AFTER FRANCIS WHEATLEY (BRITISH, 1747-1801) PRINTS, LOT

AFTER FRANCIS WHEATLEY (BRITISH, 1747-1801) PRINTS, LOT OF 14, lithograph on paper, hand-colored, including examples from the series "Cries of London"; engravers include Vendramini, Schiavonetti, and

GROUP OF ENGLISH GENRE PRINTS, LOT OF TEN, from the "Cries of London" series, after Francis Wheatley (British, 1747-1801), later issue marked for publisher upper left corner, each laid on board and ho

Francis Wheatley(1747-1801), British, Print. Titled "Cries Of London" 1799A woman holding baskets as a focal point. Two men are located behind the woman on the viewers right and horses are located beh

Attributed to: Francis Wheatley (BRITISH, 1747-1801) oil on canvas, Beautiful Portrait of a young woman holding a dove, 50 in. x 39-1/2in.

Francis Wheatley (attrib.), watercolor, Francis Wheatley (attrib.) (British, 1747-1801), "The Road to the Village", watercolor on paper, no signature visible, 7"h x 8.5"w (sight), 22"h x 23"w (framed)

After Francis Wheatley, RA (British, 1747-1801) Shakespeare, All's Well that End's Well, Act V Scene III, Engraving by George Sigmund Facius (1750-1814) and Johann Gottlieb Facius (1750-1802) Publishe

Francis Wheatley (English 1747-1801), See-Saw. Peg-Top, a pair of sepia etchings. With 4 French etchings each of one of the seasons engraved by Mallet. Largest 11 1/2" x 15 1/2".

FRANCIS WHEATLEY (BRITISH, 1747–1801) OIL ON CANVAS, H 13.5" W 17" ASCOT LODGE NEAR WINDSOR Relined canvas.

Francis Wheatley, R. A. (1747-1801), Tears for Romeo & Julietoil on canvas (lined), unsigned, painted in a feigned oval, presented in a gilt frame with gallery plaque. Stretcher size 28 x 23 in.; Fram

after: Francis Wheatley English-Irish (1747-1801) Mezzotint by Eugene Lily "Repairing to Market" Blindstamp Lower Left "Printsellers Association" Good Condition. Frame Measures 28" by 24". Shipping $9

FRANCIS WHEATLEYUnited Kingdom/England/Ireland, 1747-1801“Jeune Fille Arrive”. Unsigned.Pencil and India ink with tinted watercolor on cream (wove?) paper. Framed. Exhibited:“Les Mai

Painting: Attributed to Francis Wheatley (United Kingdom, England, Ireland 1747-1801), street scene with tavern, oil on wood panel. 11 1/4" x 12 3/4", frame overall 17 1/2" x 19".

Lot includes two FRANCIS WHEATLEY matted prints which are titled, “Hot Spiced Gingerbread, Smoking Hot” and “Milk Below.” One print depicts man in the street holding a tray with gingerbread wi

GEORGE HUNT (BRITISH, ACTIVE 1820-1845) VALE OF ALESBURY STEEPLE CHASE PRINTS, LOT OF THREE, aquatint in colors on laid paper (each), after Francis Calcraft Turner (British, 1782-1846), published by J

This lot consists of an unframed fine art print on paper, done in the surrealist style of Francis Bacon (British, 1909-1992). Image depicts a man with distorted features against a background of solid

Summer, Spring, Autumn. 3 Prints of (4) from Bartolozzi's Four Seasons series. Colour Printed Stipple Engravings Published C1800, London. Engraved Francesco Bartolozzi after Francis Wheatley and Richa

This lot consists of a fine art print on paper, Hand Signed "Francis Bacon" at bottom right and numbered "78/100" at bottom left. Image depicts a disconcerting interior scene: a ghoulish figure contor

This lot consists of a fine art print on paper, Hand Signed "Francis Bacon" at bottom right and numbered "79/100" at bottom left. Image depicts a dark abstraction of a man's face. His features are dis

This lot consists of a fine art print on paper, Hand Signed "Francis Bacon" at bottom right and numbered "77/100" at bottom left. Image depicts a dark abstraction of a man's face. His features are dis

(lot of 4) British School (18th/19th century), "George II," "Maria Countess of Coventruy," "John Manners, Marquis of Graby, Commander in Chief," and "Sir Francis Burdette Bar," mezzotints, overall (wi

Woodblocks Published 1896 by John C. Nimmo, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Printed in colours and fin

(lot of 4) After Francis Calcraft Turner (British, 1795-1846), "Vale of Aylesbury Steeple Chase - Plates 1, 2, 3, and 4," hand colored etchings, published by John Moore (London, England), largest over

Woodblocks Published 1896 by John C. Nimmo, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Printed in colours and fin

Woodblocks Published 1896 by John C. Nimmo, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Printed in colours and fin