After Albrect Dureer (Germcan, 1471-1528)

Albrect Durer (1471-1528) The Bath House (male nudes c.1496-97) Original Woodcut. Good impression. Seal present No water watermark present. Dimensions: 15 1/2" X 11 1/4"

After Albrecht Durer (Germany, 1471 - 1528) engraving of the Virgin Mother holding Baby Jesus. Monogrammed in the engravers plate upper left with notes in the lower border. Notes are 14, Pierron Imp.

Albrecht DuererNuremberg 1471 - 1528 Nuremberg"Martyrdom of John the Evangelist"Woodcut on handmade paper1496/9738 x 27,5 cmBartsch 61. Hollstein 164. Meder 164. Schoch/Mende/Scherbaum 112.Monogrammed

Albrecht DuererNuremberg 1471 - 1528 Nuremberg, Succession“Madonna”17th/18th centuryOil on canvas, relined49 x 38 cm

ALBRECHT DURER (German, 1471 - 1528). Christ Taking Leave of His Mother, circa 1509, Woodcut on ivory laid paper. Signed in the block with the AD monogram lower right. This is one of thirthy-six woodc

ALBRECHT DURER (German, 1471 - 1528). Christ Taking Leave of His Mother, circa 1509, Woodcut on ivory laid paper. Signed in the block with the AD monogram lower right. This is one of thirthy-six woodc

"The Knight, Death and the Devil" etching on laid paper 9 3/4 x 7 3/4 inches

ALBRECHT DURER (German, 1471 - 1528). Christ Taking Leave of His Mother, circa 1509, Woodcut on ivory laid paper. Signed in the block with the AD monogram lower right. This is one of thirthy-six woodc

After: Albrecht Durer, German (1471 - 1528) Print "Pilate Washing his Hands" Marked Lower Left. Sight measures 4-1/2" H x 3-1/2" W, frame measures 27-1/2" H x 26" W. Condition: Good condition Estimate

Palm Sunday", also known as "Christ's Entry Into Jerusalem", from the series "The Small passion', early laid paper, strong dark impression, possibly a lifetime impression, trimmed to near thread margi

Albrecht Durer (Norimberga 1471 - 1528) Descent from the cross, from the Small passion Woodcut applied on cardboard 126x94 mm. Monogram "AD" at lower left (defects) IT Deposizione di Cristo, dal ciclo

8 1/16 x 5 1/16 Engraving.

'The Escutcheon Of Death (Syphilis & Innocence), 1503.' 9 x 6 1/2". Print tipped onto sheet at top, Possibly the gravure by Charles Amand Durand. Provenance: Newport, RI estate.

ALBRECHT DURER (GERMAN, 1471-1528), ETCHING ON LAID PAPER, H 12 3/4" W 8 3/4" "HERCULES AT THE CROSSROADS" Engraving, on laid paper, without watermark, with the scratches across the jawbone and the ri

(Norimberga, 1471 - 1528) Ritratto d'uomo Olio su tela applicata su tavola, cm 51X36

Albrecht Durer (1471-1528) 1498 Wood Cut "Das Mannerbad",period correct, hand laid paper, with trimmed margins. Excellent condition, from the collection of Lewis J. Miller who's biography can be seen

Albrecht Dürer (1471-1528) Hercules conquering Cacus (Hercules conquering the Molionide Twins)Woodcut, circa 1496, a good Meder II a (of III c) impression, on laid paper with indistinct watermark

Albrecht Durer (German, 1471-1528) Betrothal of the Virgin woodcut 11 3/4 x 8 1/8 inches. Property from the Collection of the Sisters of Charity, Mount Saint Joseph, Ohio

Albrecht Durer (1471 - 1528). "Knight, Death, and the Devil." Antique Copper plate engraving on watermarked laid paper executed by a Tyrolean Master Engraver. C. 1600. Signed in the Plate. Strong impr

Albrecht Durer (German, 1471-1528) The Fall of Man (from The Small Passion) etching 5 x 3 3/4 inches.

Albrecht Dürer (1471-1528)Christ in Limbo, from: The Large PassionWoodcut, 1510, but an impression from 1511 with Latin text verso, printing slightly dry in places, on laid paper with watermark o

Albrecht Dürer (1471-1528)The Betrothal of the Virgin, from: The Life of the VirginWoodcut, circa 1504, but from the 1511 edition with Latin text verso, a good impression printing slightly dryly

Lot composed of three woodcuts by Albrech Durer (Norimberg 1471-1528) depicting "The birth of the Virgin", "The presentation of the Christ in the temple" and "The assumption and coronation of the Verg

Albrecht Durer (1471 - 1528). "Melencolia I (Melencholia I) ". Antique Copper plate engraving on laid paper after the original by a master engraver. Year: c. 1850. Signed in the Plate (lower right on