CUT DOUBLE OVERLAY QUATREFOIL PEDESTAL OPEN SALT

CUT DOUBLE OVERLAY QUATREFOIL AND TREFOIL CHAIN COLOGNE BOTTLE / STOPPERED JAR, deep blue to white to colorless, low cylindrical form with additional leaf and star cuttings, angled shoulder with row o

BOHEMIAN CUT OVERLAY MOORISH WINDOW AND QUATREFOIL SALT AND PEPPER SHAKERS, LOT OF TWO, opaque white to translucent blue, tall shouldered form, period lids, polished pontil marks. Second half 19th cen

Includes: (1) Pedestal base open salt with double spouts, stamped "Phirley Handmade"; (1) Stieff Pewter "Old Sturbridge Pewter", single handle, L-3"; (1) colonial style open salt, footed, round, "Will

CONTINENTAL CUT DOUBLE OVERLAY GLASS POCKET BEAKER, white to cobalt blue, large quatrefoil to one face flanked by columns of punties and ovals, reverse with a large swirl design, factory-polished rim

EUROPEAN CUT DOUBLE-OVERLAY GOBLET, opaque white to cased cranberry with gilt decoration, quatrefoil decoration alternating with two small punties, base of the bowl with a band of larger punties. Prob

EUROPEAN GOTHIC CUT DOUBLE-OVERLAY TUMBLE-UP AND UNDERPLATE, opaque white to cased cranberry with gilt decoration, each with a matching pattern incorporating stylized quatrefoils and punty cuts, tumbl

19th c., (2) double-overlay cut to clear, one deep cranberry, the other light cranberry; each 12"h; double overlay white cut to cobalt, quatrefoil pattern on a opalescent white glass column base, 13"h

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

(2) Sets, Salt Dip & Pepper Shaker - Brilliant Period Cut Glass - 4.75" - Signed Hawkes Chilton Pattern - Pedestal - (2) Open Salt Dips and (2) Pepper Shakers with Sterling tops

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

Nineteenth and 20th century. European and American. Flint and cut master salts, pedestal crystal with etched bowls, cut glass, double welled, china, silver plated boat shape, and more.

Austrian/ Hungarian, including a pair of cut glass open salts on silver pedestals with gilt decoration; plus a lidded condiment jar, silver marked "13" h. 3 dia. 3 in.

ASSORTED CUT AND PRESSED GLASS INDIVIDUAL OPEN SALTS, LOT OF 22, colorless, including nine cut glass examples, two double-well examples, one Heisey, one with .875 silver rim, and two fitted in chample

AMERICAN PATTERN GLASS & SANDWICH GLASS S & PEPPER SHAKERS, OPEN-SALTS,KNIFE RESTS, DOUBLE-FACED VASELINE VASE (30) Oriental Porcelain Open Salt Dishes, Cut-Crystal Salt and Pepper Shakers with their

PATTERN-MOLDED FOOTED OPEN SALTS, LOT OF TWO, comprising a colorless double-ogee bowl example molded with nipt-diamonds and an unusual flute-cut rim, raised on a short ribbed stem and an applied circu

Consisting Of An Olive Bowl, A Double Handle Bowl And A Large Vase, Together With Seven Pressed Glass Open Salts And A Pressed Glass Pitcher And Bowl.

Central European Biedermeier sofa table, 19th c., parcel ebonized birch double drop leaf center table, with column pedestal on quatrefoil base with scrolled feet, 27.5"h x 36.5"w x 28"d, 52"w (open)

This Victorian era cobalt cut to clear crystal double-sided scent/smelling salts bottle has ornate end caps, a side that screws off and one side pops open at the press of a button. The one cap bears a

VIENNESE ENAMELED PEDESTAL OPEN SALT, round well with lobed rim and sides, raised on a stemmed pedestal base with center knop, all-over enameling featuring Classical figures in landscape settings and

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

VINTAGE BACCARAT CUT DOUBLE-OVERLAY MUSHROOM MILLEFIORI ART GLASS PAPERWEIGHT, red to opaque white to colorless, six U-form cuts to the side creating a concave hexagonal top window, interior mushroom

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a