After James Gilray (English, 1756-1815), Shakespeare – Sacrificed; or, The Offering to Avarice

After James Gilray (English, 1756-1815), Shakespeare – Sacrificed; or, The Offering to Avaricehand-colored etching and aquatint on wove paper, a 19th-century impression after the original published

After James Gilray, political cartoon, After James Gillray (English, 1751-1815), "The General of Patriotism", print on paper, 10"h x 13"w (sight), 16"hx 19.75"w (framed)

BATEMAN, James, (English, 1815-1849): Group of Foxes Looking on as One is Caught in a Trap with Hunters Approaching, Oil/Canvas, 28" x 36", signed lower left, framed, 31.25" x 39.5". Old label affixed

James Gillray (British, 1756-1815) The Wounded Lion; The Magnanimous Minister, Chastising Prussian Perfidy (BM 10421; BM 10560) Two etchings with hand-colouring, 1805-06, on wove, published by H. Hump

James Gillray (British, 1756-1815) 'Le Baiser à la Wirtembourg'; 'Introduction of the Citizen Volpone' (BM 9006; BM 9892) Etching with hand-colouring, 1797, on wove, published by H. Humphrey, Lon

After James Gillray (British, 1756-1815) Posting the Election Hand coloured etching 21.5 x 62cm (8 7/16 x 24 7/16in). Together with two further Gillray political prints titled 'Middlesex Election' a

Tree of Liberty print by James Gillray 8.75" x 11" (with frame) James Gillray (Source: Wiki) James Gillray (13 August 1756-1 June 1815) was a British caricaturist and printmaker famous for his etched

An English enamel bottle ticket, circa 1756-60 Engraved by Ravenet after a design by James Gwin, printed in black with two putti on a rocky mountainside, a printed title 'MOUNTAIN' above, 6.7cm wide F

Two (2) English Derby polychrome and parcel gilt porcelain figures depicting the 18th century actor, James Quinn, in his celebrated role as Falstaff in William Shakespeare's Henry IV, wearing a lavish

English George III Wax Portrait of General James Wolfe Marked: Gen.r J. Wolfe./ 1756. A high relief portrait of James P. Wolfe (1727-59) finished in polychrome and gilt. Wolfe was a British Major Gene

1. 20" x 16" black transferware platter in the Solar Rays pattern by Ralph & James Clews, c. 1815 - 1834; professional repair to crack, scattered light discoloration---2. 20" x 15 1/2" dark brown or b

ROWLANDSON, Thomas (1756-1827), illustrator. -- William COMBE (1742-1823). The English Dance of Death. London: J. Diggens, 1815. 2 volumes, 8vo (231 x 141 mm). Numerous hand-colored engraved plates. (

"A Grammar of the Chinese Language". Rev. Robert Morrison, Serampore, 1815, 280 pages, the text with Chinese characters and English translations, 1st edition (rare) original marked paper boards with l

John E. Ferneley, Junior English, 1815-1862 A Black Horse in a Landscape Signed John Ferneley Jr. and dated 1849 (ll) Oil on canvas 25 x 30 inches (63.5 x 76.2 cm) Provenance: Pawsey & Payne, Ltd., Lo

Jacob van Strij Dutch, 1756-1815 A Hilly Landscape with a Shepherd Couple and their Cattle on a Path Signed Jv. Strij (lr) Oil on canvas 37 3/4 x 52 1/2 inches (95.9 x 133.4 cm) Provenance: [Sale] Van

(lot of 2) Framed oil on canvas paintings, Landscapes, signed lower right A Pether, (Abraham Pether, English, 1756-1812), sight: approx 16.5"h, 24.5"w, overall: approx 23"h, 31.5"w, 28lbs total Start

John Miers (English 1756-1821). Oval portrait silhouette or shadow of a gentleman on porcelain, signed, "Miers" in his signature highlighted or bronzed technique. The oval portrait is surrounded by a

HARRY HALL (English, 1815-1882)Portrait of Flageolet1876, oil on canvasdated Harry Hall 1876 lower right17 x 21 in., frame: 22 1/2 x 26 1/2 in. Provenance: The Estate of a Lincoln, Massa

Two English Ink Washes one by THOMAS ROWLANDSON the other by WILLIAM TURNER OF OXFORDThomas Rowlandson (English 1756-1827) Country Landscape Cornwall red ink and wash signed T. Rowlandson lower right

Includes an 18th century Emick Romer English silver teapot with pineapple finial - London, Emick Romer, 1758; and an 18th century Sebastian & James English silver teapot with floral motif - London, Se

Jacob van Strij (Dutch, 1756-1815) "Herding Cattle Across the Water" oil on wood panel signed lower right. In an antique frame. 15-1/4" x 19", framed 22-1/4" x 26-1/2"

Julia Margaret Cameron (English, 1815-1879) Albumen Photographic Portrait Undated, unsigned, marked in pencil verso, mostly illegible however ending in 'Tennyson', marked in pen at bottom left 'Arywar

Oil on Canvas. Venetian Scene. Signed lower right. From a Long Island, NY collection. - Dimensions: 30" high x 40" wide

(BOTANICAL.) James Sowerby. English Botany; or, Coloured Figures of British Plants. [Plus Supplement]. Nearly 3,000 hand-colored engraved plates with descriptive text leaves arranged not in numerical