Sir Robert Fossett's Circus and Zoo (No Connection with

HALF SHEET, W.E. BERRY PRINTING - ENGLAND. FOLDS, SCATTERED FOXING. 20"X29.5"

A collection of 39 circus posters and a window transfer - including vintage posters for Sir Robert Fossett's Circus, Chipperfields, Robert Bros' Circus, Cottle and Austen's, some stone lithographs by

A group of three unframed mid-century Circus advertising posters, comprising two Billy Smart examples and one Robert Fossett & George Sanger example 77 x 51cm

(American School, 20th Century) inscribed verso "copied by Irving Ward Ball", and family history of connection to Robert King Carter, 30 x 24 in.; modern frame, 37 x 31 x 2-1/2 in. Provenance: Private

W.H. RICE WAS ONE OF THE MOST WIDELY KNOWN SHOWMEN IN AMERICA AT THE TURN OF THE CENTURY INTO THE 1930'S. WITH DIVERSE AMUSEMENT CONNECTIONS, HE WAS BEST KNOWN FOR HIS WATER CIRCUS SHOWS. ROBERT RIPLE

18th CenturyThree-Quarter Length Portrait of Sir Robert Walpole (Britain's first de facto Prime Minister)oil on canvas, linedAlthough this large formal painting has been known to-date as a portrait of

MANNER OF SIR ROBERT LORIMER ARTS & CRAFTS CENTRE TABLE, CIRCA 1920 oak(107cm wide, 75.5cm high)

MANNER OF SIR ROBERT LORIMER PAIR OF ARTS & CRAFTS STANDARD LAMPS, CIRCA 1920 oak, each fitted with later pleated silk shades(height to top of fitting, 158cm, without fitting 153cm, base 35cm diameter

Position 22. Sir Robert Dacre. Signed by the Artist on Underside of Base. John Gilliatt Collection/ pictured in A Collection of Courtenay Heraldic and Historical Figures image no 2.193. 1 Piece. Condi

Position 3. Sir Robert Umfaville. Movable Visor. Signed by the Artist on Underside of Base. Pictured in A Collection of Courtenay Heraldic and Historical Figures image no 2.24. 1 Piece. Condition Exce

A DOUCAI DRAGON BOTTLE VASE, QIANLONG MARK H:26CM Provenance: Private collection from Sir Robert Hart Any condition statement is given as a courtesy to a client, is only an opinion and should not be t

Rare pair of William Morris and Company attributed stained glass windows after Sir Robert Burns Jones. This exquisite pair of windows are quintessential William Morris stain, glass, inspired by the wo

A GREEN GROUND SGRAFFITO FAMILLE ROSE PANEL LANDSCAPE VASE, QIANLONG MARK H:42CM Provenance: Private collection from Sir Robert Hart Any condition statement is given as a courtesy to a client, is only

A GREEN GROUND FAMILLE ROSE EIGHT IMMORTALS VASE, QIANLONG MARK H:29.5CM Provenance: Private collection from Sir Robert Hart Any condition statement is given as a courtesy to a client, is only an opin

Eight color prints circa 1803-1810 by Luigi Mayer (1755-1803) and Ainslie's Collection published by R. Bowyer Historical Gallery, 19th century, many (if not all) by Sir Robert Ainslie. Each depicts a

ALBUM CONTAINING APPROXIMATELY 400 PHOTOGRAPHS FROM THE COLLECTION OF ROBERT MACDOUGALL, LONGTIME RINGLING BROS. AND BARNUM & BAILEY SHOW MANAGER. C.1977 IMAGES OF TRAINS, WAGONS, UNLOADING TRAIN, PER

Robert Raikes Original Circus Collection Violet The Pig 17th Edition New in Box

COLLECTION OF LICENSE PLATES

Irish circus Forssett's Circus poster. Ireland's greatest show. Few small rips at the top edge, folded, good condition. Measures 46.5"T x 26.5"W.

EARL FAMILY COLLECTION. ROBERT AND DORIS EARL PERFORMED HIGH ACTS AND INTRODUCED THE ROBERT G. EARL CIRCUS IN 1964 AND LATER THE ROBERTS BROTHERS CIRCUS WHICH HAD A 28 YEAR RUN BEGINNING IN 1974. CONT

English School, 1614 English School, 1614 Portrait of a lady, said to be Lady Frances James (1563-1648), daughter of Martin James of Smarden, Kent, married to Sir Thomas Roberts of Glassenbury Place,

Robert Raikes Original Circus Collection Ringmaster 17th Edition in Original Box with paperwork

EARL FAMILY COLLECTION FEATURING PROMOTIONAL MATERIALS AND PHOTOS, 1950'S AND 1960'S. ROBERT AND DORIS EARL PERFORMED HIGH ACTS AND INTRODUCED THE ROBERT G. EARL CIRCUS IN 1964 AND LATER THE ROBERTS B

Robert Ball Hughes (British-American, 1804-1868): Sir John Falstaff Examining the Recruits Provided for Him by Justice Shallow, 1866. Pyrography on wood panel, after the painting by Sir John Gilbert (