North American Enclosures Inc. 12 X 30 Frame

North American Enclosures Inc. multi panel frame. Approximately 12x30 Framed in light tined wooden frame with white mat board. Approximately 13 x 31 inches. No evident issues, still in protective plas

North American Enclosures Inc. dark wood frame. Measures 10 x 20 inches. Windows measure 4 x 6 inches each. Some surface wear consistent with exposure. North American enclosures, frame, wood frame, fr

North American Enclosures Inc carved wood picture frame. Measures 10 x 20 inches. Windows measure 4 x 6 inches each. Some surface wear consistent with exposure. North American enclosures Inc, wood fra

TRAJECTORY THROUGH THE MOON #18, 1995, mixed media with acrylic and gold leaf on paper, signed and dated and titled in pencil, full sheet floated, 22 ½ x 30”, frame 25 ¼ x 32 &frac

OLD MEN OUGHT TO BE EXPLORERS #3, 1984, mixed media on paper, signed lower right, titled lower left, sheet 29 ½ x 30”, frame 34 x 34 ¼” with glass.

Frame of 30 Arrowheads Found in Fulton Co. Illinois. The longest is 3 1/8". The 12" x 16" Frame is included.

Frame of 30 Arrowheads Found in Bond Co. Illinois. The longest is 3 1/8". The 12" x 16" Frame is included.

Frame of 30 Arrowheads and 2 Pendants Found in Clark Co. Missouri. 12" x 16" Frame and the longest arrowhead is 2 5/8". The Frame is included.

BULLES D’AIR (Maeght 1981 catalogue, page 42), 1969, color lithograph on Rives paper, signed and numbered 51/75 in pencil, sheet 22 ¾ x 30 ½”, frame 36 x 44” with Plex

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired direct

STILL LIFE IN A BLUE VASE, oil painting on paper or board, signed and dedicated lower right, 40 x 30 ½”, frame 51 x 41” with glass. Provenance: Mervyn and Kitty LeRoy; Literature: ULTRAMODERN SAM

SINATRA IN CONCERT (Knoedler Volume I 207), 1974, lithograph, signed and numbered 31/300 in pencil, signed by Frank Sinatra in green ink, discardable frame 30 ½ x 22” with glass.

DREAMER, 1982, color lithograph, signed in color pencil and numbered 198/200 in pencil, artist’s blind stamp lower left, sight 20 ¼ x 29 ¼”, frame 30 ½ x 40 ½&

CLIQUE, 1995, oil painting on found wood with adjoining panel of laminate board, signed and dated and titled on verso, 20 ½ x 38”, frame 30 ½ x 48”.

AMERICA’S CUP 19 th CHALLENGE NEWPORT, color screenprint, signed in pencil, sight 23 ½ x 29”, frame 30 ½ x 35 ½” with glass.

CHEMIN NOCTURNE, 1974, color lithograph, signed and titled and inscribed E.A. (artist’s proof) in pencil, image 27 ½ x 19 ½”, sheet 30 x 22”, frame 30 ½ x 22 ½&#8

NAVAJO POTTERY; HOPI POTTERY, two color screenprints, each signed and numbered 211/300 & 117/300 in pencil, images 18 x 30” & 30 x 18”, full margins, frames 30 ½ x 42 ½&rdquo

WOMEN ON THE STREET, oil painting on canvas, signed lower left, 24 x 30”, frame 32 ½ x 38 ½”. We have found two other variations of this same painting, signed Villard. This is no

LANDSCAPE, oil painting on canvas on Glendale N.Y. stretcher bars, 25 x 30”, frame 26 ½ x 31 ½”. From the Stuart Lampert & Stephen Tomar Collection, Interior Designers for Celebr

UNTITLED, 1971, watercolor on paper, signed and dated lower right, 23 x 28 ¾”, frame 24 ½ x 30 ½” with glass, retains Michael Smith Gallery, Los Angeles label on frame verso

KAY-BAH, 1991, color lithograph, signed in pencil and inscribed publisher’s proof, sheet 19 x 25”, frame 30 x 36 ½”. Proceeds to Benefit UCLA Health.

RUBIES AND EMERALDS, oil painting on canvas, signed lower left, titled on verso, 24 x 30”, frame 35 ½ x 41 ½ x 2 ½”. Provenance: Marcus Ashley Fine Art Gallery, Lake Tahoe.

VISAGE, color lithograph, signed and numbered 229/300 in pencil, published by Circle Fine Art Chicago, sight 23 x 32 ¼”, frame 40 ½ x 30 ½” with Plexiglas. From the Al

SIX NUDES (K.I 289), 1980, six-plate etching on one-sheet, signed and numbered 68/250 in pencil, Martin Lawrence Gallery label on verso, sheet 30 x 22”, frame 38 ½ x 30 ½” wi