Willard Ayer Nash, New Mexico Hills, ca. 1925

Willard Ayer Nash(1898 - 1942)Bridge Over Rushing River (New Mexico Adobe), ca. 1935lithograph, edition of 12editioned lower left: 12 printssigned lower right: Willard Nashinscribed verso: WILLARD NAS

Willard Ayer Nash (1898 in Philadelphia, Pennsylvania – 1943 in Albuquerque) grew up in Detroit, Michigan. In Detroit he studied art with John P. Wicker and became successful as a commercial ar

Willard Clark (1910-1992) original wood engraving of a man carrying a basket. Produced in 1942, right before he stopped artwork to work at Los Alamos Labs in New Mexico. Information on back by Kevin R

Ramona Curley(Dine [Navajo], 1914 - 2003)Two Grey Hills Textile, ca, 1960handspun wool, natural colors70 x 50 in. (177.80 x 127 cm.) Private Collection, New Mexico

GUSTAVE BAUMANN (1881 - 1971) Color woodblock print, "Mountain Gold," New Mexico, 1925 Matted and framed Pencil signed, titled, and numbered 23/100 with chop mark Image: 9 1/2" x 11"

New Mexico ca 19th century. Large pottery piece, 13 inches tall x 14 ½ inches wide. Acoma pottery is emblematic of the lifestyle of people who make it. It typically features thin walls, fluted rims,

New Mexico, ca. 1970, Original carved wood figure by world famous artist George Lopez. George López came from the village of Cordova, situated in a small valley of the Sangre de Christo mountain rang

Paul Sanchez(20th Century)New Mexico Church, ca. 1990gouache on papersigned lower right: Paul Sanchezinscribed verso: Paul & Bob / you are a special person / we will do good work / in the future13 3/4

JANET LIPPINCOTT (1918 - 2007) New Mexico Landscape , ca. 1969 oil on canvas signed lower right: Lippincott Dimensions: 48 x 48 inches Framed Dimensions: 49 3/8 x 49 3/8 x 2 inches Provenance: Private

ANSEL ADAMS The Enchanted Mesa [Acoma, New Mexico] 1930 Ca. Signed Gelatin Silver Print Adams called this a Parmelian Print 5.125x7.37 in. on paper 10 x 12 in. ASG# AA/2875 Numbered 258 Signed under

Native American, Southwestern United States, New Mexico, Navajo, ca. late 19th to early 20th century CE. A bow and quiver hand-made from wood, feather, leather, and beads. The bow is carved and polish

A carved and painted Santos of Archangel MichaelFelix A. Lopez (B. 1942) Espanola, New Mexico, 2004Signed and dated under base.H: 20 3/4 in.PROVENANCE:A Private Family Collection.

**First Time At Auction** Native American, Southwestern United States, New Mexico, Mimbres / Mogollon, ca. 950 to 1150 CE. A gorgeous pottery bowl hand-built via the traditional coil-and-scrape method

North America, Southwestern US, New Mexico, Mimbres Valley, ca. 950 to 1150 CE. An exemplary pottery bowl, hand-built via the traditional coil-and-scrape method. Adorned with black decoration on a cre

North America, Southwestern US, New Mexico, Mimbres Valley, ca. 950 to 1150 CE. An exemplary pottery bowl, hand-built via the traditional coil-and-scrape method. Adorned with black decoration on a cre

New World, Mexico; New Mexico, Spanish Colonial, ca. 19th century CE. A fine example of a tall, articulated, hand-carved wooden Christ figure with blue glass eyes, made to be dressed in real clothing

Native American, Southwestern United States, New Mexico, Mimbres / Mogollon, ca. 950 to 1150 CE. A gorgeous pottery bowl hand-built via the traditional coil-and-scrape method. Adorned with black decor

INGER JIRBY SUNET IN IOA SUNSET LANDSCAPE OIL PAINTING Inger Jirby American, 1942- SUNSET LANDSCAPE PILAR, NEW MEXICO Signed: Inger Jirby (lr) Titled: 'Sunet in IOA” © Inger Jirby 28 x 36' Sept.

INGER JIRBY SUNET IN IOA SUNSET LANDSCAPE OIL PAINTING Inger Jirby American, 1942- SUNSET LANDSCAPE PILAR, NEW MEXICO Signed: Inger Jirby (lr) Titled: 'Sunet in IOA” © Inger Jirby 28 x 36' Sept.

New World, Spanish Colonial, Mexico, ca. 19th century CE. A truly striking wooden representation of the Virgin Mary with a Serpent and Crescent Moon - one of my favorite santos in our collection. The

**First Time At Auction** Native American, Southwestern United States, New Mexico, Mimbres Valley, Mimbres, ca. 1025 to 1250 CE. A coil-and-scrape pottery bowl featuring beautiful black motifs on the

Southwestern USA, east central Arizona/west southern New Mexico, Ancestral Puebloan (Anasazi), ca. 1175 to 1300 CE. A splendid vessel of hemispherical form and vibrant coloring, created using the coil

Native American, North America, Southwestern United States, New Mexico, Ancestral Puebloan (Anasazi), Tularosa, ca. 900 to 1450 CE. A pottery jar formed via the traditional coil-and-scrape technique o

Native American, southwestern United States, New Mexico, Ancestral Puebloan (Anasazi) period, Tularosa, ca. 900 to 1450 CE. A stunning pottery bowl of an impressive scale, presenting a globular body,