Nok culture, fired clay figure

Nok culture, fired clay figure, Likely c. 200 BCE - 200 CE, Nigeria, possibly a royal figure wearing a cape and holding remains of a scepter in left hand, right arm, now missing, would have been reach

West Africa, Nigeria, Nok culture. Exact dates unknown, fired clay / terracotta pottery. A stylized standing male figure in pillar form, with carved moustache, impressed D form eyes, stacked neck piec

Pre-Columbian, Ecuador, Valdivian culture, ca. 3500 BCE. A trio of reddish pottery heads with thin slits for eyes, brows, and mouths. These fired clay figures were produced, starting at the major Vald

Pre-Columbian, Ecuador, Valdivian culture, ca. 3500 BCE. A trio of reddish pottery heads with thin slits for eyes, brows, and mouths, and bulbous hair. These fired clay figures were produced, starting

Tale of the Dead Princess and The Seven Knights Doll. Based on Alexander Puskin's 1833 poem. The fired Japanese clay figure adorned in Italian cotton jacquard and lace dress and kokoshnik embroidered

Nok Culture, terracotta figure and pendant, Likely 500 BCE-200 CE, Central Nigeria, hand-modeled clay, including a figure in haunch position with folded arms, on custom stand, 5"h (figure), together w

Archaic clay relic of a anthropomorphic figure, only the top of the head remains. This ancient Nok sculpture consists of what appears to be a portrait head fragmented by damage and age. Nok culture, N

Ancient clay relic of a anthropomorphic figure, only the head remains. This ancient Nok sculpture consists of what appears to be a portrait head fragmented by damage and age. Sokoto or Nok culture, Ni

Nok Culture, terracotta figure, Likely 500 BCE-200 CE, Central Nigeria, quartz studded clay, hand-modeled with moulded and incised features, coiffure, wearing necklace bands, hands clutching implement

RAKU FIRED CLAY FIGURE BY ZEKE ISRAEL (Hawaii) VOLCANO VILLAGE ART STUDIO IMPORTANT. A Kahu Guardian is handcrafted from clay, raku fired, then artfully adorned with vibrant beads and feathers. Each i

Mary Engel. Fool's Golden Retriever. Not signed. Glazed and fired clay figure with pyrite stone. Excellent condition. 9" x 17". Est. $1,000-$1,500. Ship: $85

Candelario Medrano, clay nagual, low fired clay figure with bull head and body standing on avian raptor legs, polychrome details, mounted on stand height 11.5 in. x width 6 in. x depth 8.5 in. Shipp

(lot of 3) Pre-Columbian, Colima West Mexico culture, clay figures, each figure depicted as strapped to a board, or "litter", possibly representing a deceased person being prepared for burial or a fig

Pre-Columbian, Ecuador, Bahia culture clay figure, 300 BCE to 500 CE, having an elaborate coiffure, and depicted seated, 8"h

Various Ages, 5 glazed and fired clay figures made by John Howell, all in good condition, all sitting in chairs: top hat and squash blossom necklace, 1978, the crack in the base was during manufacture

Koma-Bulsa Culture, four-Janus-headed clay figure, Possibly 14th-16th c. CE, North Ghana, hand-moulded earthenware, four expressive faces on long necks extending from an elongated body with hand-on-le

Koma-Bulsa Culture, (3) clay figures, Possibly 14th-16th c. CE, Komaland, North Ghana, hand-moulded earthenware, including a seated figure and two fragmentary busts, one bust mounted to wood stand, 9.

Koma-Bulsa Culture, (4) clay figures, Possibly 14th-16th c. CE, Komaland, North Ghana, hand-moulded earthenware, including two seated figures and two fragmentary busts mounted to wood stands, 9.5"h (l

Nok Culture, (3) terracotta figures, Likely 500 BCE-200 CE, Central Nigeria, two on custom stands, one larger seated figure, 5.5"h (largest), 3.5"h (smallest, not including stand) Provenance: Estate o

Nok Culture, (4) terracotta figures, Likely 500 BCE-200 CE, Central Nigeria, all fragmentary, including a large head and torso with modeled features, beard, and head ornament, 12"h x 8"w x 4"d, a full

Nok Culture, (2) terracotta figures, Likely 500 BCE-200 CE, Central Nigeria, hand-modeled with incised features, coiffure, wearing neck bands and skirt, one in kneeling pose, one mounted to custom sta

Maxine Toya(Jemez, b. 1948)Standing Figurefired clay, pigmentsinscribed: Maxine Toya / [corn cipher] / Jemez8 3/4 x 5 x 3 1/2 in. (22.2 x 12.7 x 8.9 cm.) Private Collection, New Mexico

Nellie Bica(Zuni, 1905 - 1998)Polychrome Owl Effigy Figurefired clay, pigmentinscribed underside of feet: N Bi / ca / Zia6 1/4 x 6 x 4 1/2 in. (15.88 x 15.24 x 11.43 cm.) Private Collection, Missouri

Glen La Fontaine (Cree, b. 1947)Group of Three Cree Figures Untitled (Cree Figure) fired clay, pigment inscribed on foot: [artist's cipher] 10 3/4 x 5 x 2