HOLD by Inci EVINER

ANNIE LEIBOVITZ, Julie Andrews and Blake Edwards on the stage before the opening of the musical "Victor Victoria" boldly endorsed by Leibovitz on the bottom margin "For Julie and Blake". New York, 199

20 -8 x 10 prints in a hard-bound box titled “Pictorial Photography.” Customers who came to Mortensen’s studio in Laguna Beach California would look through a sample book and select their

PHILIPPE HALSMAN, "DALI PORTFOLIO.," 10 gelatin silver prints in clamshell box, 1981. This is number 68 from an edition of 250. The box and contents are in mint condition, as though it has never been

NAN GOLDIN, “My Mother Doing Tai Chi, Swampscott Mass 1997.” 23x 16 inch chromogenic print. The title is written in marker, along with Goldin’s signature and “AP-1." This may b

GEORGE FORSS (1941 – 2021), "QE 2 IN NEW YORK 1977" WORLD TRADE CENTER. 10 x 13 ½ inch gelatin silver print, signed with title and signature on the mount and lightly on the verso. His wo

Russell Lee, 11 x 14 inch vintage gelatin silver print on single weight paper. "Farm mother and child at pie supper near Muskogee, Okla." Lee wrote the title and technical notes about camera over the

Signed on the mat under the print, with the title in pencil on the verso along with the technical information that this is “ Brovira, Selenium, Brown.” The photograph is 19 ½ x 15 inch, the mat i

Russell Lee. "Day laborer and his wife standing in doorway of the half canvas half lumber house near Oklahoma City." 14 x 11 inch vintage gelatin silver print on single weight paper. Lee has written t

TODD WALKER (1917 – 1998) 5 vintage 1970 silver prints, Untitled, Sabatier solarizations. 10 x 8 gelatin silver prints. Walker had a career as an award winning commercial photographer. His conn

LEWIS W. HINE, A girl at the cotton mill, Fall River Mass. 1912. 4 5/8 x 6 ½ inch toned gelatin silver print, hinged to the original 11 ¼ x 1 3 ½ inch board mount. An inventory nu

E. S. CURTIS, "The Three Chiefs - Piegan." Ca. 1900. 6 x 8 - inch unmounted platinum print on textured paper with the negative number in the print, and Curtis's blindstamp above it.

DEMITRI KESSEL. “Women doing their laundry in Duck Creek, which joins Yangtze not far from the ancient arch. 1946” Printed in 1993 by the Time Life Photo Lab. 13 ½ by 14 ¼ im

16 x 12 ½ inch dye transfer print, signed in pencil on verso, 1957. Edgerton continued to work as an engineer but he became well aware of the artistic nature of his images. The project of being able

FRANCIS BRUGIERE. ALTER BEFORE ROTUNDA. 13 3/8 x 10 5/8- inch gelatin silver print, hand colored, on an original decorative 22 x 13 3/4- inch mat, signed beneath the print. This is in the rotunda of t

CARLETON WATKINS, ATTRIBUTED. Arcade Hotel, Sacramento. 11 x 9 inch albumen print on a 17 x 14 inch mount, 1870’s. Deaccessioned from the California State Library as they have another copy. Ther

Harold Edgerton. Eight 8 x 10 gelatin silver prints, sports and motion studies, ca. 1940's [?] - they don't fluoresce. All have no stamps or notations. Three are boxing photographs, plus one of a base

13 ½ x 10 5/8 inch gelatin silver print on a 20 x 16 inch mount, 1979. Uelsmann’s signature, date and address label are on the mount, verso.

JOHN SEXTON. “Hills near Guilin Peoples Republic of China.” 10 ½ x 12 5/8 inch silver print, 1983, printed 1983. Information on stamp on mount verso. Dated and signed in light penci

DRAHOMIR RUZISCKA. “In old Praha.” 7 x 6 ¼ print on the original 12 5/8 x 9 5/8 paper mount, ca. 1927. The print looks like platinum, but could be matte gelatin bromol or related. T

OSVALDO SALAS, “Che 1964.” 16 x 20 inch gelatin silver print, 1964, printed later. A permission label is on the verso. Signed and dated on the bottom margin. With a circular embossed stamp

11 x 13 ½ gelatin silver print. This is a much rarer image than a similar one of a bullet through plexiglass. Edgerton was an engineer, and business man, and an artist. His choice of subject is

3 1/2 x 4 1/2 inch vintage toned gelatin silver print, ca. 1938. It is applied to a card backing. The card is imprinted with a text titled “Applied High-Speed Photography” from Arthur D. Little, I

William Mortensen, "Siren of the South Pacific." 7 ½ x 5 ¾ inch image on a 9 ½ x 7 ¾ inch sheet, 1930's. Signed and titled in light pencil on the verso, with measurement notations.

Robert Capa, American soldiers at Bastogne. 7 x 8 inch gelatin silver print. This was an important part of the "Battle of the Bulge." The action was in late December 1944. The photograph was published