M. CLARK COLEMAN ORIENTALIST PAINTING

Howard M Hunt, 19th C British, Orientalist painting, "Pilgrims Halting Near Cairo", oil on canvas, signed "H. Hunt", signed and titled on reverse, 30" x 50", framed 43-1/2" x 63-1/2", fair condition w

Oil on canvas of a middle eastern or Turkish street scene. Signed lower right. Size: 26 x 34 inches framed. Property of a Long Island Estate.

EUROPE, EARLY 20TH CENTURY An Orientalist oil and watercolor on paper landscape painting. The work depicts a family traversing the desert on camel-back. The work is signed "M. Boris" in the lower left

M COLEMAN, Oil/B PORTRAIT JEWISH RABBI Painting; oil on board, signed, original framing, vintage. Size: 10 x 8 , outside of frame: 15 x 13 inches

Antique Orientalist watercolor painting, signed: M. Delgado VILLALONGO, probably Spanish artist. 16 5/8” H x 20 1/4” W including frame, 10 5/8” H x 14 1/4” W without frame. Shipping in USA is

ORIENTALIST SCENE, oil painting on canvas, signed lower right, 12 x 16”, frame 17 x 21”.

DESCRIPTION: Orientalist oil on canvas painting by M. Olivier after Jean Raymond Hippolyte Lazerges depicting a scene of a woman providing water to a man. Signed and dated "D'apres Lazerges M. Olivier

Jean Michel Laurent (French, 1898-1988). An original oil painting on canvas. An Orientalist coastal landscape Features sailing fishing boats at sea near the shore in full sail. Signed lower left.Work

ARTIST: Eliot Candee Clark (New York, Virginia, 1883 - 1980) TITLE: Orientalist Cityscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few minor paint losses. No visible inpaint under UV

GAZING WOMAN, oil painting on canvas, a signature not found, 24 x 19”, frame 31 x 26”, with Floyd M. Connor label on verso.

CARNIVAL DE NINAS MEJICANAS 1910; VERDADERO RETRATO DE LA NINA DOLORES GANTE M. 1832, two, each an oil painting on canvas, each signed lower left, size 23 ¾ x 18 ¼”, both framed, both with surface

NEVER GIVE UP (SNOOPY), 2022, acrylic painting over color print, signed lower center, 33 x 21”, frame 37 ¾ x 25 ¾” with Plexiglas.

UNTITLED FLAG, acrylic painting on folded paper, signed lower right, 12 x 20”, frame 19 ½ x 27 ½”.

UNTITLED, acrylic painting on folded paper, signed lower right, 12 x 14”, frame 19 ½ x 21 ¼”.

IT’S ALL GOOD (MICKEY), 2021, acrylic painting over color print, signed lower right, 34 ½ x 23”, frame with Plexiglas 39 ½ x 27 ¾” with Plexiglas.

GUITAR WITH SKULLS, acrylic painting on electric guitar wrapped with skull tack paper, signed lower left in silver ink, mounted in frame 49 x 23 x 2 ¼” overall, hangs vertical or horizont

M. Herbert CONEY ISLAND, oil painting on Masonite, signed lower right, 19 ¾ x 27”, scuff in blue sky, surface scrape; KATZ DELI, oil painting on Masonite, signed lower left, 20 x 16”, RATNER’S

PORTRAIT OF LADY, oil painting on canvas, a signature not found, 25 ¾ x 22 ¼”, with M. Grieve Co. hand-carved frame with oval opening 33 ¼ x 29 ¾ x 3” with labe

RED HEADED WOMAN, oil painting on Masonite, signed lower right, 13 x 9 ½”, Edouard Hautecouer & Ch. Ducher & M. Matthieu Paris label on verso, frame 16 ½ x 13 ¼”.

MONA LISA, acrylic painting over color print, signed lower right, frame 37 ½ x 26” with Plexiglas.

STILL LIFE, oil painting on Masonite, signed lower right, 17 x 20 ¼", framed. Provenance: M. H. de Young Memorial Museum, lender James Vigeveno Galleries.

LANDSCAPE (most likely Santa Barbara), 1928, oil painting on canvas mounted to Masonite, signed A. M. Podchernikof and dated lower left, 25 x 20”, frame 29 ½ x 24 ½”.

STILL LIFE WITH FRUIT AND GOLD TRIM BLUE CUP, 1932, oil painting on canvas, signed & dated “Brossek M 1932” lower left, 15 ½ x 20”, frame 21 x 25 x 2 ½”.

ZEBRAS AND GIRAFFES, acrylic painting on canvas, signed lower right, 30 x 24”, frame 33 ½ x 27 ½”.