Albrecht Dürer (1471-1528); The Four Horsemen of the Apocalypse, from The Apocalypse;

After Albrecht Durer (1471-1528) The Four Horsemen of the Apocalypse original woodcut A very close copy of Durer’s woodcut from his Apocalypsis series. This is an actual woodcut, not a heliogra

ALBRECHT DURER (1471-1528) The Apocalyptic Woman, from the Apocalypse 1511 11 x 15 inches

After Albrecht Durer (German 1471-1528)Attributed: 8 Prints from the Apocalypse and Large Passion Series. Planographic lithograph on laid paper. Prints include; The Last Supper and Crucifixion from th

After Albrecht Durer (German 1471-1528)Attributed: 8 Prints from the Apocalypse and Large Passion Series. Planographic lithograph on laid paper. Prints include; The Last Supper and Crucifixion from th

After Albrecht Durer (1471-1528) German, Woodcut. ‘The Hymn of the Chosen’ in adoration of the lamb, 1496-98. Sheet 14 of the series: Apocalypse. Woodcut engraving on laid paper, monogrammed in th

Albrecht Durer (German: 1471 - 1528) original apocalyptic etching on laid paper titled "The Martyrdom of Saint Catherine of Alexandria". Circa: Measures: 11-1/8” W x 15-1/8” H. Frame measures:

Depicting the Four Horsemen of the Apocalypse, unframed. Paper size: 15-1/2"h x 11-3/8"w

"The Martyrdom of Saint John" and "The Four Horsemen" from The Apocalypse, woodcuts, original circa 1498, these likely 19th century reprints h. 17-1/2 w. 13 in. (sheet) overall: 20 x 15 in. (ea. frame

Vintage Rare Albrecht Durer Signed Lithograph AP: The Madonna on the Crescent & The Four Horsemen of the Apocalypse

A reproduction of The Four Horsemen from the Apocalypse, engraved by Albrecht Durer in 1498. Printed on later 16th century paper, Nice for display. Very Good, measures 8.5 x 11". Reserve: $30.00 Shipp

Albrecht DURER.1471-1528 The four Witches.1497 Bulino; 198x142 mm; margine. Bell’esemplare. Bella copia ottocentesca dell’originale del Durer datato 1497. Quest’opera, datata 1497, &

Two prints; Copper engraving after a woodcut by Durer, Four Horsemen of the Apocalypse, and Maria of Burgundy leaf. 13 3/4" W x 10 1/2" H

"The Knight, Death and the Devil" etching on laid paper 9 3/4 x 7 3/4 inches

After: Albrecht Durer, German (1471 - 1528) Print "Pilate Washing his Hands" Marked Lower Left. Sight measures 4-1/2" H x 3-1/2" W, frame measures 27-1/2" H x 26" W. Condition: Good condition Estimate

Palm Sunday", also known as "Christ's Entry Into Jerusalem", from the series "The Small passion', early laid paper, strong dark impression, possibly a lifetime impression, trimmed to near thread margi

Albrecht Durer (1471-1528) 1498 Wood Cut "Das Mannerbad",period correct, hand laid paper, with trimmed margins. Excellent condition, from the collection of Lewis J. Miller who's biography can be seen

Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins)Woodcut, circa 1496, a good Meder II a (of III c) impression, on laid paper with indistinct watermark

Albrecht Durer (1471 - 1528). "Knight, Death, and the Devil." Antique Copper plate engraving on watermarked laid paper executed by a Tyrolean Master Engraver. C. 1600. Signed in the Plate. Strong impr

Albrecht Dürer (1471-1528)Christ in Limbo, from: The Large PassionWoodcut, 1510, but an impression from 1511 with Latin text verso, printing slightly dry in places, on laid paper with watermark o

Albrecht Dürer (1471-1528)The Betrothal of the Virgin, from: The Life of the VirginWoodcut, circa 1504, but from the 1511 edition with Latin text verso, a good impression printing slightly dryly

Albrecht Durer (1471 - 1528). "Melencolia I (Melencholia I) ". Antique Copper plate engraving on laid paper after the original by a master engraver. Year: c. 1850. Signed in the Plate (lower right on

Albrecht Dürer (1471-1528) The Small Passion [33 plates only (of 37)]Lacking title page and B.21, B.35, B.48, woodcuts, circa 1508-1511 but later impressions, [1612 and later, but before 1844], o

Large collection of old master prints.-Albrecht Dürer (1471-1528)Samson fighting with the LionWoodcut, circa 1496, but a later compromised Meder g impression [S.M.S 127]; together with a good gro

Albrecht Dürer (1471-1528)The Martyrdom of the Ten ThousandWoodcut, circa 1496, probably a Meder g (of g) impression, an excellent bold and clear impression with some gaufrage verso on laid paper