Henry Bone (British, 1755-1834)

Thomas Stothard (British, 1755-1834)Devil confronts an angelwatercolor on cardindistinct inscription upper left3 x 2 1/4in (7.5 x 5.5cm) Provenance:With Denenberg Fine Arts Inc., W

Two Prints of Old Philadelphia after William Russell Birch (British, 1755-1834). "New Market in South Second Street," and "Second Street, North from Market Street with Christ Church," Framed. 11.25''

Henry GarlandBritish (1834-1913)Highlanders Crossing the Burnoil on canvassigned lower left and again with title verso, framed.Property from a Prominent Saint Louis Estate22 x 36 inches

Benjamin West. (1738 - 1820). Christ Rejected. Antique Steel Engraving on wove paper after the original oil on canvas by master engraver James Henry Watt (British, 1799-1867). 1834. Signed in the plat

Henry Garland (1834-1913) British. 'Boys in a Stable', Oil on Board, Signed, and Inscribed on a label on the reverse, 8" x 10".

Thomas Stothard. (English, 1755 - 1834). The Bathers (Diana and her Nymphs Bathing). Antique Engraving on wove paper after the original oil on canvas by master engraver Charles Cousen (British, 1819 -

Leatherbound books including Midwives Directory 1755, British Classics, Joh. Amos Comeni, American Antiquities 1833, Anatomy and Physiology of the Human Body 1834, and more. 18th and 19th Century. Spl

Thales Henry Adolphus Fielding (British 1783-1837) Margate Sands, Oil On Canvas. Signed T. Fielding 1834 Lower Left. Back of piece marked "Margaret Sands by Copley Fielding, NOT 'Copley' but his broth

Sean Henry (British, born 1965) Standing Man 2 signed with initials, dated and numbered 'SH 97 AP' (on reverse of boots) bronze and oil paint 78cm (30 11/16in) high excluding base; 190cm (74 13/16in)

Tea Pot Electro-plated silver 13,5 x 23 x 14 cm Hallmarks underneath: H & H (Hukin & Heath, Birmingham), eagle, design registration number 1878, and "Designed by Dr. C. Dresser"

The Forest from "Auden Poems", lithograph on water-marked paper 1973 signed in pencil by the artist, lower right numbered 3 of 75 from the first set (total edition was 360), As printed and published b

Windswept Landscape from "Auden Poems", lithograph on water-marked paper 1973 signed in pencil by the artist, lower right numbered 3 of 75 from the first set (total edition was 360), As printed and pu

Title: "Fjord" from "Auden Poems", lithograph on water-marked paper 1973 signed in pencil by the artist, lower right numbered 3 of 75 from the first set (total edition was 360) As printed and publishe

Title: "Cavern" from "Auden Poems", lithograph on water-marked paper 1973 signed in pencil by the artist, lower right numbered 3 of 75 from the first set (total edition was 360) As printed and publish

'Penelope's Dream'. Pencil on paper. A talented pencil drawing (circa 1800s) after the John Flaxman engraving. Signed "B. West" bottom left. Inscription adhered to the back. Framed. 7 x 9 1/2"; 17 x 2

Marjorie Henry (British, 1900-1974), Sailboat, watercolor on paper, signed, 24.75"h X 19"w (sight), framed Provenance: Christie's, NY

Circle of Francesco Renaldi (British, 1755-1798) Two noblewomen, perhaps of Lucknow, seated together on a pillared terrace, North India, circa 1792-95 oil on canvas 43.9 x 33.8 cm. Footnotes: Renaldi,

SEYMOUR, Samuel (Active, 1797-1823), After William BIRCH (1755-1834). The City of New York in the State of New York, North America. Engraving with hand color by William H. Morgan, Philadelphia. Brista

William Holyoake (British, 1834-1894) Derby Day oil on canvas 61 x 51cm (24 x 20 1/16in). Footnotes: Provenance Anon. sale, Christie's, London, 3 February 1978, lot 215. Private c

Attributed to John Nost Sartorius (British, 1755-1828), "Huntsman and Hounds at an Alehouse", oil on canvas, unsigned, period label with artist and title on stretcher, 17 5/8 in. x 22 5/8 in., framed,

James Abbott McNeill Whistler (American/British, 1834-1903) "Nocturne in Blue and Gold - Old Battersea Bridge", ca. 1910-1920 color lithograph on paper board "Franz Hanfstaengl, Munchen, no. 100" blin

William Russell Birch (Pennsylvania, UK 1755-1834) watercolor and silhouette full length portrait of Charles & Ann Pinchney of Charleston, South Carolina, each marked in lower margin with manuscript s

William Morris, painting, William Morris, (British, 1834-1896), oil on canvas, portrait of William Pitt 1st Earl of Chatham, This work is after a larger version by the studio of William Hoare in the c

A Life-Size Cast Iron Bust of Mercuryearly 20th century, naturalistic casting of the mythological deity wearing his winged helmet, likely after a model by John Flaxman (British, 1755-1826), unmarked.