Roybet; 1883; Merchant of Venice Etching on Tissue

STEPHEN MAXFIELD PARRISH COLORED ETCHING, VENICE, 1883 Stephen Maxfield Parrish American, 1846 - 1938 Venice: Circa 1883 Signed: Stephen Parrish ag. Ft After Walter F. Brown (ll) in plate. COPYRIGHT

STEPHEN MAXFIELD PARRISH COLORED ETCHING, VENICE, 1883 Stephen Maxfield Parrish American, 1846 - 1938 Venice: Circa 1883 Signed: Stephen Parrish ag. Ft After Walter F. Brown (ll) in plate. COPYRIGHT

STEPHEN MAXFIELD PARRISH COLORED ETCHING, VENICE, 1883 Stephen Maxfield Parrish American, 1846 - 1938 Venice: Circa 1883 Signed: Stephen Parrish ag. Ft After Walter F. Brown (ll) in plate. COPYRIGHT

12 1/2 x 16 3/4 inches (sheet) signed and titled in pencil. Together with a second etching "Nantasket" signed Robert Unsht ? 11 x 13 1/2 inches (sheet) Condition: Laid to paper board, toning to edges,

Joseph Pennell (American 1857-1926) A Water Gate in Venice, 1883, etching, signed and dated in the plate, center left. The artist moved to Europe in 1884 to create drawings of London and Italy for Cen

James McBey, Scottish,1883-1959,"September Sunset Venice", Artists Proof, etching, signed numbered lower left, signed right, Verso Retail and Gallery Labeled(DMAS7148)(MM) Measurements:8 3/4 x 17 3/4,

McBey, James (British, 1883 _ 1959). The White Palace (Venice). September, 1925. Drypoint etching, signed and numbered by the artist in lower margin, dated in plate. 18 _ x 12 _. Fine.

Artist: Salvador Dali Title: Merchant of Venice Year: 1968 Dimensions: 12in. by 10in. Edition: Number 90 from the rare limited edition of 150 Suite: Much Ado About Shakespe

James McBey (1883-1959, US/UK) framed and matted etching of Venice dated 24 Sept 1925, pencil signed. 11" x 17" ss / 16.5" x 22.5" oa

(Scottish, 1883-1959) La Fava, or Santa Maria della Fava, 1925, XLII, signed lower right, "James McBey", signed in plate, "McBey, Venice, October 1925", drypoint etching on blue green antique laid pap

Manet, Édouard (French, 1832-1883). "Berthe Morisot." 1872. Etching and drypoint on paper with original decorative tissue guard. Sheet: 10 1/8" x 8" Condition: Very good condition.

(Scottish, 1883-1959) A Regatta on the Grand Canal Venice, 1925, XII, signed lower right "James McBey", etching on cream wove paper, plate 8-7/8 x 15-3/8 in., sheet 12-3/8 x 18-5/8 in.; unframed - Pro

(Scottish, 1883-1959) Two Venetian etchings: Distant Salute (H. 250), 1930, LVII, plate 7-1/4 x 15-7/8 in.; Farewell to Venice (H. 256), 1930, LXXIII, plate 10 x 17-7/8 in., both signed lower right "J

(British, 1865-1945). Etching, pencil signed "D.Y. Cameron" lr, sight size: 11 1/4 x 8 in., framed size: 19 x 14 3/4 x 1 inches. Provenance: Purnell Art Gallery, Baltimore, MD label on verso.

Le Dimanche Matin, 1883. Etching and drypoint. Signed and dated in graphite with artist's monogram lower right. Size: 15 1/4 in. x 7 1/4 in. (38.7 cm x 18.4 cm).Framed: 17 7/8 in. x 27 1/8 in. (45.4 c

THOMAS MORAN (AFTER) The Gates of Venice. Etching, drypoint and roulette on imitation Japan paper, 1888. 455x800 mm; 18x31½ inches, full margins. Signed by Moran in pencil, lower left. Published

EDOUARD MANET (FRENCH, 1832-1883), ETCHING & AQUATINT IN BLACK INK, PLATE SIZE: H 3 3/8", W 6 7/8", "OLYMPIA":From the 1st edition issued in 1867 for Emile Zola (size of edition: 600 prints) but vi/vi

CLARENCE ALPHONSE GAGNON (Canadian 1881-1942) "Agostino Canal, Venice", "Moonlight, Venice" and "Grand Canal, Venice" Etching. Sight: 8 5/8 x 6 1/4 inches; Frame: 13 1/4 x 10 5/8 inches. Sight: 6 7/8

JOHN MARIN Porta San Marco, Venice. Etching on Japan paper, 1907. 228x169 mm; 9x6 inches, full margins. Signed and numbered 29/30 in pencil, lower margin. A superb, richly-inked impression of this ear

JOHN MARIN Ponte Ghetto, Venice. Etching on Japan paper, 1907. 239x189 mm; 9x7½ inches, full margins. Edition of approximately only 30. Signed in pencil, lower right. A superb, richly-inked impre

Framed Frederick Stuart Church Pencil Signed 'Sylph with Owls' 1883 Etching. Framed 22.50 inches x 26.50 inches x 0.75 inches. Paper size 12.50 inches x 17 inches.

Moran, Mary Nimmo (American, 1842-1899), Tween the Gloamin and the Mirk, 1883, etching (in brown ink), roulette and plate tone on cream wove paper, signed and dated in the plate lower left corner, ima

After Michele Giovanni Marieschi(Italian, 1696-1743)Four Views of Veniceetchings on laid paperLot includes: 1. Piazzetta San Basso. 2. Campo dei Frari. 3. Gran Canal between Simone Piccolo and Santa C

Howard Hodgkin (British, 1932-2017), "Venice Afternoon", Etching and Aquatint in colors with carborundum and some hand-painted details on 16 ripped sheets of paper, 1995, signed, dated, and numbered i