Peruvian Novio Retablo "Juntos Hasta La Muerte"

(Spanish 1746-1828) Plate no. 55 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 90, third edition. Overall: 16-3

Vintage Retablo Ex Voto Painting on Metal: inscribed: Mi hijo, Tomas Ortiz, fue herido en combate y estuvo en peligro de muerte y lo encomenda san juan de los lagos y le salvo la vida Maria Ortiz 7/63

Mexican retablo, depicting La Virgen de Apocalipsis, oil on copper, framed, circa 19th century sight: 16.5 x 12 in. / frame: 20 x 16 in. Provenance: a San Antonio, Texas collection We happily provi

(American, 1929-1992) painted cottonwood and leather, initialed and dated 1988. Valdez's works can be found in the Museum of American Folk Art, The Smithsonian American Art Museum, and the Albuquerque

Spanish Colonial, Mexico, ca. 19th century CE. A hand-painted and gilded Mano Poderosa or Los Cinco Personas retablo depicting five holy figures perched at the tips of a detached hand who represent th

Mexican retablo, depicting La Sagrada Familia en Para­so Terrenal (The Holy Family in Heaven on Earth) with the painted inscription "in terra coelum" heaven on earth, oil on tin, circa 19th

Antique Peruvian Retablo, early 19th c., painting on tin, Cusco, Peru. Size: 12.75'' x 9'' (32 x 23 cm).

Mexican retablo, depicting La Alegoria de la Redencion (The Allegory of Redemption) , oil on tin, circa 19th century 14 x 10 in. Provenance: The collection of Joe and Jane Edwards, San Antonio, Texa

Mexican retablo, depicting La Virgen de Apocalipsis (The Virgin of the Apocalypse), oil on tin, circa 19th century height 14 in. x width 10 in. Provenance: Property from a retablo collector, Guanaju

Mexico, last half of the 19th century. A hand painted Mano Poderosa or Los Cinco Personas retablo depicting five figures perched at the tips of a detached hand who represent the Holy Family of Jesus,

Linda Kyser Smith(b. 1949)Hasta La Vista, Babyoil on canvassigned lower right: lINDA KysER SMITHinscribed verso: HASTA LA VISTA , BABY / LINDA KYSER SMITH21 3/8 x 27 1/2 in. (54.3 x 69.9 cm.), frame:

FEDERICO GARCÍA LORCA (Spanish 1898-1936) A DRAWING, "La Muerte Federico," 1927, graphite on paper, signed in image in pencil L/L, titled and dated L/L. 19 3/4" x 15 3/4" Provenance: Exhibited in "AN

Framed oil on tin retablo, La Omnipotente Mano Poderosa/ Las Cinco Personas (The Omnipotent Powerful Hand/ Five Persons), 19th c., depicting the Christ Child, Virgin Mary, Saint Joseph, Saint Anne, an

Andean retablo nativity, unsigned, attributed by consignor to Nicario Jimenez Quispe (Peruvian-American, b.1957), polychrome painted, floral painted exterior doors, opening to two-tiered nativity scen

Spanish Colonial, Mexico, ca. 19th century CE. A colorful Mexican retablo representing "La Cruz de Animas" (Cross of Souls) painted on heavy gauge tin upon a handmade wooden mount. The composition dep

Mexican retablo, depicting La Sagrada Familia (The Holy Family), oil on tin, circa 19th century

Retrato de Atanasio Girardot, sf.Oleo sobre lienzo. Medidas: 116 x 77 cm. En la esquina inferior izquierda aparece la firma del artista junto a la fecha "1813", año en que fallece el procer colombi

Mexican retablo, despicting Alegoria de la Redencion de Cristo (Allegory of the Redemption of Christ), oil on copper, with Latin inscription that reads "EGO SUM VIA VERITAS ET VITA" ("I am

Luis Jiménez (American, 1940-2006) (4) Siempre Triunfa, The Dance, La Lucha & Entre la Puta y Muerte, 1992 Etchings on paper ed. 21 of 49 7.75 x 9 (in) 12.25 x 13.25 x 1 (in) Framed Signed and da

"VIRGEN DE LA MEDALLA MILAGROSA" RETABLO.

Sabogal Dieguez, Jose (Peruvian 1888 - 1956) , possibly Camoblos (20th Century Peruvian), "Joven Huanca" and La Procession Del Sr. De Los Milagros - Lima -Peru 1955, woodblock prints, both signed, 7.5

Retablo Panel Painting. La Virgen del Carmen: Our Lady of Mount Carme. Attributed to the Truchas Master Painter Pedro Antonio Fresquis (Truchas, 1749-1831). *Collection of J.B. Neumann, New York (labe

Claudio Jimenez Quispe (Peruvian, 1959-present) A wooden retablo enclosing a remarkable scene of wire skeletons covered in a plaster mixed with potatoes - the starchy vegetables form a solid medium to

Oil on canvas, framed. Featuring abstract red composition. Signed "Szyszlo" to the bottom right. "PARACAS: LA NOCHE / ORRANTIA/11" inscribed on verso. Label on verso reads: GALERIA BORKAS / Autor: Fer