Coloured Pencil signed (Kimm) Essler "Chevy Impalas", 26 x 18", Sooke Fine Arts Show Honourable

UNTITLED TRIANGLES, 1990, three cast paper reliefs with color pencil drawing, each signed and dated lower right, sheets 26 x 18 ½”, frames 27 ¾ x 20”. From the collection of Selma & Herbert Mosk

Color etching, pencil signed, numbered 253/1000. With COA from Fine Arts 260 Book of the Month Club. Dimensions: (Frame) H 26" x W 18.5" (Sight) H 25.25" x W 17.75" Condition: Strong colors. Faint ton

Artist: Mel RamosTitle: I Still Get a Thrill When I See Bill IYear: 1979Medium: Lithograph, signed in pencil Edition: 175, HCImage Size: 26.5 x 18.5 inches Size: 28.5 x 21 in. (72.39 x 53.34 cm)COA Pr

PROMENADE, color aquatint etching, signed in pencil, plate 18 x 26”, full margins, frame 30 ½ x 37 ¾” with Plexiglas.

TREE OF LIFE, 1972, color lithograph; UNTITLED, lithograph, each signed in pencil, numbered 55/250 & 33/100, sheets 26 x 18” & 30 ½ x 22 ½”, both framed with glass, the first sheet reduced to 25

LE GRAND BASINE LUXENBOURG, 1983, color lithograph, signed in pencil, numbered 68/285, image 18 x 26”; SNOW CENTRAL PARK, color lithograph, signed in pencil, numbered 46/285, image 27 ¾ x 20 ¾”;

POEMES Series, 1968, woodcut printed on Japan paper, signed in pencil, numbered 5/26, sight 18 ¾ x 12”, published by Editions Cramer, framed, a few crinkles at sheet edges, otherwise in apparently

SILVER FIELD (L.165; SF.182), 1973, lithograph, signed in pencil, numbered 7/18, sheet 26 x 34 ½”, printed by George Page, published by The Litho Shop, some tiny inconspicuous speckles on verso, ot

BRIDGE OF THE SARACENS, 1953, color woodblock print, signed in pencil, numbered 11/35, image 18 x 26”, full margins, frame 28 x 36 ½” with glass. Provenance: Paul Kantor Gallery, with

UNTITLED (Optical Forms), color screenprint, signed in pencil, numbered 34/100, sheet 18 x 26".

SILVER FIELD (SF.182; L.165), 1973, lithograph signed in pencil, number 1 from the numbered edition 18, sheet 26 x 34 ”, printed by George Page, published by The Litho Shop with chop mark lower righ

UNTITLED VERTICAL LINES, color lithograph, signed in pencil, numbered A/P III/XVIII (3/18), image 26 x 57”, sheet 29 1/2 x 61".

ASTEROID, 1970, color screenprint, signed in pencil, from the numbered edition 120, sheet 18 ½ x 26 ¾”, in good condition.

BLUE, RED & MOONS, 1969, color lithograph, signed in pencil, from the numbered edition 100, image 24 x 18”, sheet 26 x 20”, in good condition.

Elaine Simil (American 20th c.)- ''Spring Lillies''- etching in colors, signed, titled and numbered 72/200 in pencil, good condition. 26 x 18''

UNTITLED, 1978, color screenprint, signed in pencil, numbered 18/150, sheet 30 x 26”, framed.

A SHORT DAY, color etching, signed in pencil, from the numbered edition 30, image 16 x 18 ½”, sheet 21 x 26”, pale discoloration in margins, otherwise in good condition.

Peter Lindbergh Giselle, Le Touquet (British Vogue) 2002 Gelatin Silver Print 26.5 X 18 cm. - (10.4 X 7.1 in) Hand-signed by artist, titled, dated and numbered in pencil on the verso Edition of 100 In

Mark Tobey (American 1890-1976) ''Flight over Forms'' lithograph in colors, 1966, signed, dated and numbered 188/200 in pencil. 18 x 26 1/2'' Provenance: Estate of Agnes Doth, Lexington, KY Mrs. Doth

MARLENE DIETRICH, lithograph, signed in pencil, numbered 259/300, sight 23 ¾ x 18 ¼”, printed by S2 Editions with blind stamp, published by Rue Royale Fine Art, frame 32 x 26 &frac

LE POINT DU FEU (Sonnet 166), 1973, color carborundum gravure with collage, signed and numbered 33/75 in pencil, plate 18 ½ x 26 ¼”, full margins, frame 27 ¼ x 34 ½&r

LE GRAND BASSIN, LUXEMBOURG, color lithograph, signed and titled and numbered 66/285 in pencil, printed by Mourlot with blind stamp lower left, image 18 x 26 ¼”, full margins, frame 32 x 40

David Armstrong (American 1947-1988)- Winter Landscape- off-set lithograph, signed and numbered 85/950 in pencil; together with a poster advertising the photographs of S. Gottscho. 18 1/2 x 26''

LOVE from the ‘Book of Love’, 1996, color screenprint, signed and numbered 114/200 in pencil, published by American Image Edition, image 18 x 18”, full margins, frame 26 x 22”