A fragment of a Perugia towel Probably 16th century, Italian

Limestone carving of Madonna and Child in an arch flanked by ionic columns, probably Renaissance, 16th C. H: 15cm (6 in.) W: (5 1/4 in.)

An early oak door fragment The oak probably 16th century, the iron possibly early 20th century Mounted on a Perspex stand, 31.5cm wide, 11cm deep, 53cm high (12in wide, 4in deep, 20 1/2in high)

Rare Perugia Linen Towel, 15th/16th C, Umbria, Italy. Woven with indigo blue horizontal panels depicting animals, birds and dragons. Such towels were used in both ecclesiastical and secular contexts a

Measurements: 56 x 37 x 24

Tudor Period Carved Oak Architectural Fragment, probably from a Church, depicting a Gothic tracery topped frame containing a relief carved 'TL' monogram and Tudor rose, backside with cutout sections -

A French painted eight-fold floor screenprobably Joseph Dufour19th centuryDepicting Angelica and Medoro from the 16th-century Italian epic Orlando Furioso by Ludovico Ariosto.height 83in (211cm); widt

Manner of da Maiano, The Virgin with Child (probably Florence, 16th century) Excellent example having fine and early surface throughout. Some scattered in paint consistent with age. H30" W23" Sold fro

The single-board top above carved trophy end supports flanked by caryatid figures. Height 37 inches (94 cm), width 7 feet 10 inches (239 cm), depth 34 inches (86 cm). Provenance: William Doyle Galleri

Antique and Rare Silk Italian Brocade Fragment Panel. Venitian 16th Century with Ottoman / Turkish Motifs. Size: 130 cms x 45 cms. ( 51 ins x 17 ins ).

NORTHERN ITALIAN-VENETIAN SCHOOL OF THE PROBABLY LATE 16TH CENTURY THE LAST SUPPER Oil on canvas. 117 x 179 cm (F. 131 x 194 cm). Partly damaged, old rest., old retouching, dirty canvas. Frame. Proven

An Italian Majolica Plate Probably Pesaro, Mid-16th Century depicting Apollo as victor of the musical contest over Pan and Marsyas; unmarked. Diameter 10 5/8 inches. This lot is located in Chicago. Pr

Italian Majolica Polychrome Decorated Pottery Plaque, mid 16th century, probably Castel Durante, circular, depicting two figures in antique dress, chipped edge, diameter 5 1/2 inches

A large bronze group of Hercules and Anteus after a 16th century model by Italian sculptor Giambologna. This model probably dates from the early 20th century. Approximate measurements: 23"H x 11.5"W x

Cinquedea in the Italian 16th century style, engraved throughout blade with wood grip and handle. Probably Victorian or later. 19" L

Italian School, 16th Century The Martyrdom of Saint Lawrence gouache and gold on vellum 14.1 x 10.1cm (5 9/16 x 4in). unframed Footnotes: The present unusual gouache would most probably have

European, Italian or Spanish, in the 16th C. style but probably circa 1800-1890's. Fine medieval style sword with tapered straight blade that is pointed and intended primarily for thrusting. Pommel is

Cairo Rug Fragment 51 x 37 cm (1 ft. 8 in. x 1 ft. 3 in.) Egypt, 16th century Condition: fragment, sewn on fabric Warp: wool, weft: wool, pile: wool Provenance: Italian private collection

Chinese Glazed Temple Fragment, Ming Dynasty. This sculpture is very high relief and among the most charming of scenes. Probably the baby Buddha c. 16th century (of the period). Size: 14 3/4" high x 2

Continental, probably Italian, 19th century. A complimenting pair of fine gilt wood and polychrome decorated long wall brackets, likely converted from architectural fragments, each with simulated gree

Europe, probably England or Italy, ca. 16th to 18th century CE. A lovely set of two European daggers, each with forged-iron blades and intricate handles. The smaller knife, perhaps Italian in origin,

Four Piece Polychrome Pottery Lot, to include italian Majolica Tondo, probably Deruta, having gilt and painted flaming triangles stylizing sun design, 16th century or later, repaired; a Deruta Majolic

including; Continental, probably Italian, fragment of "God the Father and The Holy Spirit," oil on wood, backed on tin in brass hanging frame, 18th century, 7 x 5 1/2 in., and Continental school portr

An engraving black and white panel depiction of the "Rape of the Sabines" in the 16th century style. Now with shrinkage into strips and with losses to the image. Framed by an important inset and Lapis

Italy, 15th to 16th century CE (possibly earlier). Huge hand hammered copper footed brazier. Wide foot with rolled edge, slightly tapered pedestal attached to bifurcated basin with three rivets, large