[MANUSCRIPT - MATHEMATICS]. "Geometrie." Paris, 1901-1902. With a section on perspective and

Western Europe, France, Paris, ca. 1901 CE. A wonderful French first edition of the "Codex Fejevary-Mayer: Manuscript Mexicain Precolombien des Free Public Museums de Liverpool (M 12014)" published in

FELIX HIDALGO (PHILIPPINE NATIONAL ARTIST, 1855-1913) "ENSONACION" OIL ON CANVAS PARIS, 1902. Height: 12 & 5 in. by Width: 11 & 5 1/2 in.

St. John the Baptist, Miniature on a leaf from the illuminated manuscript on vellum known as the Chester Beatty Book of Hours, with a text leaf from the same manuscript, [Paris, 1408]. c.174 x 130mm.,

EUGÈNE-ANTOINE AIZELIN 1821 Paris - 1902 ebenda 'Suzanne' Bronze, braun patiniert. H. 79,5 cm. Seitlich bezeichnet 'Eug. Aizelin', mit Giessereimarke 'Barbedienne Fondeur', schauseitig betitelt. Vo

Kayserzinn (German, active 1862-1925)A Pair of Pewter "Bat" Candleabra, Cologne, Germany, 1901-1902 Model #4506, the design attributed to Hugo Leven (German, 1874-1956) Marked. H: 12, Dia: 11 in. PROV

Milwaukee memorabilia books to include: Notable Men of Wisconsin and Milwaukee 1901 - 1902, History of Milwaukee Deluxe Supplement 1922 the SG Clark Publishing Co. Chicago Milwaukee

3-pieces, white chiffon over green silk taffeta, trimmed w/ metallic gold ribbons, silk fabric corn stalks & lace, evening bodice also trimmed w/ pearls & jewels, petersham stamped in gold "Beer Paris

MARC DU PLANTIER Sofa (Madagascar 1901, Paris 1975). Spain, ca. 1940. Carved and gilded wood. Upholstered. Provenance: Private collection of the psychiatrist Don Juan José López-Ibor. Measuremen

VACLAV (WENZEL VON) BROZIK 1851 Zelezný Hamr - 1901 Paris Ankunft am Dorf Öl auf Holz. 26 x 43,5 cm. Signiert unten links 'Brozik'. Rahmen. Václav Brozík war einer der bedeutendsten tschechischen

Includes: 1892, 1892-O, 1893, 1894-O, 1896, 1897, 1897-S, 1898, 1898-O, 1898-S, 1899-O, 1899-S, 1900, 1900-O, 1901, 1901-O, 1901-S, 1902, 1902-O, 1903, 1904, 1904-O, 1921, 1921-D, 1921-S. UNC.

Oguiss, Takanori (Inazawa 1901–1986 Paris) Htel de la Poste. l auf Leinwand. Unten rechts signiert. 50x61 cm.

Max Moreau (Belgian 1902-1992) Paris au Moulin de la Galette, oil on canvas. Signed lower left. Circa 1959. (HEAR415)(EL) Dimensions: 20 x 24" unstretched Property from a fouth generation gallery, Ma

HETZEL ILLUSTRATED EDITIONS OF JULES VERNE. VERNE, JULES. 1828-1905. A group of collected works by Jules Verne. Paris: Hetzel, [c. 1902-1910]. 26 volumes. 8vo. French text. Publisher's red cloth picto

Lot 94 Félix Vallotton Swiss (1865-1925) Le Ciment de l'Alliance (The Cement of the Alliance) (c. 1902) ink on paper cover of the CRI DE PARIS, June 8, 1902 signed with monogram FV sight: 9 3/4 x

Charles Cobelle (1902-1994), Paris street view, oil on canvas, 36" x 48", frame 46" x 58". Provenance: Richard and Phyllis Krock family.

Alfred Eisenstaedt (American/German, 1898 - 1995). Destitute Man with Doll near Rue St. Denis in Old Section of Paris, 1930 Photograph, Gelatin Silver Print. Numbered 8 of 250 lower left, signed lower

Charles Cobelle (French, 1902 - 1994, Paris, oil on canvas, signed lower right. Image: 25.5" H x 26.25" W; frame: 32" H x 34.25" W

Christofle Belle Epoque Silverplate Plateau, 1892-1894, Paris, in three sections, the square center section, l. 20", w. 20", the cartouche-shaped ends, l. 15", w. 20", with a molded serpentine-shaped

Ɵ Book of Hours, Use of Paris, in Latin and French, illuminated manuscript on parchment [northern France (Paris), c. 1500] 172 leaves (plus an added seventeenth-century frontispiece, and 2 paper

Ɵ Book of Hours, Use of Saintes, in Latin, illuminated manuscript on parchment [northern France (Paris), c. 1470-80] 190 leaves (plus two endleaves at front and back), lacking single leaves after

Ɵ Book of Hours, in Latin, illuminated manuscript on parchment [northern France (Paris or Rouen), c. 1480-90] 87 leaves (plus 2 original endleaves at front and back), with many leaves cut away, l

Ɵ Book of Hours, in Latin and French, illuminated manuscript on parchment [France (most probably Paris), c. 1400] 196 leaves (plus an seventeenth-century endleaf at each end), wanting single leav

‡ Guillaume de Lorris and Jean de Meun, Roman de la Rose, in Middle French, illuminated manuscript on parchment [northern France (probably Paris), mid-fourteenth century] Two large leaves, each

A French patinated bronze model of a recumbent stagafter the model by Santiago Rodriguez Bonome (Spanish, 1901-1995), F. Barbedienne foundry, Parissecond quarter 20th centuryinscribed BONOME and with