After Antonis Mor, early 17th Century Portrait of Margaret of Parma, bust-length, in black costume

After Antonis Mor, early 17th Century Portrait of Margaret of Parma, bust-length, in black costume oil on panel 26.5 x 18.5cm (10 7/16 x 7 5/16in). Footnotes: The present composition is after An

Attributed to Sir Peter Lely (Soest 1618-1680 London) Portrait of a gentleman, bust-length, in black costume with a white lawn collar oil on canvas 65 x 52.8cm (25 9/16 x 20 13/16in).

Italian School, 17th Century Portrait of Stefano Colonna, half-length, in black oil on panel 38.7 x 26.2cm (15 1/4 x 10 5/16in). Footnotes: The present work is derived from Bronzino's three-quar

Follower of François Clouet (Tours 1522-1572 Paris) Portrait of a lady, possibly Marguerite de Valois, bust-length, in black costume and a feathered hat oil on panel 35.2 x 25.3cm (13 7/8 x 9 15/

Northern Italian or French School, 17th century, three-quarter length portrait of a magistrate in long black wig and black robe, with white collar and white lace sleeves, his body turned slightly to h

late 17th century, silk ground with five cartouche, each depicting the bust of a female, all with long flowing hair, some with feathered caps, birds and insects, black and gold painted wooden frame, 1

ENGLISH SCHOOL, 19TH CENTURY PORTRAIT OF A GENTLEMAN, BUST-LENGTH, IN A BROWN COAT, A LANDSCAPE BEYONDOil on canvas 75 X 62 cmProvenance:Barnwell Manor, NorthamptonshireWindsor House Antiques

Flemish School, 17th century, Circle of Cornelis de Vos (1584-1651), octagonal portrait of a lady, presumably a noblewoman, attired in a black dress and large white lace collar. Heraldic device upper

Portrait of Henry Howard, 6th Duke of Norfolk (1628-1684) by well known English 17th c portrait painter John Michael Wright (Scotland, 1617-1694). The seated Duke is shown three quarter length in Gree

Circa 1650, Italian School portrait bust of Jesus with sea landscape behind, Oil/Wood Panel, no visible signature, Christie's label verso, 22.5" x 17.5", framed 31" x 26". Condition: Scattered inpaint

Chapelle. Early European Portrait of a Noble Woman. The portrait of a bejeweled woman with large fine lace collar has a family crest at upper left of a crown-topped shield shape incorporating a passan

English School, early 19th Century Portrait of a boy, traditionally identified as Llewelyn Wynne, full-length, with his dog oil on canvas 131 x 89cm (51 9/16 x 35 1/16in). Footnotes: The present

17th C. Flemish School Portrait of a Gentleman. Oil on Board. Remnants of an early label attached verso. Appears to be unsigned, has not been examined out of the frame. Sight Size: 19 x 15.5 in. Overa

AN EARLY 19TH CENTURY DOUBLE PORTRAIT CAMEO AND ENAMEL NECKLACE graduated oval cameos depicting classical and later male and female double portrait busts, within fancy foliate frames picked out in blu

A pendant pair of portraits of Sufis 17th / early 18th Century Oil on paper laid on panel The reverse of one panel branded with 'R' Dimensions: (Framed) 9 in (H) x 7 in (W) (Panel) 6 in (H) x 4 in (W)

Noblewomen in extravagant French costumes, one in a riding habit, of silk brocades, gold thread and lace appliques, and ribbon loop decorations, circa 1685, unsigned, oil on canvas, her, 73-1/8 x 43-7

Sir Thomas Lawrence P.R.A. (Bristol 1769-1830 London) Portrait of Caroline Upton, bust-length, in profile to the left pencil and black chalk on paper 21.8 x 17.9cm (8 9/16 x 7 1/16in). Footnotes:

17th Century Oval Oil on Canvas Portrait Painting. Circle of Jose de Ribera (1591-1652) Spanish painter, etcher and draftsman. Titled "The Hermit". Frontal shoulder length view a man reading a book. E

Portrait of a Gentleman Three-quarter length wearing an honorary medal, possibly that of a chivalric order Oil on panel Inscribed high left Aetatis 63/Ao 1616 Size: 44.5 x 33.25 in. Provenance: Sedelm

Folio black and white lithograph with opposing oval portraits depicting Fremont and Dayton in bust length 3/4-profile poses. Top center features an American eagle with federal shield. Imprinted at bot

17th Century French School. 'The Lute Player', a Portrait of a Man in an Interior with a Stone Column and Red Curtain, Dressed in Black with a White Ruff, Holding a Lute, Oil on Canvas, 36.75" x 28.5"

Framed portrait of a gentleman. Early 19th century. The painting depicts a distinguished man dressed in a formal attire; black coat with white cravat and collar holding a black top hat. Faint landscap

A classical O/C Portrait of mother with child, probably Italian, late 18th to early 19th century. The canvas marked "N. 45" on reverse. Some crazing - has not been black lighted but appear to have som

Portrait of a Gentleman in Black Shoulder-length Oil on canvas Inscribed lower left edge (?N)VS Size: 22 x 16.6 in. Provenance: Property from the Estate of Truusje James (according to previous catalog