Francis Wheatley(1747-1801), British, Print

Francis Wheatley(1747-1801), British, Print. Titled "Cries Of London" 1799A woman holding baskets as a focal point. Two men are located behind the woman on the viewers right and horses are located beh

AFTER FRANCIS WHEATLEY (BRITISH, 1747-1801) PRINTS, LOT OF 14, lithograph on paper, hand-colored, including examples from the series "Cries of London"; engravers include Vendramini, Schiavonetti, and

GROUP OF ENGLISH GENRE PRINTS, LOT OF TEN, from the "Cries of London" series, after Francis Wheatley (British, 1747-1801), later issue marked for publisher upper left corner, each laid on board and ho

Etching. "Out of Study Window." Extensive landscape. Signed in the plate lower right. Dimensions: (Mount) H 14" x W 19", (Paper) H 5.5" x W 11" Condition: Good, well-inked impression. Taped to top edg

This lot consists of an unframed fine art print on paper, done in the surrealist style of Francis Bacon (British, 1909-1992). Image depicts a man with distorted features against a background of solid

after JOHN WRAY SNOW (British 1801-1854) A PRINT, "The Meet at Blagdon," LONDON, hand colored mezzotint engraving after the original, " To Sir Matthew White Ridley Bart. This Engraving from the Origi

Attributed to: Francis Wheatley (BRITISH, 1747-1801) oil on canvas, Beautiful Portrait of a young woman holding a dove, 50 in. x 39-1/2in.

FRANCIS WHEATLEY (BRITISH, 1747–1801) OIL ON CANVAS, H 13.5" W 17" ASCOT LODGE NEAR WINDSOR Relined canvas.

1838 Engraving of Queen Victoria in Coronation Robes - Painted by Alfred Edward Chalon (British, 1780-1860) / Engraved by Samuel Cousins (British, 1801-1887) / Published by Francis Graham Moon (Britis

Francis Wheatley (attrib.), watercolor, Francis Wheatley (attrib.) (British, 1747-1801), "The Road to the Village", watercolor on paper, no signature visible, 7"h x 8.5"w (sight), 22"h x 23"w (framed)

After Francis Wheatley, RA (British, 1747-1801) Shakespeare, All's Well that End's Well, Act V Scene III, Engraving by George Sigmund Facius (1750-1814) and Johann Gottlieb Facius (1750-1802) Publishe

Francis Bacon (British, 1909-1992), "Triptych - In Memory of George Dyer" (one work, left panel), 1974, offset lithograph in colors, signed in felt-tip pen lower right, edition 77/200, published by Ma

This lot consists of a fine art print on paper, Hand Signed "Francis Bacon" at bottom right and numbered "78/100" at bottom left. Image depicts a disconcerting interior scene: a ghoulish figure contor

This lot consists of a fine art print on paper, Hand Signed "Francis Bacon" at bottom right and numbered "79/100" at bottom left. Image depicts a dark abstraction of a man's face. His features are dis

This lot consists of a fine art print on paper, Hand Signed "Francis Bacon" at bottom right and numbered "77/100" at bottom left. Image depicts a dark abstraction of a man's face. His features are dis

White Geranium, Schizanthus. Floral Print of Painting "Flora's Gems" by James Andrews (1801-1876); British Botanical Illustrator. This item is located and shipping from FARMINGTON, CT

Description: Chromoxylographed plate of fish engraved by Benjamin Fawcett after drawings by Alexander Francis Lydon and published by William MacKenzie, London: 1879., originates from ”The Rev. W

Floral Print of Painting from "Flora's Gems" by James Andrews (1801-1876); British Botanical Illustrator. This item is located and shipping from FARMINGTON, CT

(lot of 4) British School (18th/19th century), "George II," "Maria Countess of Coventruy," "John Manners, Marquis of Graby, Commander in Chief," and "Sir Francis Burdette Bar," mezzotints, overall (wi

Three hand colored engravings from Francis Orpen Morris' "The History of British Birds": "Black Grouse", "Dotterel", and "Ptarmigan"; the latter two are signed in the plate, Benjamin Fawcett (1808 - 1

Francis Bedford (British, 1816-1894), "Edfou" from the portfolio titled, "Tour of the East," 1862, albumen print from glass plate negative, signed F.Bedford and numbered "26" lower right, titled, and

(lot of 4) After Francis Calcraft Turner (British, 1795-1846), "Vale of Aylesbury Steeple Chase - Plates 1, 2, 3, and 4," hand colored etchings, published by John Moore (London, England), largest over

GEORGE HUNT (BRITISH, ACTIVE 1820-1845) VALE OF ALESBURY STEEPLE CHASE PRINTS, LOT OF THREE, aquatint in colors on laid paper (each), after Francis Calcraft Turner (British, 1782-1846), published by J

Francis Wheatley (English 1747-1801), See-Saw. Peg-Top, a pair of sepia etchings. With 4 French etchings each of one of the seasons engraved by Mallet. Largest 11 1/2" x 15 1/2".