Sabra Field "Clothesline"

A bright and lively vintage modern woodcut on paper titled "Floating Farmland" by Sabra Field. Hand signed in pencil on the bottom right, annotated 67/100 mid bottom, and titled bottom left. Published

Sabra Field (Vermont 1935-) Hill Farm Quadtych - Autumn, Winter, Spring, Summer woodblock on paper signed and identified lower margin, plates 9.5 x 5" 17 x 12" as framed each.

including 3 from 2010 Light Suite Series: "Cloud Light", "Leaf Light" and "Snow Light", and 1994 "Moon Shadow", each pencil signed and titled, good condition, sight 16x11in., all in 23x18in. wood fram

Sabra Field (Vermont 1935-) Mountain Quadtych - original woodblock prints on paper signed lower margin by Ms. Field each plate 15 x 10" 20 x 14" as framed.

Sabra Field (Am. b. 1935) "Beyond Mansfield" I and II Woodblock print, framed under glass Both panels: Signed in pencil l.r., titled in pencil l.l., editioned "29/100" l.c. Both panels: 29" x

Sabra Field (Vermont 1935-) Ascutney October- IRIS print signed and identified lower margin editioned 71/100 Sheet 23 x 23" 29 x 29" as framed.

Sabra Field (American, b.1935) - Windows of Light on the Snow together with Deer in the Orchard Titled, numbered and signed ‘Windows of Light on the Snow 113/150 Sabra Field’ across bottom

Sabra Field (Vermont 1935-) Sketch for Barn at Shelburne Farms print, with extensive notes from field in margins showing creative process. 24 x 18" as framed.

Sabra Field, Autumn Pool I & II woodblock prints, 51/100. Each signed lower right, titled and numbered on bottom edge, framed. Measures: 30" x 15 3/4" Image size, 35 1/2" x 21 1/4" overall.

Sabra Field (Vermont 1935-) Ascutney, October - IRIS Print signed identified lower margin editioned 84/100 plate 17.5 x 17.5" 25.5 x 25.5"

A bright and lively vintage modern set of 3 woodcuts on paper titled "Landscape I, II, III" by Sabra Field. Hand signed in pencil on the bottom right and titled bottom left. Published circa 1980s. A s

Sabra Field (American, b. 1935), North Road I / North Road II / North Road III (Three Works)each a woodblock print in colors, all pencil signed, titled, and numbered from editions of 300 lower margin,

Sabra Field (Vermont 1936-) Metowee Valley woodblock print on paper signed and editioned lower margin 48/200 20 x 17.5"

Sabra Field (Vermont 1935-) Haying Near Camel's Hump hand pulled woodblock on paper signed and identified lower margin, editioned 25/150 plate 19.5 x 14" 27.5 x 21.5" as framed, horizontal crease as i

A bright and lively vintage modern woodcut on paper titled "Milkyway" by Sabra Field. Hand signed in pencil on the bottom right, annotated 269/300 mid bottom, and titled bottom left. Published circa 1

Sabra Field (Vermont 1935-) Shelburne Farms mixed media on Bristol Board- made as a preliminary draft for a print. Signed lower right 18 x 12" 21 x 15" as framed.

Sabra Field (Vermont 1935-) Billings Farm and Museum from Mt. Peg hand pulled woodblock on paper signed and identified lower margin editioned 84/100 Plate 11.5 x 29.5" 19.5" x 37.5" as framed.

Frame measures 21 1/4" wide, 33" tall.Print measures 17 1/4" wide, 28 1/2" tall.

Sabra Field (Vermont 1935-) Cow Barns in Cold Country original woodblock on paper signed lower margin editioned 7/150 plate 20 x 34" 45 x 31" as framed

Sabra Field (American b.1935) - Fields and Mountains together with Dandelion Galaxies Titled, numbered and signed ‘Fields and Mountains 113/150 Sabra Field’ across bottom margin, woodcut o

Hill Farm Spring, Hill Farm Summer, Hill Farm Autumn, Hill Farm Winter. Measures 15.25 x 10.75

A bright and lively vintage modern woodcut on paper titled "Snowfall" by Sabra Field. Hand signed in pencil on the bottom right and titled bottom left. Published circa 1980s. A simplistic and tranquil

Sabra Field (Vermont 1935-) Langevin Farm Vermont Technical College IRIS Print - Identified, Signed and Editioned 35/250 lower margin, plate 12 x 18.5" 19 x 26" as framed.

A bright and lively vintage modern woodcut on paper titled "Young Corn" by Sabra Field. Hand signed in pencil on the bottom right and titled bottom left. Published circa 1980s. A simplistic and tranqu