REMBRANDT ETCHING DRYPOINT & ENGRAVING

after Rembrandt- ''Three Trees''- etching, by Armand Durand, aritst red stamp verso. 8 1/4 x 10 7/8''

After: Rembrandt Van Rijn, Dutch (1606-1669) Etching Drypoint and Engraving "Jan Cornelis Sylvius, preacher" Circa 1816, London. Measures 16-3/4" H x 5-3/4" W, frame measures 12-1/2" H x 11-1/2" W. Co

After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees," etching,drypoint engraving. image: 8.25"h x 10.75"w. Framed under non glare glass, 17.50"x13.50"x1". Weight 2 pds. PROVENANCE: A Charleston

Rembrandt Van Rijn Etching, "La Negress Couche, " 1658, etching, drypoint and engraving on laid paper, signed in the plate. Catalogue Raisonne: Bartsch 205. Matted and framed. Dimensions: 3.2

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

REMBRANDT VAN RIJN (Dutch 1606-1669) "Peter and John Healing the Cripple at the Gate of the Temple" Etching, engraving and drypoint. Image: 7 x 8 1/2 inches; Sheet: 8 5/8 x 10 1/8 inches; Frame: 21 1/

"The Raising of Lazarus, Larger Plate". Signed in the plate. Millennium edition. Etching, Engraving and Drypoint on Ingres d'Arches paper. Plate measuring 14 1/4" by 10". Sheet measuring 17 1/4" by 12

After Rembrandt van Rijn, Dutch, 1606 to 1669 Amsterdam, etching, engraving and drypoint on paper titled The Flight into Egypt: Crossing a Brook. Signed in the plate and dated 1654. With the inscripti

Etching, engraving and drypoint on Ingres d Arches off white laid paper (watermark) with large margins. Signed in the plate on the rock behind Christ. The 10th state according to Bjorklund and Nowell-

Rembrandt Etching Engraving of Bearded Man Bust 1631. Auction records for this particular subject have not been found online; interested bidders are encouraged to consult the new edition of Hollstein'

18th C.Rembrandt Etching & Drypoint 1750 12" by 14" framed. 4.25" by 5.75" art Original (1641) Virgin & Child in the Clouds. Later 18th C.printing. Archivelly framed Shipping: Domestic: Flat-rate of $

Bill Scott (b.1956, PA) unframed abstract etching with drypoint engraving titled "Aquarium" 2008, 24/32 studio chop mark lower right. 18" x 18" ss / 25" x 22.25" oa

Rembrandt etching and drypoint. This print could be as old as the 17th century, but we really have no way of knowing for certain.- 8 1/8" x 6 1/4"

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Signed Rembrandt below and dated 1642. Darkened interior dramatically lit by a single high window shows a man, possibly the artist, reading a book at a desk, with a crucifix above his head and a curvi

Salvador Dali (Spanish, 1904-1989) "Rembrandt" drypoint etching, edition # 61/150 and signed lower right in pencil. Image: 10" H x 7" W; frame: 16.5" H x 13" W.

Rembrandt drypoint etching- self portrait. Unframed. Paper measures 12"h x 10 1/2"w

REMBRANDT Cupid Resting Etching & Drypoint Print, no apparent inscriptions, subject show Cupid lounging with his bow and arrows at either side of him. Window measures approx 3 1/2 x 4 1/2 in., frame m

(Spanish 1746-1828) "El Sueno de la Razon Produce Monstruos" Plate no. 43 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference

Etching, engraving, drypoint and aquatint on Japan paper USA, 1982 John Cage (1912-1992) – American composer, theorist and artist Signed, titled and dated in pencil lower right ‘Déreau 14 John Ca

(Spanish 1746-1828) Plate no. 38 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 73, third edition. Overall: 16-3

(Spanish 1746-1828) Plate no. 41 from "Los Caprichos", etching, aquatint, drypoint, and engraving. Good impression on wove paper with dark umber ink. Reference: Harris 76, second or third edition. Ove