Wynton Marsalis and Paul Rogers '2002 New Orleans Jazz Fest' Lithograph

New Orleans Jazz and Heritage Signed Posters (2) serigraphs, including Paul Rogers 'Wynton Marsalis', 2002, signed and numbered #728/750 lower margin, also signed by Wy

This poster is signed by the artist, Jay Michael!   This poster advertises the lineup of Ratdog and Phil Lesh and Friends performing at the 2002 New Orleans Jazz Fest! A gorgeous, psychedelic des

Artist: Paul Rogers Title: Jazz Fest 2002 Year: 2002 Dimensions: 20in. by 37in. Edition: From the rare limited edition of 3000 Medium: Original seigraph on paper C

Artist: Paul Rogers Title: Jazz Fest 2002 Year: 2002 Dimensions: 20in. by 37in. Edition: From the rare limited edition of 3000 Medium: Original seigraph on pape

Maria Laredo (New Orleans, 20th Century), "1976 New Orleans Jazz Fest Poster, Fats Houston," 1976, Festival Edition, signed in print lower right, numbered "801/1000" in pencil lower right margin, edit

1976 New Orleans Jazz and Heritage Festival serigraph, first edition, signed by the Louisiana folk artist Maria Laredo, portraying Fats Houston, the grand marshal of the Eureka marching jazz band. Pen

Le Vieux Carre de la Ville, Nouvelle Orleans mid-20th century, depicting a 19th-century view of the Port of New Orleans, lithograph in colors on wood panel and varnished, limited edition, printed/prod

NEW ORLEANS JAZZ SCENES, 1981, four watercolors on paper, all signed and dated, each 25 ¾ x 40”. (4)

John Bachmann (Swiss/American, 1814-1896) , "Bird's Eye View of New Orleans", 1851, hand-colored lithograph, printed by J. Bachmann, published by A. Guerber & Co., New York, "The Old Print Shop, New Y

Riopelle, Jean-Paul (1923-2002) Les oies I Description: Lithograph on paper, 72/195, signed in the plate on lower right Riopelle Dimension (PO): 18" x 21 1/2" Dimension (CM): 45.7 x 54.6 cm

Paul Pletka(b. 1946)New Year Processional, 1989lithograph, edition 16 of 50editioned lower left: 16/50signed lower right: Pletkaaffixed verso: print documentation22 x 30 in. (55.9 x 76.2 cm.), F

RIOPELLE, Jean-Paul (1923-2002) "Les Oies I", 1981 Color Lithograph Signed on the lower right: Riopelle Numbered on the lower left: 58/75 57x69cm - 22.5x27.25"

Caroline Wogan Durieux (American/Louisiana, 1896-1989) "Receptions (New Orleans)", 1938 "Los Diplomaticos (Conferencia)", 1942 two lithographs on paper each pencil-signed, titled, edition of 10 or 12,

Robert Gordy (American/Louisiana, 1933-1986) "Dog Worship #3 (For Paul Boles)", 1974 acrylic on canvas monogrammed and dated lower left, signed, titled and dated en verso stretcher. In an integral ar

Robert Rauschenberg (American, 1925-2008) "Autobiography", 1968 three-panel offset lithograph printed by Broadside Art, Inc., edition of 2000. Unframed. each 66-1/2" x 48-3/4" Provenance: Gift of Mari

Set of Four Paul Storr (1771-1844) Sterling Silver Chop Platters hallmarked London, 1806-1807, each of serpentine-lobed oval form, with gadrooned edge quartered by cabochons and leafy-mantled coquille

Nancy Youngblood (American/Santa Fe, b. 1955), "Untitled - Swirled Melon Bowl", 2002, carved black clay, incised signature and dated at bottom, h. 4-1/2", dia. at widest 6-3/4". Private collection, Sa

Salvador Dali (Spanish, 1904-1989) "The Persistence of Memory", 1974 from Changes in Great Masterpieces color lithograph published by Phyllis Lucas Gallery, New York, New York pencil-signed and number

William "Bill" Hemmerling (American/Louisiana, 1943-2009) "Mood Indigo, Birdland", 2002 mixed media on wood door signed lower left, titled upper and lower center, dated and titled en verso. 70" x 24"

Dale Chihuly (American, b. 1941) "Philodendron Ikebana", 2002 blown glass Portland Press, Seattle, Washington, cobalt pear-shaped vase with gold-leaf overlay and blue and green textural jimmies. The

Ellsworth Kelly (American/New York, 1923-2015) "Cul de Sac", 1983/4 lithograph on Arches paper pencil-signed and numbered "24/25" lower right, from an edition of 25 with 11 artist's proofs, from the "

Paul Jean Gervais (French, 1859-1936) "Frolicking on the Terrace" oil on canvas signed lower right, a "Bureau de Vente, Des Oeuvres Exposees au Salon de la Societe des Artistes Francais" label with ar

Paul-Emile Pissarro (French, 1884-1972), "Le Clos a St. Remy", oil on canvas, signed lower right, titled en verso, 18" x 21-1/2". Provenance: Wally Findlay Galleries, Inc., New York, New York, 1971; T

Marc Chagall (Russian/French, 1887-1985) "Idylle aux Champs" lithograph in colors signed in pencil lower right, numbered "47/50" lower left. Matted, glazed and framed. sight 16-3/8" x 12", framed 32-1