Style of John Hoppner, (British, 1758-1810), Portrait

In the manner of John Hoppner (British, 1758-1810)Portrait of Master Robin Vaneckeoil on canvas54 1/2 x 36in (138 x 91.5cm)

Circle of John Hoppner (British, 1758–1810) Portrait of a Young Lady, Bust-Length Oil on canvas30 1/8 x 25 1/8 in. (76.5 x 63.8cm) Provenance Private Collection, Washington. Fr

after John Hoppner (British, 1758-1810), Portrait of Sir James Shaw (with Mezzotint)oil on canvas, unsigned, half-length, he holds a rolled paper inscribed "The King's Order of Precendence," the canva

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

John Hoppner, R. A. (British, 1758-1810)Portrait of Mrs. Charles Dunscomewatercolor and pencil on paper9 x 7in (23 x 28 cm) Provenance:The collection of Mrs. Leverton Harris.With A

John Hoppner (1758-1810), a British portrait painter, trained at Royal Academy, and in 1789 he was appointed portrait painter to the Prince of Wales (later George IV) and after the death of Reynolds,

After John Hoppner (British, 1758-1810) William Jennens Peareth   oil on canvas 30 1/4 x 25 1/8 inches. This lot is located in Chicago. Property from the Pamela K. Hull Trust, Chicago, Illinois Prove

Circle of John Hoppner (English, 1758-1810), "Portrait of a Young Lady", oil on canvas, apparently unsigned, with graphite inscription to verso (later (Hoppner), with additional inscription to verso "

Attributed to John Hoppner (English, 1758-1810)Portrait of a gentlemanoil on canvas24 x 20in (61 x 51cm)

John Hoppner R.A. (London 1758-1810) Portrait of a young girl, said to be a Stanley of the Derby family, seated three-quarter-length, with a basket of strawberries oil on canvas 76.6 x 62.8cm (30 3/16

Magnificent oil painting on canvas attr. John Hoppner 1758-1810 showing the portrait of Jane Elizabeth Harley, countess of Oxford circa 1797. Not signed, showing on the back old label. Canvas measures

After John Hoppner (English, 1758-1810) Pair of Portraits: Sarah Franklin Bache (1743-1808) and Richard Bache (1737-1811) Watercolor and gouache on paper, matted and framed. (9 1/4 in. x 7 in. (sight)

Follower of John Hoppner (English, 1758-1810) oil on canvas three-quarter length portrait of a a middle-aged man with white hair, dressed in a white cravat and a high-collared black coat against a dar

Large oil on canvas portrait of a seated lady with roses attributed to John Hoppner (England 1758-1810). Site 50" x 39"

19th C. oil on canvas - portrait of woman attrib. to John Hoppner dated 1810. (1758- 1870). 37 1/4" x 31 1/2".

John Hoppner, United Kingdom (1758-1810) "Clearing In a Grove Trees" Gray Wash Applied on Wet Paper. Provenance En Verso. Good condition. Measures 6-1/2" H x 8-3/4" W, frame measures 13-1/4" H x 15-1/

Oval Form Portrait of Sit John Sylvester. Johann Joseph Zoffany (British, 1733-1810). Faintly inscribed/signed (?) verso. From a Norwalk, CT estate. With original receipt from Sotheby's London, Novemb

School of John Hoppner&nbsp;Portrait of Miss Harriet Bladen, Countess of Essex<

Richard Crosse (British, 1742-1810), Portrait of a Young Lady in Pinkwatercolor on , unsigned, with pearl necklace hair pin and pink gown, presented behind glass in a gold plated over copper locket. L

Attributed to Johan Zoffany (German-British, 1733-1810) Portrait of Edward Gibbon. Oil on canvas 14" x 12" Frame: 19.25" x 17"

John Minton British, 1917-1957 Portrait of Robert Hunt at Age 19, 1948 Graphite on paper 14 3/4 x 10 3/4 inches (37.5 x 27.3 cm) Provenance: Thomas Agnew, London Spink & Son, London C Property from th

John Pettie (1839-1893) British. Portrait of a Scottish Laird, Oil on Canvas laid down, Signed, 11.5" x 9".

After John Morgan (British, 1822-1885), "Portrait of a Man of Bethlehem," c. 1894, oil on canvas, initialed "H.W." or "N.W." and dated "1894" bottom right, with a "Winsor & Newton, Limited, 38 Rathbon

John Rogers Herbert (British, 1810-1890), King Lear & Cordelia, Oil On Canvas. Based on his remarkable fresco in the Houses of Parliament, this is an oil study or later copy, similar to the copy paint