograph depicting various iterations of the artist's right hand, titled "Original Bildung der Rechten Hand...", signed lower left, from Proof Edition. Pr

HANS STAUDACHER (1923 ST. URBAN) WEISSE SPUREN IM DUNKLEN RAUM, 1999 Originallithografie auf Magnani Papier, ungerahmt Druckgröße: 61 x 43,5 cm, Blattgröße: 75,5 x 55,5 cm Signatur vorne rechts un

STAUDACHER, Hans (1923) "Wien Secession" Oil on canvas Signed and dated on the lower center: Staudacher 58 Titled on the reverse on the stretcher Signed dated and inscriptions on the reverse 54x72cm -

Hans Staudacher Untitled mixed media on paper; framed 47 x 64 cm (cut-out) signed on the lower right: H. Staudacher private property, Vienna

lithograph in colors; signed and numbered 60/75; Condition: good overall; 27 1/2 x 38 inches sheet; 29 x 39 inches frame

GREGORY KONDOS (1923-2021) Yountville, California Napa Valley, 1985 signed and dated 'g. Kondos 1985' (lower center); signed again, titled and dated again 'YOUNTVILLE, CALIFORNIA NAPA VALLEY g. Kondos

Geneviève Asse (1923-2021), "Ouverture lumière", 1972, huile sur toile, signée, contresignée et datée au verso, 65x50 cm; Provenance: Galerie Jan Krugier, Ditesheim & Cie, Genève, n�

GENEVIÈVE ASSE (1923-2021) Sans titre circa 1970 signé huile sur papier marouflé sur toile signed oil on paper laid on canvas 51 x 65 cm. 20 1/16 x 25 9/16 in. R&

Gregory Kondos(1923-2021)Abstract in blues, 1961Oil on canvasSigned and dated lower left: G. Kondos16" H x 20" W Other Notes: Gregory Kondos, a luminary of American landscape painting, has left an end

Gregory Kondos (1923-2021) - Sedona, Arizona, 1995, Pastel, 6.5" x 11.5", (16.25" x 19.375" framed), c. 1995. Ex private collection, Arizona.

Gregory Kondos(1923-2021)"St. George Kea, Greece," 1984Monotype with handcoloring in pastelSigned, titled, and dated in pencil in the lower margin: G. KondosImage: 15.5" H x 15.75"

Gregory Kondos(1923-2021)"River House," 1982Monotype in colors on paperSigned, titled, and dated in pencil in the lower margin: G. KondosImage: 15.75" H x 15.75" W; Sight: 16.75&qu

GREGORY KONDOS (American 1923-2021) "Carmel Beach" color lithograph, sheet: 29.75 x 48.5 inches, pencil signed and dated lower right: 'G. Kondos 1999', titled in pencil bottom center: "Carmel Beach" a

Gregory Kondos (American, 1923-2021), "Yosemite Falls," 1990, lithograph in colors, pencil signed and dated lower right, titled lower center, edition 8/100, sight: 25"h x 14.75"w, overall (with frame)

Otto sedie Wishbone CH24 con struttura in legno ebanizzato e seduta in corda. Prod. Carl Hansen & Søn, Danimarca, anni '60 ca. cm. 55x75x51

Coppia di poltrone. Tubolare metallico cromato, pelle imbottita. Italia anni '90 90x95x90 A PAIR OF ARMCHAIRS ( ORIGINAL DESIGN BY)

HANS JORGEN Sei sedie. Legno laccato e paglia.. Cm 45,00 x 76,00 x 44,00. anni Cinquanta.

SIX CHIARS ATTRIBUTED TO H. WEGNER Sei sedie anni '60. Legno, tessuto imbottito

Grande lampadario mod. T548/12 Ottone, vetro colorato soffiato. Prod. AB Markaryd, Svezia, fine anni '60 h cm 80, diam. cm 120

THÉOPHILE-ALEXANDRE STEINLEN (1859-1923) "Startled by a Troll in a Snow-Covered Field." Illustration for the Hans Christian Andersen story "The Snow Queen." Charcoal on paper. 445x395 mm; 17&#189

Mottahedeh porcelain dinner service, in the "Chelsea Botanical" pattern produced for the Metropolitan Museum from 1996-2021, based on the botanical illustrations of Sir Hans Sloane in green, ochre and

EUGENIO GERLI (Milano, 1923) per TECNO. Quattro sedie in teak laccato nero. Anni '50. Pubblicate su Una nuova sedia, Domus, febbraio 1959, p.51 e in Irene de Guttry e Maria Paola Maino, Il Mobile Ital

Each jardiniere is of rectangular section raised on four splayed foot, the body entirely decorated with an ornate design of floral sprays and foliate scrolls against turquoise cloisonne enamel ground,

Kremnitz mint, KM34, Fr-5. Much scarcer than the restrike varieties, this challenging Mint State offering retains luminous crevices and the characteristic wisps seen in pieces with wide open canvases