KOBAYASHI KIYOCHIKA (1847-1915) Meiji era (1868-1912), circa 1896 and 1897 (15)

KOBAYASHI KIYOCHIKA (JAPANESE,1847-1915) WOODBLOCK 7th month of 1879; Meiji Period (1868-1912); Polychrome woodblock print, ink & color on paper; “View of the Airakero Restaurant at Imado”, Part o

YABU MEIZAN (1853-1934) A Tall and Fine Satsuma Vase Meiji era (1868-1912), circa 1900 The cylindrical vase tapering slightly to the splayed foot, painted in polychrome enamels and gilt on a clear, cr

HONDA YOSABURO (ACTIVE CIRCA 1870s-1910) A Cloisonné-Enamel Oval Jar and Cover Meiji era (1868-1912), late 19th/early 20th century Worked in silver and polychrome enamels with a wide lappet band

TSUKIOKA YOSHITOSHI (1839-1892) Meiji era (1868-1912), 1882 An ōban tate-e print triptych entitled Nise Murasaki inaka Genji (False Murasaki and a Rural Genji), circa 1882, published by Akiyama B

An antique Japanese Meiji sterling silver pot. Created circa 1868-1912. Lidded ovoid container. Designed with a lush amount of irises on body and lid. Floral design executed in repousse form. Signed o

MIYAO EISUKE (ACTIVE LATE 19TH CENTURY) A Bronze Model of a Samurai Meiji era (1868-1912), circa 1880-1890 Cast in two shades of bronze as a samurai drawing his sword, the tassets and shoulder guards

YABU MEIZAN (1853-1934) A Fine and Deep Satsuma Bowl Meiji era (1868-1912), circa 1900 The deep bowl set on a ring foot, the nearly straight sides finely painted in polychrome enamels and gilt over a

SHIBATA ZESHIN (1807-1891) Cormorant Fishing Meiji era (1868-1912), circa 1880 Hanging scroll, painted in ink and colors on silk, depicting in the foreground two cormorant fishermen and their assistan

Konoike Company and Arthur and Bond (active late 19th/20th century) A silver tea and coffee service Meiji era (1868-1912), circa 1900 Comprising a teapot, coffee pot, creamer, covered sugar bowl, wast

STYLE OF SHIBATA ZESHIN (1807-1891) A Lacquer Tonkotsu (Tobacco Container) in the Form of an Ink Cake Edo period (1615-1868) or Meiji era (1868-1912), 19th century Of rectangular section with internal

ANONYMOUS (19TH CENTURY) A Parcel-gilt Bronze Model of Su Shi (So Tōba) on His Mule Edo period (1615-1868)-Meiji era (1868-1912), 19th century, A two-piece model in patinated and parcel-gilt bron

SEKI FOR THE NOGAWA COMPANUY OF KYOTO An Inlaid Iron Rectangular Box and Cover Meiji era (1868-1912), late 19th/early 20th century Inlaid in typical Komai style of gold and silver inlay, the cover wit

A LACQUERED WOOD FIGURE OF AMIDA BUDDHA Edo Period (1605-1868) or Meiji era (1868-1912), 19th century The standing figure dressed in monastic robes open at the chest and falling in even folds at the w

KIRYŪ KŌSHŌ KAISHA (THE PIONEERING CRAFT AND COMMERCE COMPANY) A Patinated Bronze Vase with Design of Flowers and Insects Meiji era (1868-1912), late 19th century The pear-shaped vase o

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

YASUNORI (ACTIVE LATE 19TH CENTURY) A Silver and Enamel Incense Burner Meiji era (1868-1912), circa 1890 The lobed vessel set on a splayed foot decorated in silver takazōgan and translucent ename

MYOCHIN LINEAGE An Inlaid Shakudo Jizai Okimono (Articulated Model) of a Swallowtail Butterfly Meiji era (1868-1912), late 19th/early 20th century The butterfly realistically rendered, the leg joints,

A PAIR OF JAPANESE BRONZE DRAGON FLOOR VASES, Meiji era (1868-1912). H 40"

A PAIR OF JAPANESE BRONZE DRAGON FLOOR VASES, Meiji era (1868-1912). H 40"

KAWANABE KYŌSAI (1831-1889) A Woodblock Print Book Meiji era (1868-1912), 1889 An orihon accordion-style book entitled Kyōsai hyakki gadan (Kyōsai's Pictures of 100 Demons), featuring 2

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

YŌHEI TAIZAN (1864-1922) A Satsuma Bowl Meiji era (1868-1912), circa 1890 The deep bowl painted in polychrome enamels and gilt, decorated on the interior with a blossom-shaped reserve with beauti

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second