William Overend Geller (British) engraving

W.O. Geller, Franklin in Paris color engraving, William Overend Geller (British, 19th c.), "Franklin at The Court of France, 1778", 29.25"h x 49.5"w (sight), 40.25"h x 50.25"w (frame size), matted and

Woodville, after Richard Caton (British, 1856-1927) and after William Heysham Overend, Pair of plates depicting scenes from the Zulu War in South Africa, originally published in the Illustrated London

"A Midnight Modern Conversation", c. 1732, unknown edition. Dimensions: Sight is 13 3/4" x 18 3/4", the frame 19" x 24".

William Hogarth (British, 1697-1764) Engraving Collection (3) items including 'Sancho At the Feast Starved by His Physician' designed by Hogarth, lower left; as well as an interior scene, 1735, plate

WILLIAM HOGARTH (British 1697-1764) AN ENGRAVING, "Hogarth Painting the Comic Muse," on wove paper, sixth state, inscription naming artist and date L/R. 15 3/4" x 14" NOTE: An adaptation of the artist

WILLIAM HOGARTH (BRITISH 1697-1764), COPPER ENGRAVING, "THE STROLLING PLAYERS", SIGNED, TITLED AND DATED 1738. 19 X 23"

Set Of Six 19th C. British William Hogarth Engravings. 25 1/2" x 22"

William Hogarth, British (1697-1764) Three EngravingsMad in Bedlam, published 1735; The Bench, 1758; and The Bench, a smaller, hand-colored version, published in 1808; all framed.

Late 18th or early 19th century framed William Hogarth (British, 1697-1764) engraving captioned 'And Gives the Helm to Mad Despair' depicting a crowded room, double matted and framed, sight of sheet 1

Late 18th or early 19th century framed William Hogarth (British, 1697-1764) engraving titled 'A Medley,' depicting a congregation of fanatics in the throes of a psalm, double matted and framed, sight

WILLIAM HOGARTH, (BRITISH 1697-1764) ENGRAVING, "SOUTHWARK FAIR", H PLATE:14 1/4" W 18 1/2" The plate dates from 1733 but this is a 20th c. printing. Framed, 21" x 27 ;

Early 20th century framed William Hogarth (British, 1697-1764) engraving titled 'The Man of Taste' and 'Rich's Triumphant Entry,' the first scene depicting a man decorating an arched entryway and the

Framed Antique William Hogarth (British, 1694-1764) Engraving, Noon, 1738 from his Four Times a Day series.This is the second in the series of 4, and depicts wealthy people walking down a cobblestone

After: William Hogarth, British (1697-1764) Engraving "Analysis Of Beauty Plate I". Engraved by T. Cook. Set in shadowbox frame. Frame measures 17" x 21-3/4" Condition: Significant toning or in good c

DESCRIPTION: William Howard Robinson (British) "An Evening at The National Sports Club" engraving on paper features "Peerless Jim" Driscoll and "Jim Bowker" before Round one for the British Featherwei

Joseph William Ludlow British Animal Artist Colored Engraving Signed in image. "Scotch Greys" 20"x22"

Two Engravings, William Hogarth (British, 1697-1764).A Harlot's Progress Plate 1; Sq. Hudibras his passing worth the manner how he sallied forth.Largest framed dimensions: H: 21 x W: 23 3/8 in.

WILLIAM WOOLLETT (BRITISH, 1735-1785) HISTORICAL ENGRAVING, titled "The Death of General Wolfe", after Benjamin West, published by Wm. Woollett, Boydell, and Ryland, London. Professionally mounted in

Wm. Woollett, naval battle colored engraving, William Woollett (British, 1735-1785), "The Battle at la Hogue", after Benjamin West (British, 1738-1820), publisher Woolett & Hall, London, 19"h x 24"w (

William Hogarth, engraving, William Hogarth (British, 1697-1764), "Strolling Actresses Dressing in a Barn", etching and engraving, 1738, 17.5"h x 22"w (sight), 21.5"h x 29.5"w (frame)

William Nicholson (British 1872-1949) Aristocrat engraving signed

W. GOODALL HAND-COLORED BOTANICAL ENGRAVING:

W. GOODALL HAND-COLORED BOTANICAL ENGRAVING:

Wm. Woollett, (3) British hunt colored engravings, William Woollett (British, 1735-1785) , "Shooting" series, Plates I, II, and IV (from a set of 4), colored engravings, 17.5"h x 21.5"w (sight), 23.5"