Edward Alcock (active Britain, circa 1745-1778) Portrait of a poet, William Vassall, standing fu...

Edward Alcock (active Britain, circa 1745-1778) Portrait of a poet, William Vassall, standing full-length, beside a column signed and dated 'E. Alcock 1760' (on plinth, lower right) oil on canvas 42.8

EDWARD HOPPER Portrait of a Bearded Man with a Hat (William Merritt Chase). Pencil on wove paper, circa 1900. 80x75 mm; 3¼x3 inches.Provenance: Estate of the artist, New York; Josephine N. Hopper

(Liverpool, England, 1719-1794) Three Beale Family Portraits, Liverpool/Quincy, Massachusetts, circa 1770; captain Benjamin Beale (1741-1825); Mrs. Benjamin Beale (nee Ann Copeland, 1745-1814), 30 x 2

Carl Ludwig Christinec (? 1732-circa 1794 Saint Petersburg) Portrait of William Gomm, half-length, in a blue coat with gold piping oil on canvas 76.4 x 64.3cm (30 1/16 x 25 5/16in). Footnotes: P

Henry Barraud (English, 1811-1874) "E. Wonder, Penelope, Imogene," circa 1856, equestrian portraits depicting three standing horses, oil on canvas, the reverse bearing two previous gallery labels. Ima

British School (18th century), "Portrait of Edward Solly," circa 1760, oil on canvas, unsigned, hand-written note from descendant (N. N. Solly) and title label affixed verso, canvas: 30.5"h x 25"w, ov

Very Rare Five-Gallon Stoneware Churn with Cobalt Standing Deer Scene, Stamped "OTTMAN BRO'S / & CO / FORT EDWARD, NY", circa 1875, ovoid churn with tooled shoulder, semi-rounded rim, and applied lug

Large silver footed tureen, oval body with beaded Greek key rim, satyr mask and ring handles and standing elk finial lid by William Vanderslice & Co, active 1858-1908, and retailed by George C Shreve

Daniel Pabst (1826-1910) Ebonized three-door cabinet, Philadelphia, PA, circa 1875 The central door with enameled ceramic tile profile portraits of William Shakespeare and a gentleman, possibly the co

The portrait of a standing child figure, her body turned sharply in a twisting pose with billowing red cloak and holding a thin blue ribbon tied to the collar of a powerful Molossus type dog, to the f

18th/19th century, oil on board, depicted standing holding the staff with a globus cruciger set on the table beside, framed in an 18th century or earlier carved, giltwood ‘Auricular’ frame, a type

William Matthew Prior - Portrait of a Lady. Oil on paper board. Period paint-decorated frame. Maine, circa 1835. Condition: Original condition. Inspected under UV light. No restoration noted. Frame is

WILLIAM SIDNEY MOUNT Portrait of a Young Woman (Miriam Doughty Underhill). Oil on canvas, circa 1838. 304x255 mm; 11â…žx10 inches. Provenance: Private collection, Massachusetts. The sitter is beli

William Tylee Ranney (1813-1857) Portrait of Edwin White (1817-1877), circa 1850s Oil on canvas, framed. (16 1/4 in. x 13 in. (sight)) Provenance Property from a Private Collector.

Circa 1900, a bronze relief-decorated portrait plaque, profile of a Jicarilla Apache man, after Edward Curtis' photograph ''Vash Gon - Jicarilla'', signed and inscribed lower left: Modeled by Alfred L

Pendant Portraits Of A Handsome Lady And Gentleman, William Judd, Esquire And Sarah Judd. Circa 1840, Two Oil On Canvas Paintings, Unsigned Labels Verso, 36 x 28 Inches, Original Giltwood Frames 47 x

Special order from Britains Paris Office Prussian Infantry khaki active service dress. 39 infantry at slope, 2 standing, 2 officers, 1 bugler. Provenance - Peter Cowan's letter and James Opie's letter

DESCRIPTION: Manifesto and Proclamation - Britain's Last Attempt at Reconciliation. Presented by the Earl of Carlisle, Sir Henry Clinton, and William Eden this proclamation was issued in October 1778

"After the Battle", oil on canvas, signed lower right, circa 1864. A Patriotic composition featuring a soldier standing on a hilltop flourishing a tattered flag surmounted by an eagle and victory wrea

William Skilling (American, 1862-1964). A large format oil on canvas portrait of a standing leopard. Signed lower right and framed. Canvas: 48in x 60in.

A Edward, Edward Jr., John & William Barnard Victorian Silver and Glass Epergne, London,

EDWARD HOPPER Portrait of a Gentleman. Pen and ink and pencil on wove paper, circa 1900-05. 237x194 mm; 9¼x7½ inches. Signed in ink, lower right recto.Provenance: Estate of the artist, New Y

Edward Henry Windred (British 1875-1953) Oil on Canvas "Portrait of the Champion Racing Pigeon Rufus", circa 1920-1930, with legend at base with Fancier's name, pigeon's name and performances reregist

A large 17th century German silver-gilt coin tankard Jakob Haase, Danzig (Gdansk Poland) circa 1745 Tall cylindrical form, with hinged shallow-domed cover inset with a German 'Peace of Dresden' Silve