Attributed to Thomas Hosmer Shepherd (1792-1864) The

Thomas Hosmer Shepherd (1793-1864) British. 'The Old White Heart, Bishopsgate Street', Print, overall 4.5 x 6", and four other various prints, five (5). "

A collection of three antique framed engravings. Includes a steel engraving by T Bond from a sketch by Thomas Hosmer Shepherd, 1793-1864, published in Dugdale's England and Wales Delineated. Tallis, L

(lot of 5) Louis Robin (French, 1845-?), Streetcars in Paris, and View of a Cathedral in Paris, etchings, each pencil signed lower right, Don Swann (American, 1889-1954), "St. Anne's Church, Annapolis

A pair of antique 19th century engravings by British artist Thomas Hosmer Shepherd. The engravings depict famous places in Edinburgh, Scotland. Under one engraving is the text Ainslie Palace, Edinburg

NO RESERVE London.- Shepherd (Thomas Hosmer) London and its Environs in the Nineteenth Century, first edition, engraved title and 80 plates, lacking text pp.71-116, 1829; Metropolitan Improvements; or

Pair of George III Sterling Silver Salt Cellars hallmarked London, 1770-1771, by Thomas Shepherd (ca. 1748-after 1792; free 1769), cauldron form with wavy gadrooned rim, with later repousse floral dec

Attributed to Frederick Thomas Richards (1864-1921) Portrait of a Man with White Shirt signed lower left Nov. 86 Richards, Child's Gallery label on verso, 17 3/4" x 13". Provenance: Collection of Anne

Framed oil on canvas painting, Country Scene with Children Fishing, signed with monogram lower left TW, attributed to Thomas Webster, R.A. (British, 1800-1886), dated 1864, sight: 16.5"h, 20.5"w, over

Thomas Bancroft (New Jersey, 1864-1934). A grouping of two watercolors, to include one of two paintings hanging on a wall, and a winter landscape. Both attributed en verso. Each paper: 4-1/2in x 6-1/2

Travelers On A Path At A Spring, Oil On Canvas, Unsigned, Paper Labels Verso With Attribution Including Joseph Sartor, Canvas 21 x 28, Frame 28 x 34.5 x 3.5 Inches, Canvas Relined, Varnish Layer Clean

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

Attributed Thomas Luny (English, 1759-1837), Maritime Scene with Two-Deckersoil on canvas (lined), unsigned, presented in a later ebonized frame with ripple molding in the Dutch style. Stretcher size

Unsigned, titled label verso 'Lady Hambury Williams', canvas measures 30.5 x 25.5, frame measures 35 x 30 inches. We ship in-house for all items with the exception of very large and or very fragile pi

Attributed Thomas Day, Mahogany WardrobeCaswell County, North Carolina, mid-19th century, mahogany veneer, poplar and white pine secondary, multi part form, bold two tiered ogee cornice with an applie

Attributed Thomas Day, Queen Size Walnut BedsteadCaswell County, North Carolina, mid-19th century, seven-part form, triple paneled back headboard with Gothic arches, set within two octagonal posts, th

HILL, John (1770-1850), After William G. WALL (1792-1864). New York, from Governors Island / No. 20 of the Hudson River Port Folio. Aquatint engraving with original hand color. New York: Henry I. Mega

W. Wall (Irish/British, 19th century) possibly William Guy Wall (Irish, 1792-1864). "Coastal Scene", oil on canvas. Signed "W. Wall" lower left. Approx. 12" x 20" (frame), 8" x 16" (canvas)

Attributed to Thomas Sidney Cooper (British, 1803-1902) , "Cows Watering at Stream", oil on canvas, unsigned, handwritten label en verso, 48 1/4 in. x 78 1/4 in., unframed . Provenance: Property deacc

(British, 1738–1806) Portrait of a Smiling Boy in a Landscape with a Greyhound, unsigned, oil on canvas, 53-3/4 x 41 in.; original English 18th century Maratta carved and gilt wood frame, 61-3/

Marilyn Monroe Suite: OLD MASTER PORTRAIT OF A LADY ATTRIBUTED TO THOMAS SULLY

Attributed to Thomas Chambers (American, 1808-1866) Oil on canvas. 18 x 24 in. Ex. Edward Cornwell (1936 - 2002) collection Rochester, NY.

ATTRIBUTED TO THOMAS GAINSBOROUGH (BRITISH 1727-1788), OIL ON CANVAS, UNSIGNED, H 29", W 24", PORTRAIT OF ELIZABETH GOODIN-HAUGHTON TAYLOR :A Thomas Gainsborough (British 1727-1788), a portrait of Eli

Attributed to Thomas Phillips (Dudley 1770-1845 London) Study of a young lady oil on canvas 58.8 x 50.6cm (23 1/8 x 19 15/16in). Footnotes: Provenance Private Collection, USA This lot is

ATTRIBUTED TO THOMAS WHITCOMBEUnited Kingdom, c. 1760-1824"English Frigates". Unsigned. Titled and attributed to Whitcombe on frame plaque.Oil on canvas, 12" x 17". Framed 22"