Asa Cheffetz (New York / Massachusetts, 1897-1965), "Over the Line" (Dunkin Canada), wood engraving,

ASA CHEFFETZNew York/Massachusetts, 1897-1965"Summertide, Vermont". Signed in pencil lower right "Asa Cheffetz".Wood engraving on paper, 5.5" x 9.5" sight. Framed 15" x 19".

Asa Cheffetz (1897-1965) MAY SUNLIGHT; BREAK OF DAY; THE VILLAGE CHURCH; LANDSCAPE (VERMONT); WINTER IN SOUTHAMPTON (SPRINGFIELD 61; 69; 74; 78; 88) Five wood engravings, 1941-1949, signed in pencil,

Asa Cheffetz (1897 - 1965) Original Engraving Signed with Pencil & Titled "Glass" a study, Measures (8 x 6 inches) w/frame (16.5 x 13.5 inches) Born in Buffalo, New York, Asa Cheffetz had a studio in

Claire Leighton (British/American, 1898-1989) "New York Bread Line", wood engraving, edition 17 of 100, titled and signed. Title and artist signature in pencil, lower right. Sight size: 12.375" x 8.7

(Rockport, Massachusetts/Woodstock, New York,1897-1980) Harbor Scene, estate stamp verso, oil on canvas, 25 x 30 in.; carved gilt wood frame, 34 x 39 in.  

(Rockport, Massachusetts/Woodstock, New York, 1897-1980) Overhead View of the Harbor, estate stamp verso, oil on canvas, 24 x 30 in.; carved gilt wood frame, 33 x 39 in.  

(Rockport, Massachusetts/Woodstock, New York, 1897-1980) Full Sail, Afternoon, estate stamp verso, oil on canvas, 24 x 30 in.; carved gilt wood frame, 32-1/4 x 37 in.  

(Rockport, Massachusetts/Woodstock, New York, 1897-1980) July Afternoon, signed lower left "Carl W. Peters", oil on canvas, 20 x 24 in.; carved gilt wood frame, 28-3/4 x 32-3/4 in.  

Frank Stella (1936 - ) American, New York - Massachusetts. Iconic Pop Art wood installation from the Metropolitan Museum of Art. Titled : M #11. Exclusively made for New York City's Metropolitan Museu

CLARE LEIGHTON Bread Line, New York. Engraving, 1932. 298x200 mm; 11¾x7 inches, full margins. Signed, titled and numbered 10/100 in pencil, lower margin. Fletcher 198.

ROBERT CARDINALMassachusetts/New York/Canada, b. 1936"Highland Light". Signed lower right "Cardinal". Signed and titled on stretcher.Oil on canvas, 30" x 30". Framed 32&q

(Massachusetts/New York/Russian Federation, 1892-1970) Olympia, reclining on a black recamier, signed lower right "N. Vasilieff", oil on canvas, 28-1/4 x 42 in.; black painted and parcel gilt wood fra

(French, 1831-1897)The Boar Chase, signed lower left˜"Ol. De Penne", oil on canvas, 57-1/4 x 50-1/2 in.; gilt wood and composition frame, 81-1/2 x 54-1/2 in.Provenance: Sotheby's New York: Tuesday, O

(French, born 1933) Blanchisserie, 1965, signed lower left "G. Godard. 69.", oil on canvas, 77 x 45 in.; parcel gilt wood frame, 78-1/4 x 46-3/8 in. Provenance: David Findlay Galleries, New York, New

(Massachusetts, 1817-1859) Young Girl with Parrot, oil on canvas, 40-1/2 x 35-1/2 in.; carved wood frame, 43 x 38 in. Provenance: Bernard and S. Dean Levy, New York, NY (label verso); A Private New Je

Childe (Frederick) Hassam (1859 - 1935) was active/lived in New York, Massachusetts. Childe Hassam is known for Flag parades, figure and interior scene painting, etchings. Medium: OIl on board Size: 2

Attributed to Bob (Robert Louis) Thompson (1937 - 1966) was active/lived in Kentucky, New York, Massachusetts / Italy. Bob Thompson is known for Figurative expressionist painting and religion. Signed:

AMERICAN SCHOOL (18TH CENTURY) PORTRAIT OF A GENTLEMAN, oil on canvas, according to family tradition, the subject is Joseph Kellogg (New York/Massachusetts, 1691-1756), no signature located. Housed in

Jon Corbino (New York, Massachusetts, 1905 - 1964) "Ballet Cover" painting. Exhibited in 1946 at the Whitney Museum, as well as the Pennsylvania Academy of Fine Arts also in 1946. Both labels, as well

(New York/Massachusetts, 1873-1960) William Post II on his Polo Pony Hermosa, 1930, signed and dated lower right "Geo Ford Morris 30", New Canaan, Connecticut colourman label board verso, pastel on bo

(New York/Massachusetts, 1878-1958) Bird Hunting, signed lower right "J.F. Kernan", oil on canvas, 28 x 22 in.; unframed Provenance: The Estate of Peter H. Tillou, Litchfield, Connecticut

ARTIST: Irene Rice Pereira (New York, Massachusetts, Spanish, 1902 - 1971) NAME: The Infinite Power MEDIUM: oil on canvas CONDITION: Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 42

Attributed to Albert Pinkham Ryder (New York/Massachusetts, 1847-1917) oil on panel painting depicting a nighttime scene of waves crashing against a rocky shore under a glowing moon. Unsigned. Housed

Description: ALBERT BIERSTADT (american 1830-1902) "Rocky Mountains" Signed 'ABierstadt' bottom right, oil on panel 10 x 19 in. 15 1/2 x 24 1/2 in (Overall) provenance: Private Collection, Philadelphi