Attributed to Thomas Willis. 19th century needlework

Needlework Shipping Diorama of Schooner, attributed to Thomas H. Willis (1850-1925), New York, late 19th century. Depicting two-masted vessel at sea, the silk-lined cardstock sails sewn to project fro

Needlework Shipping Diorama of Schooner, attributed to Thomas H. Willis (1850-1925), New York, late 19th century. Depicting single-masted vessel at sea, the silk-lined cardstock sails sewn to project

American Yacht "VOLUNTEER". Artist: Thomas Willis. 19th century nautical oil painting on canvas with silkwork. The painting depicts the schooner-rigged racing yacht: VOLUNTEER, with crew on deck, sail

Oil on artist board. Gilt framed. Signed lower right indistinctly. Attributed to Thomas Buttersworth. 19th century. Approx. 5 1/2" x 9" sight, 10" x 13 1/2" frame.

An English Majolica Jardiniere attributed to thomas forester, late 19th century of tapering cylindrical form, modeled to show a continuous band of deer in a forest against a cobalt ground. Height 9 7/

Attributed To Thomas Chambers (1808-1866/69), 19th c. Hudson River landscape, oil on canvas. 20 1/2" x 24 1/2". Provenance: Tom Baron Hudson New York. Thomas Chambers was born in London, England, in 1

Majolica Cartel Clock, Attributed to Thomas-Victor Sergentfourth quarter 19th century, Paris, in the Renaissance taste, the satyr-mask finial flanked by putti personifying autumn and spring, the works

Three Utilitarian Pottery Articles, American, 19th century, a salt-glazed stoneware oyster jar, attributed to Thomas Commeraw, Manhattan, NY, early 19th century; a redware ant trap with lead-glazed in

American Renaissance Revival step-down dresser with mirror, in the manner of Thomas Brooks, 19th century, executed in mahogany with burl veneer, the arched crest carved with central shell cartouche ab

A mid 19th century English needlework sampler. Attributed to a former student at a London orphan school called the "Raines Asylum". Multi-color silk embroidery on linen, depicting florals and birds wi

An English Cameo Glass Vase Attributed to Thomas Webb & Sons, Late 19th/Early 20th Century Height 3 3/4 inches.

EARLY 19TH C. NEEDLEWORK PICTURE Needlework in eglomise and gilded frame, (some black is missing around the edge), white roses and leaves tied with a bow, "Betsey Reynolds, 1801", 8 1/2" x 9" (sight);

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

Attributed Thomas Day, Mahogany WardrobeCaswell County, North Carolina, mid-19th century, mahogany veneer, poplar and white pine secondary, multi part form, bold two tiered ogee cornice with an applie

Attributed Thomas Day, Queen Size Walnut BedsteadCaswell County, North Carolina, mid-19th century, seven-part form, triple paneled back headboard with Gothic arches, set within two octagonal posts, th

Attributed Thomas Day, Mahogany Card TableCaswell County, North Carolina, mid-19th century, mahogany veneer, yellow pine and poplar secondary, rectangular hinged lid swivels to reveal an open game com

attributed Thomas Day, Pair of Mahogany Side TablesCaswell County, North Carolina, mid 19th century, rectangular single board top, stylized harp form supports with shaped front and back stretcher on c

Est. $ 150 - 250 Early 19th Century Needlework Sampler . Framed. Measures 14.5 by 12.5 inches. Dated 1807. Discoloration attributed to aging. Label on back of frame Freeman, Carver and Gilder, Looking

Thomas H. Willis (1850-1925, English), "Ship's Diorama of the Robin Hood," 19th c., of a three masted schooner, cloth and oil on canvas, titled lower left, signed in monogram "TW" lower right presente

Pair of 19th century double portrait paintings attributed to Thomas Sully of Philadelphia. One with a boy and girl and the other with two girls. In original gilt frames. Ashton and Browning. 204 Chest

(British, 1815-1885) Portrait of a White Terrier with a Leather Collar, unsigned, oil on canvas, 16 x 14 in.; 19th century gilt wood frame,. Condition: lined, restretched on old stretcher, some retouc

SHERATON CARD TABLE - Boston Mahogany Serpentine Front Card Table, attributed to the workshops of John and Thomas Seymour, early 19th c., having turreted and stepped corners, two board top with string

Mid-19th century oil painting of the Hudson River in upstate NY with boats, homes and figures attributed to Thomas Chambers (1808-1866/69). Size: 14 x 18 in, framed 16.5 x 20.5 inches.

Circa 19th century, white to blue cameo glass with flowers and leaves, attributed to Thomas Webb & Sons but unsigned, sterling silver top signed "Theodore Starr" "Sterling" with a star, glass in very