Attributed to Thomas Willeboirts Bosschaert (1614-1654,

PROBABLY WORKSHOP OF THOMAS WILLEBOIRTS ('CALLED: BOSSCHAERT') 1614 Bergen op Zoom - 1654 Antwerp 1614 Bergen op Zoom - 1654 Antwerpen VENUS AND ADONIS VENUS UND ADONIS Oil on canvas lay down on woode

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

Attributed Thomas Luny (English, 1759-1837), Maritime Scene with Two-Deckersoil on canvas (lined), unsigned, presented in a later ebonized frame with ripple molding in the Dutch style. Stretcher size

Unsigned, titled label verso 'Lady Hambury Williams', canvas measures 30.5 x 25.5, frame measures 35 x 30 inches. We ship in-house for all items with the exception of very large and or very fragile pi

Attributed Thomas Day, Mahogany WardrobeCaswell County, North Carolina, mid-19th century, mahogany veneer, poplar and white pine secondary, multi part form, bold two tiered ogee cornice with an applie

Attributed Thomas Day, Queen Size Walnut BedsteadCaswell County, North Carolina, mid-19th century, seven-part form, triple paneled back headboard with Gothic arches, set within two octagonal posts, th

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Marilyn Monroe Suite: OLD MASTER PORTRAIT OF A LADY ATTRIBUTED TO THOMAS SULLY

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Phillips (Dudley 1770-1845 London) Study of a young lady oil on canvas 58.8 x 50.6cm (23 1/8 x 19 15/16in). Footnotes: Provenance Private Collection, USA This lot is

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824"English Frigates". Unsigned. Titled and attributed to Whitcombe on frame plaque.Oil on canvas, 12" x 17". Framed 22"

(British, 1803-1902) Cows Resting by a River, signed lower right "T. Sidney Cooper.R.A./1877", oil on canvas, 17-7/8 x 24-1/4 in.; gilt wood and composition frame, 25-1/4 x 1-5/8 in.

Oil on canvas. Approx. 50" x 40" unframed, 55" x 45" framed. Relined. Flecking.

(British, 1701-1779) Portrait of a Gentleman in a Fur Trimmed Blue Velvet Jacket and Holding a Tricorn Hat, within a feigned spandrel, unsigned, oil on canvas, 29-1/2 x 24-1/4 in.; gilt wood cove mold

Needlework Shipping Diorama of Schooner, attributed to Thomas H. Willis (1850-1925), New York, late 19th century. Depicting two-masted vessel at sea, the silk-lined cardstock sails sewn to project fro

SHERATON TWO-DRAWER SEWING STAND ATTRIBUTED TO THOMAS SEYMOURBoston, Circa 1805In mahogany, the two drawers and basket slide in a lighter wood veneer. Top with cookie corners and molded edge. Three-qu

exceptional pre raphaelite painting attributed to Thomas Faed (1826-1900) superbly rendered!!retaining presumably it's original frame! Possibly depicting "Evangeline" Previous conservation present.Age

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824The battle between the U.S.S Chesapeake and H.M.S. Shannon, circa 1813. Oil on canvas, 25" x 30.25". Framed 30.75" x 36".

A George III mahogany side chair attributed to Thomas Chippendale A George III mahogany side chair attributed to Thomas Chippendale, c.1765, the buttoned spoon back and serpentine seat above a frieze

Attributed to Thomas Couture (French, 1815-1879) Au Bordel Bears initials 'T.C.' bottom left, oil on canvas 23 3/8 x 28 1/4 in. (59.4 x 71.8cm) PROVENANCE: Private Collection, Maryland.

Attributed To Thomas Chambers (1808-1866/69), 19th c. Hudson River landscape, oil on canvas. 20 1/2" x 24 1/2". Provenance: Tom Baron Hudson New York. Thomas Chambers was born in London, England, in 1