Michael Gregory (American, b. 1955) Four Works

Michael Gregory American, b. 1955 Fever Few, 1991 Oil and tar on wood panel 20 x 48 inches (50.8 x 122 cm) Provenance: Nancy Hoffman Gallery, New York C

Gregory Mahoney (American, b. 1955) A Pair of Works, 1987 iron each signed, initialed, and dated (verso) Each diameter: 21 1/3 inches. Property from The Private Collection of Ted and Generosa Ammon, N

Gregory Johnson (American, B. 1955) Ferrari's Giving Birth, State Street. Oil on canvas, signed center left and dated June 1990 29" x 38" Frame: 32.25" x 41"

Gregory Johnson (American, B. 1955) Interior with Still Life. Oil on canvas, signed lower left and dated June 1990 71.75" x 45" Frame: 74.25" x 47.75"

Aaron Fink (American, B. 1955) Two Works. 'Green Grapes' and 'Cherry Tomato', both color woodcuts, each pencil signed lower right and numbered 13/40 Larger: 22" x 28" Frame: 37" x 31"

Gregory Johnson (American, B. 1955) Still Life with Fruit. Oil on canvas, signed lower right and dated 'Sept. 1991' 26.25" x 38" Frame: 29.25" x 41"

Gregory Johnson (American, B. 1955) Still LIfe. Oil on canvas, signed lower right and dated Feb. 1991 23.25" x 39.5" Frame: 26" x 42.25"

Joseph Stabilito (American, b. 1955) Untitled Work #47, 1985 acrylic on canvas signed Stabilito (lower left) 52 x 52 inches.

CHARLES SIDNEY CLOUGH (American b.1951) Four works: Membranelle 1989; Polyphyly 1989, Heiligenschein 1989, Chromatic Aberratio 1989" Acrylic on masonite. 18 x 18 inches; frame: 22 3/4 x 22 1/2 inches.

Jim Blanchard (American/Louisiana, b. 1955), Four Architectural Plantation Prints, includes "Houmas House," "River Road / San Francisco," "Woodlawn Indian Camp Plantation / River Road," "Mississippi R

Jim Blanchard (American/Louisiana, b. 1955), Four Architectural Bayou Lafourche Plantation Prints, 20th c., includes: "Elm Hall Plantation," "Madewood," "Woodlawn," "Belle Alliace," each signed lower

Michael Ashkin (American, b. 1955) Polluted River Open Diorama resin with mixed media signed underneath 2 1/4"h x 7 1/4"w x 20 5/8"d

Joe Andoe (American, b. 1955) 1991 (two works) etching and aquatint edition PP 3/5, signed in pencil and dated Larger 17 x 22 inches. Estimate $400-600

BEHYMER, Gregory Lee, (American, b. 1952): Four Florida Scenes: 1) Orange Sky River Landscape, Oil/Canvasboard, 8" x 10", signed lower left, framed, 9.5" x 11.5"; 2) Cool Blue Sundown, Oil/Board, 8" x

Michael Gregory (b. 1955) Backward Glance, State I, 1991 Lithograph in colors on wove paper 17-1/8 x 34 inches (43.5 x 86.4 cm) (sheet&rpa

Jim Isermann (American, B. 1955) Untitled, 2003. Four vacuum formed plastic wall mount irregular squares 34" x 34"

BAD HARE DAY (Mona Lisa); CALL OF THE WILD series: Phone Booth & Megaphone (2); THE GOLDEN GOOSE, four color lithographs, each signed in pencil, numbered XCI/C, 156/275, 269/275, 250/275, images 9 ¾

MICHAEL ROQUE COLLINS (American/Texas b. 1955) A PAINTING, "Cañaris," 1987, oil on linen, signed and dated L/R, "M. Collins 1987," titled on the stretcher and verso a paper gallery label, 18" x 2

Michael Kenna (American/British, b. 1953) Four toned silver prints Comprising: Ponte San Niccolo, Florence, Italy, 1998 Signed and numerbed recto, artist stamp verso, printed 1998; Edition 3/45 4 3/8

Charles Hinman (American, b. 1932) Portfolio of Four Works, 1976 screenprints with embossing on paper each signed, dated, and numbered 52/100 in pencil Largest: 30 3/4 x 33 7/8 inches. Property from

Michael Kessler (American b.1954) Three works, Level Renders, Time Pours and Red Infra-Structure, mixed media on wood panel, each signed and titled verso. Dimensions: Two side panels: 36 x 20 in. Cent

Lot 179 Michael Coleman American (b. 1946) Group, four (4) Trappers etchings with aquatint each pencil signed plate (largest): 9 x 6 1/2 inches sheet (largest): 18 x 15 1/2 inches Provenance: From a N

Lot 180 Michael Coleman American (b. 1946) Group, four (4) Woodland animals two etching and two hand colored etching each pencil signed plate (largest): 12 x 9 1/2 inches sheet (largest): 20 3/4 x 16

Kevin Larmon, (American, b. 1955), 4x4; and 223 (two works), 1985-1986, oil on canvas; each signed, titled, and dated on the reverse, each 18" x 18", both having a Curt Marcos Gallery label on the rev