Susan Eslick, Wendy Williams & Le Couleur Bleu (three)

Chuck Close (1940- New York) Signed and numbered limited edition paper sculpture print. "Susan" crafted of handmade paper in 38 colors. Printed at the Spring Street Workshop, New York. Published by Pa

RENÉ LALIQUE (1860-1945) Épingle à chapeau "Épis courbe", élément en forme d'éventail, en verre de couleur bleu foncé, gravé en creux d'un d&#233

Daniell (Thomas) and William Daniell. Three plates from 'Oriental Scenery', etchings and aquatint with full hand-colouring, excellent impressions on Whatman wove paper, each platemark approx. 490 x 65

RENÉ LALIQUE (1860-1945) Rare et importante carafe en verre soufflé-moulé de couleur bleue (bleu coty), modèle "Ledru" créé entre 1910 et 1912 à décor

MARC CHAGALL (Russian born worked in France 1887-1985) Le Village Bleu Lithograph printed in colors. circa 1972 Image: 15 x 12 1/4 inches. Signed lower right: Marc ChagallInscribed and numbered lower

After Joan Miro (Spanish, 1893-1983), "Le Chien Bleu," circa 1960, etching and aquatint in colors after the painting, pencil signed lower right, edition 41/300, printed by Crommelynck, Paris, publishe

Collection of Seventeen Rosenthal Versace Harlequin Chargers 20th century, German, each in the original box, the collection including three "Les Tresors de la Mer", two "Medusa", three "Le Roi Soleil"

A late 19thC bleu royal three-piece garniture, gilt bronze mounts, the work marked 'Dupon-Paris', late 19thC, H 69 cm

Théo Tobiasse (1927-2012), "Cirque bleu pour couleur d'exil", huile sur toile, signée et titrée, 129,5x161,5 cm

Oil on canvas painting by Hoi Lebadang (Vietnamese, 1922-2015), titled Et le soleil était bleu; of an abstract sky; signed to lower left; titled and dated 1970 to verso; Provenance: Pri

A three piece William Moorcroft silver overlaid Claremont pattern glazed earthenware coffee setretailed by Shreve & Co., San Franciscocirca 1905Collars impressed SHREVE & CO and STERLING, green painte

Marc Chagall Monotype "Le 'Artist avec des Fleurs" Purchased in 1967 paperwork attached. Frame measures 21.5" x 28.5" 15" x 22.5" Marc Chagall

Joan Miro (Spanish (Catalan), 1893-1983). Color lithograph on paper titled "Le delire du couturier - bleu, rouge, vert (Fashion Frenzy - Blue, Red, Green)" depicting abstracted shapes in whi

Très grand VASE ovoïde à décor en cartouches rectangulaires de dames de cour dans un paysage lacustre Le tout sur fond bleu nuit agrémenté de motifs géométriques dorés Fa�

Joan Miro (Spanish, 1893-1893) Lithograph In Colors 1969, Fashion Frenzy - Blue, Red, Green, H 47.2" W 31.5" | Le delire du couturier - bleu, rouge, vert. Signed in pencil lower right, annotated HC (a

Masque de la côte Ouest, 1986. Sérigraphie couleurs réalisée pour le musée Lenox. Edition à 36 exemplaires. 91,5 x 91,5 cm. Signé et numéroté par l'artiste

Three piece Claremont William Moorcroft English art pottery porcelain tea set circa 1905. Richly glazed art pottery decorated with mushrooms and silver overlay is marked in green script letters on the

A PAIR OF MEXICAN WOOD AND STERLING SILVER AZTEC BUTTERFLY-FORM THREE-LIGHT CANDELABRA, WILLIAM SPRATLING, 1956-1964 Taxco height 8 3/4in (22cm).

William Morris (b. 1957), Three piece hand blown and hot sculpted glass hanging artifact. An exceptional example of William Morris's ability to combine Native American and prehistoric past in glass. T

Frank Lloyd Wright (1867-1959) for the William E. Martin House three-quarter size bed Oak Park, Illinois, 1902 oak 48 1/2"w x 84"l x 42"h; interior: 43"w

LA LONGUE MARCHE Series, 1975, three color screenprints, each signed and numbered 78/200 in pencil, published by Denise Rene Editions with blind stamps lower left, sheets 29 ½ x 29 ½”,

William T. Wiley (American, 1937-2021) Le Grande Frommage, 1985 wood, metal sculpture inscribed with the Artist's monogram, titled and dated 18 x 27 x 33 inches. Provenance: Sold: Christie's New York:

EVANION, Henry (Henry Evans, c. 1832 – 1905). Evanion the Royal Illusionist. London: Williams & Strahan, Printers, ca. 1898. Three-color pictorial broadside with two large wood-engraved images o

William Priest (English 19th century), three part oblong mahogany dining table in the Georgian taste, 19th century, having a reeded top, and triple turned pedestals rising on sabre legs and brass cast