Wordsworth (William) Cut signature, "Wm Wordsworth Rydal Mount 19th Augst -38", 1838; and another, a

Fine Gorham sterling mounted cut glass handled claret jug with exceptional floral repousse sterling mounts and hinged lid, 11.75”H x 6”W.

This is a stunning cut glass pitcher by Stevens & Williams. It has a long neck and beautiful amethyst color cut to clear with swirls and a floral motif. The sterling mount is marked J.E. Caldwell, Phi

René Lalique 'Deux Figurines' mantel clock, designed 1926 Clear glass, moulded and frosted, on illuminated metal pedestal mount. 38 x 34.5cm including mount Wheel cut R.LALIQUE FRANCE. Footnotes:

A PAIR OF ORNATE CUT GLASS, GILT BRONZE AND METAL MOUNTED FIVE LIGHT TABLE CANDELABRA PROBABLY FRENCH, MID/LATE 19TH CENTURY Each with central stem with spiral twist cut mounts above leaf decorated br

A Vernis Martin-Style Painted Bombé Cabinet with Gilt Bronze Mounts and Marble Top, late 19th cen

Regency Tortoise Shell Veneered Tea Caddy box having silver lining and mounts, early 19th century height 4 3/4 inches, length 6 inches Provenance:Estate of William J Levy Park Avenue, New York

Adolphe Weisz (French, 1838-1905) 19th century oil on canvas depicting man and woman in period garb with a spinning wheel, bearing signature "A. Weisz" lower left, artist's plaque "Adolf Weisz 1838-19

Rare Important 19th Century Mount Washington Magnum Rose Bouquet Paperweight. Large shaded central pink rose with yellow and white rose buds, Cut and polished pontil bottom. Unsigned. Wear consistent

[NATIVE AMERICANS]. CLARK, William (1770-1838). Autograph letter signed ("Wm Clark") as US Agent of Indian Affairs, to William Linnard, Esq. St. Louis, MO, 23 January 1812.   1 page, 4to (creased

William Morris Suspended Artifact 1992hand-blown glass, hot-sculpted glass, enameled metal overall: 20 h × 21 w × 15 d in (51 × 53 × 38 cm) Etched signature and date to suspended eleme

William Keith (American 1838-1911), View of Mount Shasta, oil on canvas, signed lower right, canvas: 16"h x 21"w, overall (with frame): 22"h x 27.25"w

AIME-JULES DALOU, FRENCH 1838-1902. A 19TH CENTURY PATINATED BRONZE SCULPTURE modelled as a seated Satyr with dark patination and impressed signature to the base - mounted on a Carrara marble plinth(2

French, 19th/20th C., with ormolu-mounts. 38-1/2"h x 32-1/2"h x 15-1/4"w

A Pair of Empire Style Gilt Metal Mounted Malachite Veneered Pedestals Late 19th/Early 20th Century Height 38 5/8 x diameter of top 16 inches. Property from The Estate of Edwin William Young, Smithvil

A Pair of Empire Style Gilt Metal Mounted Malachite Veneered Pedestals Late 19th/Early 20th Century Height 38 5/8 x diameter of top 16 inches. Property from The Estate of Edwin William Young, Smithvil

French, Late 19th Century, Gilt Bronze Mounts, Breakfronted Duquesa Rosa Marble Top, Frieze Drawer Over Two Drawers With Trophee Inlay, Cabriole Legs, Sabots, 38.75h x 66w x 25.5d Inches, Some Nicks A

Harvey Littleton Ruby and Blue Twist USA, 1987hand-blown, cut, and polished glass overall: 15 h × 10 w × 4.75 d in (38 × 25 × 12 cm) Etched signature and date to each e

A 19th C. oil on wood board, tabletop still life with fruit, signed lower right, W.M. Brown. Board 16” x 11.5”, Overall in elaborate gilt frame 26” x 22”. Provenance: Christies

D'Oyly (Charles, 1781-1845) Temple view in India, brush and watercolour over pencil, signed in pencil in the lower right corner, additional signature and inscription to label attached to mount, sheet

Well shaped and substantially weighted bronze incense burner with well fitted and intricately carved rosewood lid. Embossed signature on underneath. 6.5”H x 10.5”W x 8”D.

19th century oil on canvas, bears signature Aivazovsky on rear of canvas. Front may be signed, but obscured by dirt and varnish. Subject is Mount Vesuvius, a common subject of Aivazovsky. Stretcher is

A 19th Century French marble pastry counter having stepped top three panels with bronze mounts and fluted pilasters. Wood body. Sink not attached. Available in another lot. Size: 36" H 80" W x 27" D C

George Washington Authentic Signed 1.4x3.5 Framed Cut Signature Display (Beckett LOA)

SHOWING A EVOCATIVE ABSTRACT IMPRESSIONISM OIL ON ARTIST BOARD ILLEGIBLE SIGNATURE . ANOTHER ABSTRACT PAINTING ON THE REVERSE OF PAINTING .MEASURES 24" BY 16" . THE ABSENCE OF A CONDITION REPORT DOES