Rembrandt, "St. Jerome Reading" - Etching

Rembrandt Harmenszoon van Rijn, framed antique etching laid on paper "St. Jerome Reading". Provenance: Contessa Gallery, Cleveland OH. From a Greenwich, CT private collection. Dimensions: Art:&n

Rembrandt etching, “St. Jerome Reading in an Italian Landscape", , label on reverse reads The Cooper Collection Washington D.C., First state of two, size 9-1/2"x 7-3/4" 259mm x 207mm

Rembrandt Restrike Etching #104 St Jerome Reading in a Italian Landscape. Measurements in inches: 15 1/2 x 19, Image: 8 1/4 x 10 1/4 Condition:Good with no Problems Shipping:We offer in-house shipping

Rembrandt, Van Rijn Original Etching, 1635, St. Jerome Kneeling in Prayer, Looking Down. (Dutch 1606-1669). Small margins, with the entire signature printing, albeit lighter at the end. A good impress

AFTER REMBRANDT (19TH CENTURY) St. Jerome Etching on paper 8" x 10"

7" X 6" plus mat and frame, edition unknown, trimmed. Note reelections of light in photos

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Relief wall plaque of St. Jerome reading, late 19th/early 20th century, in composition with bronze-tone finish, modeled as a scholar of moral and divine teachings. [7 1/2" H x 6 1/2" W]. In overall go

Rosenthal porcelain circa 1950, with a figural transfer decoration depicting a bearded and white-haired St. Jerome reading a large book, stamped on the reverse "Einsiedler von S. Koninck 1609-1659 Sta

Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II Medium-weight, cream laid paper. 1/16" margins all around. No visible watermark. Overall including part

Jusepe de Ribera (Spanish, 1591-1652) St. Jerome Hearing the Trumpet etching 12 3/8 x 9 1/2 inches. Estimate $1,000-2,000

Etching on paper, titled "St. Jerome in a Dark Chamber", 1642" 6 x 6.8" signed and dated in place. Galerie Adrienne

Albrecht Durer etching. First period copper plate engraving, one of his two most important works, St. Jerome in his Study . (The other being Melancholia). Early 16th C. , the back paper label is the 1

Original Heliogravure on Holland paper "St. Jerome en Priere". Circa 1880. Signed in the plate. Overall framed 18 3/4" x 17 1/4".

Hand colored etching reading "Vue interieur de la Cathedrale de St. Etienne de Vienne." Depicting the church's interior with people in red and blue. Housed in a gilt frame with green mat. 13.75 inches

Hand colored etching reading "Vue interieur de la Cathedrale de St. Etienne de Vienne." Depicting the church's interior with people in red and blue. Housed in a gilt frame with green mat. 13.75 inches

REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wi

REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wi

Colored etching. Pencil signed and numbered 28/150. Jerome Myers (1867-1940). Approx. 10 5/8" H x 8" W sight, 17 1/2" H x 14 1/2" W framed.

etching on laid paper, 1635, possibly a later impression or reprint, plate signed lower left, sheet trimmed close to plate, matted and framed. Platemark 3 3/4 x 3 3/8 in.; Sheet Size 3 15/16 x 3 1/2 i

Signed Rembrandt below and dated 1642. Darkened interior dramatically lit by a single high window shows a man, possibly the artist, reading a book at a desk, with a crucifix above his head and a curvi

REMBRANDT The Hundred Guilder Print this version is a printed copy of Rembrandts 1649 etching, there are no apparent inscriptions, subject shows the complete chapter 19 of the Gospel of St. Matthew wi

framed, the back reading "The Triumph of Mardochai! The unsigned and undated etching of admirable expression from the year 1639 appears to the untrained eye as unfinished. However, the sparingly sketc

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"