Sold2024Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/IIRembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II Medium-weight, cream laid paper. 1/16" margins all around. No visible watermark. Overall including partSee Sold Price
Sold2016Rembrandt St. Jerome in Prayer Etching, C. 1635.Rembrandt, Van Rijn Original Etching, 1635, St. Jerome Kneeling in Prayer, Looking Down. (Dutch 1606-1669). Small margins, with the entire signature printing, albeit lighter at the end. A good impressSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Pancake WomanRembrandt van Rijn (1606-1669)The Pancake WomanEtching, 1635, a good but later impression of New Hollstein's final state (of seven), printing with plate tone on cream laid paper without watermark, plaSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the TempleRembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper withoutSee Sold Price
Sold2024'Tribute Money' Etching after Rembrandt van RijnContinental, 17th century (c.1635). A copperplate engraving on lined paper measuring 4 x 3 inches. Overall good condition, no watermark or signature present. Possibly New Hollstein's first state (ofSee Sold Price
Sold2022Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark ChamberRembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,See Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy woveSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger PlateRembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on laiSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small PlateRembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate anSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the TempleRembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wiSee Sold Price
Sold2022REMBRANDT VAN RIJN The Agony in the Garden.REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before theSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Angel Appearing to the ShepherdsRembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out watSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered DressRembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, oSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among RuinsRembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermarkSee Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) Self-Portrait in a Cap and Scarf with the Face Dark** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermarSee Sold Price
Sold2022REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen, 1635 The Stoning of St.REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wiSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn ofRembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fivSee Sold Price
Sold2022REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook.REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).See Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Joseph and Potiphar's WifeRembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1See Sold Price
Sold2022Rembrandt van Rijn (1606-1669) The Landscape with the CowRembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mmSee Sold Price
Sold2022** Rembrandt van Rijn (1606-1669) Beggars Receiving Alms at the Door of a House** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paperSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherRembrandt van Rijn (1606-1669)Bearded Man in a Furred Oriental Cap and Robe: The Artist's FatherEtching, 1631, a very good impression of New Hollstein's final state (of five), on laid paper without waSee Sold Price
Sold2024Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/VRembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip ofSee Sold Price
Sold2022Rembrandt van Rijn (1606-1669) Woman Bathing her Feet at a BrookRembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,See Sold Price
2 days LeftGrogan & CompanyREMBRANDT VAN RIJN, (Dutch, 1606-1669), Bust of an Old Man with Flowing Beard$1,000
2 days LeftGrogan & CompanyREMBRANDT VAN RIJN, (Dutch, 1606-1669), The Angel Appearing to the Shepherds$2,000
2 days LeftGrogan & CompanyREMBRANDT VAN RIJN, (Dutch, 1606-1669), Old Man with a Divided Fur Cap$1,000
2 days LeftGrogan & CompanyREMBRANDT VAN RIJN, (Dutch, 1606-1669), La Petite Tombe (Christ Preaching)$5,000
May 19The Heritage Gallery at Sayville Antiques, IncIllegibly Signed WPA Era Lithograph 215 W 57th St New York City$50
3 days LeftBroward Auction GalleryRobert Van Boskerck (NY,NJ,1855-1932) oil painting antique$10(1 bid)