MARION DORN (1896-1964) FOR KATZENBACH AND WARREN 'MASTER DRAWINGS' PATTERN WALLPAPER, New York...

BULLETIN BOARD, 1997, oil painting on panel, signed and dated lower right, 18 ½ x 15”, frame 25 x 21 ½”. Provenance: John Pence Gallery, SF.

Andy Warhol (1928-1987)Mao (Feldman and Schellmann II.125A)Screenprint in colours on wallpaper, 1974, signed in black felt pen, printed by Bill Miller's Wallpaper Studio, New York, published by Factor

TIFFANY STUDIOS Counterbalance desk lamp with Wave pattern shade, New York, 1900s Patinated bronze, Favrile glass, single socket Base stamped TIFFANY STUDIOS NEW YORK 416, shade etched L.C.T. Favrile

A French Louis XVI style gilt bronze and white marble figural mantel clock Imported by Harris & Harrington (1896-1919), New York, circa 1900 With round enamel dial, gilt bronze surround in the form of

Mark Lombardi COSCO Study 1999graphite on paper 9 h x 12 w in (23 x 30 cm) Provenance: Estate of Mark Lombardi | The Drawing Center, New York, Benefit Auction, 2005 (do

Zygmunt (Sigmund) Menkes (Polish/New York, 1896-1985) "Still Life with Sunflowers and Chair", ca. 1940 oil on canvas signed lower right. Framed. 30" x 22", framed 40-1/4" x 32-1/4"

Foujita, Leonard Tsugouharu "A Book of Cats" #456/500. "A Book of Cats: Being Twenty Drawings" #456/500, New York, Stratford Press, 1930. Red hardcover, prints and poems related to cats; additional pr

Andy Warhol Washington Monument 1974screenprint on wallpaper 44 h × 29.5 w in (112 × 75 cm) This work is from the edition printed by Bill Miller's Wallpaper Studio, Inc., New York.

A Tiffany Studios table lamp in the "Colonial" pattern with a base of hexagonal bulbous shaft on circular base over dish molded circular base. Base marked Tiffany Studios New York. Pattern number 524.

Andy Warhol Washington Monument 1974screenprint on wallpaper 44 h × 29.5 w in (112 × 75 cm) This work is from the edition printed by Bill Miller's Wallpaper Studio, Inc., New York.

From the John Anderson Jr. collection, with receipts from both Hammer Galleries, New York, and a letter from Gimbel Brothers, New York. Drawing titled "Norway", dated 1843. J.M.W. Turner (English, 177

STEINBECK, JOHN. 1902-1968. The Pastures of Heaven. New York: Brewer, Warren & Putnam, 1932. 8vo. Original green cloth stamped in gilt, top edge stained black, other edges untrimmed, publisher's silve

Cased Set of Twelve Tiffany & Co. Sterling Silver Service Plates the pattern introduced in 1916, New York, New York, each of circular form, the rim decorated with a band of ribboned oval paterae joine

16 in. Tiffany Studios Geometric Table Lamp. 16.75 in. dia. shade with square green and white striated glass panels with some mottling in the geometric pattern; signed "Tiffany Studios, New York, 1901

TOMMI PARZINGER (1903 - 1981) Collection of original blueprints, drawings, and other ephemera, New York, second half 20th c. Many marked with Parzinger Originals logo Largest blueprint: 75" x 36 1/2"

Tiffany Studios gilt bronze stamp box in the graduate pattern. Marked Tiffany Studios, New York, 1797. Measures 4" x 2 1/8".

Tiffany Studios gilt bronze rocker blotter in the Graduate pattern. Marked Tiffany Studios, New York, 1802 to side. Measures 5 3/4" x 2 7/8".

Attributed to Keith Haring marker drawing on newspaper from New York Daily News, December 10, 1980. Signed lower right. Sheet measures 14 3/4" x 10 1/2".

FITZGERALD, F. SCOTT. 1896-1940. The Great Gatsby. New York: The Modern Library, 1934. 12mo. Publisher's red cloth, stamped and lettered in gilt, original dust jacket with art deco design by Newman, f

Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", arched back surmounted by fine

Fine Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, attr. John Henry Belter, New York, in the pattern known as "Cornucopia", tall high relief carved crest, acanthus c

On February 7, 1964, The Beatles arrived at New York’s John F. Kennedy Airport, greeted by scores of screaming, swooning fans who rushed the gate to catch a glimpse of John Lennon, Paul McCartne

American Rococo Carved and Laminated Rosewood Parlor Suite , c. 1850-60, attr. to John Henry Belter, New York, in the pattern referred to as "Rosalie with Grapes", incl. settee, pair of side chairs an

Jon Corbino (New York, Massachusetts, 1905 - 1964) "Ballet Cover" painting. Exhibited in 1946 at the Whitney Museum, as well as the Pennsylvania Academy of Fine Arts also in 1946. Both labels, as well