"Red-Legged" Hanging Black Duck by John S. du Mont (1919-2005)

Green-Winged Teal Hanging Pair John S. du Mont (1919-2005) Greenfield, MA, c. 1968 drake is 16 1/2 in. long, 18 in. wingspan John du Mont was a lifelong sportsman, decoy collector, and a carver as wel

By Howard Parker. 8 1/2 x 12 3/4 inches

74. Kelmscott Press.Keats, John. The Poems of John Keats. Printed in red and black. Engraved title by Morris, initials, borders, and head- and tail-pieces. Tall 8vo, vellum; lacking silk ties, general

A large Navajo Germantown textileLate 19th/early 20th century, DinEWoven in red, cream, black, green, and purple wool with cactus designs in the corners, floating vallero star variations, and expanded

A large-format sheet bearing lyrics to the Elton John song "Goodbye Yellow Brick Road" handwritten in red and black marker and signed by lyricist Bernie Taupin. Housed together in a custom Wizard of O

Gabriel Argy-Rousseau, Paris. 'Medaillons a fleurs' vase, 1919. H. 26 cm. Pate de verre, translucid batch, creme-white, frieze of flower rosettes, red and black, purple and black waves. Signed: G. ARG

George Bauer Dunbar (American/New Orleans, b. 1927), "Coin du Lestin", gold leaf over red and black clay on board, signed lower right, 48 in. x 42 in., framed

Dorothy HOOD (1919-2000), American painter, no name: Abstract, an early quality oil painting on canvas by the artist in black-red-gray colors, signed and dated in the lower left corner 1926, also sign

20th century, the two-tiered roof raised on ten gilt metal-mounted columns raised on a stepped black and red lacquered plinth with foliate-carved giltwood interstices centering a relief-carved giltwoo

Theophile Alexandre Steinlen (French, 1859-1923) Tournee du Chat Noir de Rodolphe Salis, 1896 lithograph in black and red on tan wove paper laid down on linen 54 1/2 x 39 1/4 inches. Literature: Crauz

Joan Miro (1893-1983) Spanish, Aquatint. Pencil Signed in lower right. Numbered 40/75 in lower left. Titled "L'Invention Du Regard". Abstract piece with mostly think black lines. Red, yellow, and blue

17th Century French School. 'The Lute Player', a Portrait of a Man in an Interior with a Stone Column and Red Curtain, Dressed in Black with a White Ruff, Holding a Lute, Oil on Canvas, 36.75" x 28.5"

Circle of John Constable R.A. (Suffolk 1776-1837 Hampstead) Portrait of a lady, in a red cape and a black hat, a view to a landscape beyond oil on panel 30.7 x 24.8cm (12 1/16 x 9 3/4in). Footnotes:

Property from the Collection of John and Virginia Duncan, Savannah, GA Description: Manota Kwakwaka Wakw Totem, c. 1910, finely carved and painted in tones of green, black, white and red, with lab

21st century A contemporary design sofa in the style of Thomas Molesworth with "knee leg" burl wood frame and black leather upholstery with red piping, finished with brass tacking; back cushions are

American figurative painter, William Theophilus Brown (1919-2012). Provenance: Christie's & John Berrgruen Gallery. Signed and dated 'Theophilus Brown 83' (on the reverse). Oil on canvas. 47 3/4 x 60

Chinese traditional painting of ink and color on paper, laid to silk, hanging scroll. Hand painting in black and red ink with bold and spontaneous brush strokes, depicting a bird standing on branching

18K yellow gold Circular white porcelain dial with black Arabic hour markers, black minute outer 1/5 second track and red every 5 seconds, sub-seconds dial, signed "Patek Philippe and Cie Geneva", gol

''The Make-up'', from the ''Black & White'' series, signed lower right: Romero Britto, signed again, titled, inscribed and dated verso: 2005 and with the artist's device, acrylic and glitter on canvas

"The Days End, River Elaune, Normandie," 1919 Oil on canvas Signed and dated lower left: G. Ames Aldrich; signed again, titled and with the artist's monogram in blue and red verso 27.5" H x 31.25"

1886, Waltham, MA Dial: white enamel with black Roman numerals, outer minute and fifth-second ring with red Arabic markers every five-minutes/seconds, sunken sub-seconds at 9 o'clock, blued steel spad

''The Break-up Part 1'', from the ''Black & White'' series, signed right center: Romero Britto, signed again, titled, inscribed and dated verso: 2005 and with the artist's device, acrylic and glitter

''The Break-up Part 2'', from the ''Black & White'' series, signed lower center: Romero Britto, signed again, titled, inscribed and dated verso: 2005 and with the artist's device, acrylic and glitter

(1919-2006 American), "Shirley With Wild Black Raspberries", framed oil on wood panel, signed upper left , dated upper right 1972 also titled and dated verso, has gallery label from Everett Oehlschlae