BOHEMIAN CUT OVERLAY MOORISH WINDOW AND QUATREFOIL SALT

BOHEMIAN CUT OVERLAY MOORISH WINDOW AND QUATREFOIL SALT AND PEPPER SHAKERS, LOT OF TWO, opaque white to translucent blue, tall shouldered form, period lids, polished pontil marks. Second half 19th cen

BOHEMIAN CUT OVERLAY GOBLET, deep ruby to colorless, waisted bowl finely engraved with a recumbent stag and deer in a landscape, reverse cut with a Moorish window and fleur-de-lis ornament, additional

CUT OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, white to ruby pyriform font, with gilt decoration highlights, translucent jade green Baroque base with gilt decoration bands, brass connector, No. 2 fi

CUT OVERLAY MOORISH WINDOWS COLOGNE BOTTLE, white to colorless, square sharp-shoulder form with pattern repeated twice on each side, panel-cut shoulder and neck, factory-polished flanged mouth, and fl

Cut Overlay Moorish Windows Kerosene Pedestal Lamp. White to ruby pyriform font, brass stem and marble base. Attributed to Boston & Sandwich Glass Co. (and others), circa 1860-1880. 18"h. overall incl

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

CUT DOUBLE OVERLAY MOORISH WINDOWS KEROSENE STAND LAMP, opaque cobalt blue to opaque white to colorless pyriform font, ribbed, brass stem and double-step marble base with stamped brass ornamentation,

ASSORTED PATTERN KEROSENE STAND LAMPS, LOT OF FOUR, comprising three cut overlay examples, including a white to ruby Moorish Windows, a white to colorless Washington, and a ruby to colorless floral ex

BOHEMIAN CUT OVERLAY AND ENAMEL DECORATED PAIR OF MANTLE LUSTRES, opaque white to green with overall gilt decoration, each having Moorish top rims with spaced opal portraits of period men and women wi

BOHEMIAN CUT-OVERLAY GLASS STEINS, LOT OF TWO, opaque white to colorless, comprising a Moorish cut cylindrical form and engraved stating "Karl Wiesekel/Bur Crinerung an Nurmberg", and a flor

ASSORTED CUT OVERLAY COLOGNE BOTTLES, LOT OF THREE, shades of rose/ruby to colorless, including All-Over Diamond and Moorish Window and Leaf examples, two with non-original stopper. Boston & Sandwich

ASSORTED MODERN MINIATURE LAMPS, LOT OF SIX, comprising a cranberry opalescent windows; a pink Fenton Plume, a bohemian-type cut overlay cobalt blue with floral decoration, a colorless with frosting L

White Cut to Blue Overlay Oil Lamp circa 1860. White overlay on powder blue opaline with Moorish window pattern base. With period burner, engraved shade, and chimney. Ht. 25 3/8 in. The lifelong colle

BOHEMIAN CAMEO AND CUT GLASS TUMBLE-UP AND UNDERPLATE, opaque white to colorless, tumble-up with a punty and Moorish Windows motif, original stopper, each with a matching fine Vintage cameo decoration

Two Mid 19th century Bohemian cut glass pink to white to clear overlay decanters with stoppers. With architectural building decoration with gothic windows. Inscribed Fridricke Wieser 1848. 12-1/2" hig

Pair of Mid 19th century Bohemian cut glass pink to white to clear overlay glasses with architectural building decoration with gothic windows. Inscribed Fridricke Wieser 1848. 4-1/2" high.

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

Group of three Bohemian cut overlay white to cranberry-red glass objects including one vase and a pair of lustres with wooden bases. All hand painted with lovely floral motifs and gilt accents. The lu

BOHEMIAN CUT OVERLAY VASELINE DRINKING ARTICLES, LOT OF THREE, each with blue and Vaseline (reacts under black light) glass overlays cut to colorless beneath, consisting of a flared-base bell-for

A matched pair of Bohemian glass mantle lustres, opaque white to cranberry, shaped gilt rims over a bowl mounted with ten cut glass spear-point prisms, stem having cross-hatched panels alternating wit

BOHEMIAN CUT OVERLAY AND ENGRAVED PAIR OF MANTLE URNS AND COVERS, deep amethyst to colorless non-lead glass, each of Classical form with applied ribbed scroll handles, raised on a square stepped base,

Pair Bohemian Cut Overlay cranberry lustres with crystal cut prisms. The bowls have cut petal rims, bulls-eye and decorative cut buttons with scenes or flowers. Heights are 13 1/2 inches. There is a J

BOHEMIAN CUT OVERLAY AND ENGRAVED POKAL, amber to colorless, ovoid bowl with ornate deer running the forest decoration, raise on a cut-faceted knop connector and flaring cut-panelled foot with a scall

CUT OVERLAY QUATREFOIL KEROSENE STAND LAMP, white cut to jade green pyriform font, starch blue Baroque base, brass connector, No. 2 fine line collar. Fitted with a period set-up comprising a