A Japanese Nabeshima 'Mistflowers' Plate, Showa Era (1926-1

JAPANESE LACQUER. Showa era (1926-1989), circa 1940. Largest example height: 14 1/2 inches. Largest example width: Approximately 12 inches .

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KASAMATSU SHIRŌ (1898-1991) AND KAWASE HASUI (1883-1957) Four Woodblock Prints Showa era (1926-1989), 1934-1938 Comprising three ōban tate-e prints including Haru no yoru, Ginza (Spring Even

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

A GOLD LACQUER BOX. Meiji era (1868-1912) or Taisho era (1912-1926). 3 1/2 x 2 3/4 inches.

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 An ōban yoko-e print entitled Tateyama Betsuzan (Mount Betsu of the Tate Mountain Range), from the series Nihon Arupu

Three Japanese Meji Nabeshima Orchid Plates. Measuring 1 1/2" x 4 5/8" (4 cm x 12 cm). Excellent condition. Any condition statement, country of origin and date given, as a courtesy to prospective bidd

Dimension: 28x20 cm Weight: 989 gram Introduction: This ceramic vase is emblematic of the Japanese Showa period, an era spanning from 1926 to 1989 that witnessed Japan's profound shifts between tradit

Japanese woodblock, "Emanation 103", 35/50, Showa era, 1926-1989, SLR. Geometric abstract composition. 8"h x 19.5"w inside mat and 15.5"h x 27"w framed **Please Note: This item is NOT eligible for in-

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1931 A ōban yoko-e print entitled Benaresu no gatto (Ghat in Benares), signed in the block Yoshida and in pencil in Roman script in the lower ma

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

INODA SEII (1906-1975) Egrets and Lotus Flowers Showa era (1926-1989) A two-panel folding screen brushed in ink and colors on silk depicting four egrets standing in a dried-up lotus pond, three of the

SAWADA TETSURO (1935-1998) Showa era (1926-1989), dated 1987 and 1988 Four screenprints of various sizes and formats; the first a large horizontal format, titled AFTER GLOW III, edition number 123/135

YOSHIDA HIROSHI (1876-1950) Three Ōban Tate-e Woodblock Prints Showa era (1926-1989), dated 1935 and 1937 The first, entitled Sugi namiki (Criptomeria [cryptomeria] Avenue), dated 1937; the secon

KAWASE HASUI (1883-1957) Showa era (1926-1989), dated 1948 An ōban tate-e woodblock print titled Shirasagijō (Shirasagijo Castle), signed Hasui and sealed Kawase, published by Watanabe Sh&#3

SAITO KIYOSHI (1907-1997) Showa era (1926-1989), 1948 A large woodblock print entitled Profile, edition number 22/60, dated 1948, signed Kiyoshi Saito, with label stating self-carved self printed KIYO

KAWASE HASUI (1883-1957) One oban yoko-e print and one oban tate-e print Showa era (1926-1989), 1947 The first, entitled Yamanakako no banshu (Autumn Evening at Lake Yamanaka); the second, entitled Ki

OHARA KOSON (1878-1945) Showa era (1926-1989), 1927 An ōban tate-e woodblock print titled Yanagibashi no yuki (Snow at Yanagibashi), signed and sealed Shōson, published by Watanabe Shōz

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1937 An ōban yoko-e print entitled Shirahama (Shirahama Beach), signed in the block Yoshida and in pencil in Roman script in the lower margin Hi